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Press Release: Hearts of Tabat

Cover of Hearts of Tabat by F&SF writer Cat RamboLook at the pretty press release Wordfire put together!

FOR IMMEDIATE RELEASE
Dryads. Minotaurs. Centaurs. Can magical creatures force social revolution in Tabat?

Monument, Colorado. WordFire Press is proud to announce the release of HEARTS OF TABAT, Book 2 of the Tabat Quartet by Nebula and World Fantasy Award Nominee, Cat Rambo.

“a fascinating world of magic, intrigue, and revolution.” “”Publisher’s Weekly on Beasts of Tabat

In Tabat, Beasts — magical creatures like dryads, minotaurs, and centaurs — question a social order forcing them into its lowest level. Adelina Nettlepurse, scholar and secret owner of Spinner Press, watches history being made around her as the city prepares for change, only to find herself faced with the greatest challenge of her life.

In the second book of the Tabat Quartet, award-winning author Cat Rambo expands the breathtaking story from Beasts of Tabat with new points of view as Adelina, Sebastiano, and others add their voices. Tabat is a world, a society, and a cast of characters unlike any you have read before.

Adelina Nettlepurse, noted historian and secret owner of Spinner Press, watches the politics and intrigue with interest, only to find herself drawn into its heart by a dangerous text and a wholly unsuitable love affair with a man well below her station. When Adelina’s best friend, glamorous and charming gladiator Bella Kanto, is convicted of sorcery and exiled, the city of Tabat undergoes increasing turmoil as even the weather changes to reflect the confusion and loss of one of its most beloved heroes.

For interviews, more information, or to request a review copy, please contact us at info@wordfire.com.

Hearts of Tabat
Trade paperback $19.99. ISBN 978-1-61475-637-8
Ebook $5.99. ISBN 978-1-61475-638-9

Coming May, 2018

WordFire Press is a mid-size new-model publisher founded by New York Times bestselling authors Kevin J. Anderson and Rebecca Moesta. You can find us at wordfirepress.com. Tweet us @WordFirePress. Follow us on Facebook at facebook.com/WordfireIncWordfirePress.

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So I Wrote This Novella

Cover for Tales From The Fathomless Abyss, stories by Mike Resnick & Brad R. Torgersen, Jay Lake, Mel Odom, J.M. McDermott, Cat Rambo, and Philip Athans.
Cover for Tales From The Fathomless Abyss, stories by Mike Resnick & Brad R. Torgersen, Jay Lake, Mel Odom, J.M. McDermott, Cat Rambo, and Philip Athans.
I’m turning in something today that I’ve never tried before: a novella.

Back when I was first approached about the Fathomless Abyss, it involved an initial story and a later novella. Sure, I said, and whacked out a story for the first Fathomless Abyss book, TALES FROM THE FATHOMLESS ABYSS. It was “A Querulous Flute of Bone”, which I based on an O.Henry story, and which I think is one of my best stories to date. If you don’t believe me, spring for the 99 cent download and tell me if I’m wrong.

Then I started on the novella. The first thing I did was look up the length requirements. Wikipedia told me the official SFWA definition was 17500 to 40000 words. So just a long short story, right?


The problem with that was that…I write short. I excel at under 4000 words. So I turned again to a model. I’d been thinking about issues of addiction and so I decided I was going to write about that, and use William S. Burroughs’ JUNKY as my starting point. And I was going to throw in a touch of Lovecraft for spookiness and make the drug of my protagonist’s choice something a bit weird. And I wanted to reference some of the cool stuff the other Fathomless Abyss writers had added to the world.

I was telling a life story, from early days in an Abyssal village, through journeys to all sorts of points, culminating in some sort of…well, you know…climax. There was a chase for one thing, then another chase for what it turned into. I wanted to include something about the philosopher-king Nackle, whose teachings figured in “A Flute of Querulous Bone.” I wanted mushrooms and hallucinogenic wasp stings and pack llamas. I sketched out an outline and started writing. And I kept folding in stuff I wanted to include as I ran across it and then I reread Joe Lansdale’s THE COMPLETE DRIVE-IN and decided to not worry about being too weird and things all fell together…

And I became aware it was too long. Too, too, too long to finish on deadline. But I had the first half written and there was a good place midway to split the narrative, and so I said to Phil, “What if I do a pair of novellas, this first half, and then give you the second half for later release?”

So that’s what we have. I’m turning in A SEED ON THE WIND this time and A CAVERN RIPE WITH DREAMS will follow on its heels.

Wikipedia quotes Warren Cariou when discussing novella structure:

The novella is generally not as formally experimental as the long story and the novel can be, and it usually lacks the subplots, the multiple points of view, and the generic adaptability that are common in the novel. It is most often concerned with personal and emotional development rather than with the larger social sphere. The novella generally retains something of the unity of impression that is a hallmark of the short story, but it also contains more highly developed characterization and more luxuriant description.[7]

I know mine is focused on the development of a protagonist who I fear is somewhat unlovable. I’ve tried for interesting characterization and today I’m finishing up adding a layer of luxuriant description.

If you’ve come looking for advice on writing novellas, I’m not sure I have any. Perhaps you, the readers, can tell me what you think of them and what you’ve done when trying that form. I know Rachel Swirsky is a champ at writing them. What do you think – do you like novellas? What do or don’t you enjoy seeing in them? Can you think of anyone you think does them exceedingly well?

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Treating Myself

Things keep moving along well and I thought I’d check in. My reward for winning a Nebula is that I’m using part of teaching plus Storybundle money to upgrade my workspace. I just put in the order for a fancy standing desk and stool, and am going to retire my faithful IKEA hack deck that I’ve been using the last six years or so.

This will be a much wider workspace, so it also means I can pick up a second monitor and have a lot more real estate when teaching/writing. I had that with my former set-up and it really made a difference when working. I’ve been holding off on this while waiting to move and finally figured I might as well go ahead, since it seems likely we’re here for the duration.

As to why I feel justified in rewarding myself, it’s productivity and nose to the grindstone! Here’s some testimony to 2020’s work in the form of my current writing/editing projects and where they stand:

The space opera series: The copy-edits for You Sexy Thing are in and the editor didn’t mind that I shifted around a couple of scenes in doing them. The listing is up! Still waiting to see what the cover looks like. The second book is currently at incoherent first draft status. Need to start pulling notes together for book three.

The Tabat quartet: Finishing up Exiles of Tabat ASAP is the current big project on deck. I also have some notes for the final book that I need to start putting in one place.

Baby Driver: Need to catch up on writing this. I have someone interested in publishing the final product, and I would also like to do it as a comic book, so I’ve got 3-4 pages of that script written.

Books hovering in the wings: a rewrite of the MG book, a literary horror stand-alone, a Tank Girl/Harley Quinn/Doctor Strange mash-up set in post-apocalyptic Seattle (stand-alone?); fleshing out an existing project that will be a literary SF novella.

Upcoming publications: Because It is Bitter (novella) in AND THE LAST TRUMP SHALL SOUND; Every Breath a Question, Every Heartbeat an Answer (novelette) in BENEATH CEASELESS SKIES; Crazy Beautiful (story) in THE MAGAZINE OF FANTASY & SCIENCE FICTION; Snowflakes (story) in LAST CITIES OF EARTH; Stand and Deliver (story, with Wayne Travis Rambo ) in DARK MATTER MAGAZINE ; I Decline (flash) in DAILY SCIENCE FICTION).

Current story projects: a space western short story in collaboration for an anthology request; a space opera short story for an anthology request; a near future caper novella; a near future SF story, the usual smattering of flash.

I also have an upcoming anthology project that I just finished looking over the contract for; look for slush reader calls and guidelines soon but don’t mail me until they’re posted!

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