Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Guest Post: B. Morris Allen is 5x5

5 stories, 5 times

Have you ever wondered how your favorite story would sound if written by another author? What is it exactly, that makes writers different? What does each one bring to the story they’re writing, in terms of style, mood, tone, etc? How would the story sound as written by someone else?

That’s what the Reading 5X5 anthology explores – twenty-five SFF writers writing five variants of five stories. I asked five groups of five authors to start from the same basic story brief, but write in their own way. The result is fascinating – five wildly different approaches to each of the five briefs, but each telling, at its core, the same story.

Where did this come from?

In 2013, I read Retrospective: the Best of Gene Wolfe, in which he encourages writers to pick a story by a successful author, rewrite it from scratch, and analyze the differences. I liked the idea, but never got around to actually doing it.

In 2015, I participated in my first Novel-in-a-Day, in which each author writes one chapter of a novel, based on just a few shared facts and plot elements. There are usually multiple versions of each chapter, and it’s always interesting to read another author’s take on ‘your’ chapter.

From those two seeds, Reading 5X5 arose in mid-2017. What if comparing and contrasting different authors’ takes on the same material was the focus of the effort, rather than a bonus? What if it were an anthology, with several groups of authors taking on the same stories?

Between 2013 and 2017, it just happened that I had started an online SFF magazine, Metaphorosis. By the time I’d come up with the anthology idea, we’d been publishing for almost two years. That meant I had a ready-made pool of authors whose work I knew I liked. I sent out a query, which said, essentially – “Here’s a fun idea. Are you interested? And by the way, let’s do it for charity, so please give me your work for free.” I’m happy to say that a lot of people said yes, because that’s just how Metaphorosis authors are.

Around the same time, I’d come up with the Reading 5X5 title, which gave me the size of the anthology. We had so much interest that we signed up alternates, in case someone needed to drop out. In fact, no one did (the one down side being that I didn’t get to step into the gaps myself.)

So, how did it all work out?

I’m extraordinarily pleased. The stories are fascinating to read and to compare. Some groups ended up reasonably similar (in theme, but not in detail), while others were strikingly different. Some authors stuck close to the brief; others (even those who wrote the briefs) veered off in unexpected directions. No matter what, though, the stories in each group are recognizably the same story at their core, while being creatively, inventively different in most other ways.

Not only that, but it was fun to do.The whole endeavour was collaborative. Writers volunteered to write the story briefs, they took on the proofreading, and they participated in promotion. I enjoyed it, and I think the writers did too.

What about the actual book?

From the start, I wanted the anthology to work for two groups – readers (people like my spouse, who just want to read good stories and can’t be bothered with all the trim) and writers (who want to really dig in and see how and why the stories differ, and how they would have handled the brief). True to that goal, we’ve produced two editions of the book.

  • The Readers’ edition – just 25 great stories from five story seeds.
  • The Writers’ edition – all 25 stories, plus two extras, plus the original story briefs, plus extensive author’s notes for each story and by the writer of each brief. My recommendation is that writers who really want to make the most of the book start with the briefs, and write their own story from one or more of them before reading the anthology. See what choices you and the other authors made, and how they worked out differently. To help that along, set up a website where authors can post their stories and compare with an even larger group: x1.reading5X5.com

You can probably tell I’m rooting for the Writers’ edition. The stories are great in themselves, and I hope a lot of people will enjoy them. But the Writers’ edition is where the real fun is, in my mind. It’s not only interesting in itself – seeing the genesis and the thought process of each author – but it’s a ready-made writing exercise that authors can try on their own, with their critique groups, or, via the website, with strangers. The best ways to develop as a writer are to read and to write. Reading 5X5 offers both. Come check it out!

And did I mention it’s for charity? All proceeds go to the Clayton Memorial Medical Fund, providing for critical medical expenses of SFF writers in the Pacific Northwest (where Metaphorosis is based).

#SFWAPRO

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

Show more

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Guest Post: Writing and Organization

I remember being in middle school and how easy it was to for me to keep my writing organized. I had this blue and white composition notebook which I wrote in every night. Middle school me filled that whole notebook with a story that eventually would evolve into a book I started writing in the beginning of high school.

The more ideas I had made organizing my writing more difficult than it already was. Of course I had journals, but I’d end up only writing a couple pages and forget about the journal and let it collect dust in my drawer. I’d write during passing time in school on sheets of paper which would either end up staying up in my school notebooks or in my pencil case. I could be turning to a new page in my calculus notebook and  then suddenly stumble upon a future chapter of my story. Or, I could be digging around in my backpack for a pencil and instead of my led pencil, I find three folded up pieces of paper of chapter ideas.

I can’t quite say if this disorganization is because I’m forgetful or if this is just one of the perks of being a young writing. If I really wanted to put my disorganization to blame, I could pin the blame on juggling school and writing. The most organized with my writing I have ever been was when I put my ideas in piles of which story they belonged to. My disorganization hasn’t always been an annoyance. The first book that I wrote and self-published was written completely in random notes I’ve written in between classes. But, when you’re working on a chapter for a novel and can’t remember where you placed your notes, that becomes a problem.

The thing is, every writer has their own process. Mine involves writing chapter ideas on loose leaf paper and then losing the paper in my backpack only finding them randomly. Some may use notebooks or journals, binders, folders or even keep ideas written on their phones. I can’t say that there is an ideal way to organize for writers. Everyone is entitled to their own opinion. I can’t stand in the snack aisle at the store and preach about how Nacho Cheese Doritos are the superior Doritos. It’s the same thing with writing. I can’t march into someone’s office and demand that they write a certain way because it’s the superior way to write.

In school, we were taught what the teachers would call the right way to write. We had to do the writing process in their way and not our own. You feel connected to your writing when you create your own writing process. I certainly do. In the end, it doesn’t so much matter how you organize your writing or what process you have.

I could send email blasts and direct messages in all caps to all my favorite authors saying: “HOW DO YOU DO IT?!” If I did do that however, my writing process wouldn’t necessarily be my process. It would be whoever’s process I used. Not everyone else writes the same either. So, yes, I’m disorganized. But, I somehow, out of some random act of God, create something I am proud of. Maybe disorganization does help after all. But, who am I to say. I don’t stand in aisle at the store preaching about what Doritos to buy.

Molly Baumgardner is a young writer and cat enthusiast. You can read her work at https://www.wattpad.com/user/awesomewriter65

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

...

Guest Post from Jamie Mason: ZOMBIEDÄMMERUNG - Twilight of the Walkers

Is Canada’s fascination with zombies the death knell of undead chic?

Good day, eh? And greetings from the Great White North. It’s great to be here on Cat Rambo’s blog to extoll the virtues of our great Canadian literary culture.

OUR GREAT LITERARY CULTURE

picture of a shirtless man shoveling snow

We’ve got some great writers up here in Canada, eh? Like, you guys probably think that Ernest Hemingway’s the best thing since sliced bacon. But a lot of people don’t know that old Ernie had the stuffing beat out of him by Canadian writer Morley Callaghan in a boxing match in Paris back in the 1920s. (So much for your Nobel prize there eh, Ernie?)

Speaking of Nobel prizes, I should mention Margaret Atwood. Now, Margaret’s a real good gal, eh? She can hold her beer and paddle a canoe with the best of us but she’s a pretty good writer, too. People say she should win a Nobel, but she’s been standing in line for so long now that they’ve lost interest in her (like we have with Prince Charles). But it doesn’t change the fact that she’s smart as a whip. About our great Canadian literary culture, she said:

“Canadians are forever taking the national pulse like doctors at a sickbed: the aim is not to see whether the patient will live well but simply whether he will live at all “¦ Our stories are likely to be tales not of those who made it but of those who made it back, from the awful experience — the North, the snowstorm, the sinking ship — that killed everyone else.” ““ SURVIVAL: A THEMATIC GUIDE TO CANADIAN LITERATURE, Chapter 1

Like I said, she’s clever. And she’s right! Even if she couldn’t have licked Ernest Hemingway in a boxing match in his prime (but I bet she could now, eh?)

What Canadians are most often challenged to survive is our great Canadian wilderness.

OUR GREAT WILDERNESS

photo of smokestacks

Whenever Americans want to make a cowboy movie, they come north to film it, eh? Because all their wilderness is gone. We still have some of ours, although Prime Minister Harper is working hard every day to change that, and to make us more modern and civilized like America. Indoor plumbing, Velcro®, remote control tee-vees. What’s next?

Well, what’s next is the very popular Northern Gateway/Keystone XL Pipeline, eh? Because whenever Canadians want to make money, they go south because all our money up here is gone. But Americans still have most of theirs (although their politicians are working hard every day to change that, and to make them more modern and civilized like, say, Russia ““ or maybe the Chinese).

Anyway, with the wilderness gone, what is there left to survive?

Zombies of course!

OUR GREAT ZOMBIES

Prime Minister Harper

Hold your horses, eh? That’s no zombie, that’s Prime Minister Harper (although it’s kind of hard to tell the difference sometimes because he never blinks). Anyway, Prime Minister Harper occasionally takes breaks from rehearsing with his rock band the Van Cats to negotiate trade deals, like the one with China that introduces a mysterious street drug into Canada called L that unleashes a zombie apocalypse.

You probably never wondered what a zombie apocalypse would look like up here, but I tell ya’ ““ it’s pretty scary! I wrote a book about it, eh?

The zombie apocalypse begins the same night your girlfriend skips town with the $5,000 you owe your drug dealer. Fortunately, you know a place you and your best friend Frankenstein can hide out ““ a marijuana grow-op in the hinterlands of rural BC ruled by a psychopathic evangelist who believes she is the Angel of Death. Take a toke and relax. Everything’s going to be fine …

Now why would anyone write a zombie book that takes place in Canada? Well first off, there’s what Margaret said about how we’re always taking the pulse of the patient to see if he’s alive. That sounds right up Zombie Alley, if you ask me! And as for survival, well isn’t that the whole point of a zombie story?

Some of you might be asking: without any wilderness left to challenge your survival, how can this novel truly be Canadian?

Well, like I said, Americans travel north for our wilderness (what’s left of it) and we go south for money. But in abandoning nature for civilization, we’ve created a new wilderness ““ one inside ourselves that’s every bit as ugly and toxic as the slag heaps at Fort Mac, one we try and fill with cash and dope and a new flat-screen tee-vee or fishing boat or something like that.

But that’s just us, eh? Dead inside and following the herd, slack-jawed and trying to consume enough to fill that bottomless hunger the wilderness left behind when it vanished.

So thanks for reading. I hope you’ll check out my book, eh? I worked real hard on it.

““ la fin ““

(“˜cuz this was made in Canada, part of it has to be in French, eh?)

Bio: Jamie Mason is a Canadian sci-fi/fantasy writer whose short fiction has appeared in On Spec, Abyss & Apex and the Canadian Science Fiction Review. His second novel KEZZIE OF BABYLON was released by Permuted Press in March, 2015. Learn more at www.jamiescribbles.com

Want to write your own guest post? Here’s the guidelines.
#sfwapro

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

...

Skip to content