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Tim Cooper's The Reader: War For The Oaks

Front cover
This is my first review for The Green Man Review, but I cannot help but feel I have somehow come full circle from the moment in a 2005 World Fantasy Convention bar when someone kept telling me how much they enjoyed my Green Man Review reviews and I kept mentioning they had the wrong Cat. Now all I can do is assume they traveled in time somehow. And so. Let’s look at a nifty book in the here and now, in what is hopefully the first of many reviews.

The Reader: War For The Oaks is a hardbound book presenting a photography project by Tim Cooper. It’s a slim little 8.5″³x 11″³ volume, clocking in at 96 pages. The pleasant interior design presents the photos nicely, along with some pretty arboreal details. The cover, whose design is unobjectionable but unremarkable, features a photo that lets the reader know exactly what the book is about: photos of people reading War For the Oaks in various Minneapolis locations.

There are a few books I have re-read so many times that they are an integral part of fantasy to me, and Emma Bull’s first novel, War for the Oaks is one of them, featuring Eddi McCandrey and her half-human, half-elvish band, the Fey. It was originally published in 1987; the paperback copy I’ve been carrying around for decades is battered and coverless now, but it was a pleasure to have the task of going back and reading it yet again in order to do this review.

I’m not alone in loving this story, and the book’s part in defining and shaping urban fantasy cannot be overestimated. Reading in many ways like a crisper, less Romantic version of Charles de Lint, Bull demonstrates in this book that despite being one of the quieter writers, she will become a major talent. Many nifty but commercially non-viable projects that we would miss if reliant only on traditional publishing have come out in recent years, often supported through crowdfunding; this one was a Kickstarter project. It’s delightful to see a project dedicated to the novel in this way, celebrating how much the book has meant to many readers.

Which is perhaps my major caveat. This book will enchant, down to their very toes and beyond, those who love Bull’s novel and know the city as well. Cooper’s photos show locations from the book in an order corresponding to the novel’s chronology, each time with people reading War for the Oaks somewhere in the picture. For someone who loves the book in part because of its setting, the sole disappointment may be that the photo are low enough resolution that sometimes it is difficult to make everything out.

Back cover

Familiar with the book but not so much with the city? Mileage will vary here, depending both on one’s degree of affection for the book as well as how firmly the reader is attached to their vision of things. Someone with a mental vision that is particularly strong, in fact, might find it jarring to have it contradicted by these pictures.

Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.

Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.

I’ve stuck this on one of my shelves of favorite F&SF next to that battered paperback copy of War for the Oaks, because it’s definitely a keeper. Next time I’m at a con with the author, I may even take it along, because having it signed by the person whose book inspired so much passion would make it even niftier.

(Tired Tapir Press, 2014)

You can read this review at http://thegreenmanreview.com/books/recent-reading-eddi-and-the-feys-revival-tour/

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Retreat, Day 2

Photograph of a cat and lemons.
Lemons. Cat provided for scale
I’m holing up and working hard on the sequel to Beasts of Tabat. I let myself have July 1 off because that was a travel day, but yesterday I managed 5k words, though that last half was like pulling teeth. This morning I got up and sat down without checking e-mail and got 1000 out of the way. My goal is 25k each week until the middle of August, which should see me with Hearts of Tabat in a decent final draft, several stories I’ve promised to people completed, the YA novel further along down the road, and perhaps even some more of Exiles of Tabat (book 3) drafted. I will be teaching while here — tomorrow is the first section of Writing Your Way into Your Novel.

To keep myself honest, I’ll be posting word count and WIP excerpts.

So, yesterday:
Word count – 5k
Hearts of Tabat current word count – 82184
SFWA time – hour and a half on call plus e-mail plus skim thru discussion boards

From Hearts of Tabat, an early chapter, still in rough draft form.

This is what a riot looked like. Pink velvet darkened to plum by spilled punch, and flickers of angry firelight glistening on the sticky surface. Two shattered windows, broken glass spiderwbs in reverse, light from the aetheric lamps hanging over the street outside washing in, acitinic blue white over the parquet floor that had been Benarda’s pride, two hundred and thirty different kinds of wood, each dedicated to a different Trade God, zebra-striped bits of southern wood like dappled petals around her boots, as though she trod on clots of dirt-streaked snow, chips of mammoth ivory salting the petals in tiny white freckles.

A punch bowl, shattered by the first brick that had come in, landing soundly in the middle beside the overturned table, sending punch and bits of curved luster-glass everywhere, a great puddle of liquid changing the colors of the woods beneath them, tinting them dark and rose.

Two paintings askew on the walls, others lying on the floor in a jumble that drew the eye as much as their subject matter, impious and arresting, the torches that had set the rioters outside afire. Someone must have known what the paintings would be like, must have tipped people off, organized the crowd.

There. Marta’s eyes, glittering hate at Adelina across the room. Gods, even now the woman would rather hold her grudge against Bella rather than worry about keeping herself alive.

This is what a riot sounded like: angry shouts coming in through the windows, drowning out the frightened whispers all around Adelina (“Was that Bella Kanto who just went out? Of course I knew she’d be here.) Benarda somewhere behind the scenes, ordering someone else to do something, it was unclear what. The woman’s best chances of keeping her gallery further intact had just walked out the door in order to stand down the crowd, which had grown from the few dozen that had been here when she and Bella had first arrived, immediately after the now-absent Duke’s speech

This is what a riot smelled like: smoke and sweat and alcohol and all the mingled pomades and perfumes ““ who was still wearing vetiver, that went out last season? And what was that intriguing cinnamon and musk blend, was that an actual edge of rum in it or some remnant of the punch?

That was what a riot felt like: Leona’s small fingers in Adelina’s own, Bella’s tiny cousin and the center of all this clamor breathing hard, the gasps and gulps of air she took in when stressed.

Adelina’s own pulse beat fists against the hollow of her throat, pressed tight fingers behind her brows every time the streetlight struck her eyes, hammered at the pit of her belly, unnerving her.

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Recent New Processes and the Results: How I'm Managing 5k Words a Day

I came back from PNWA this year inspired by talking to Chris Fox, author of 5,000 Words an Hour, and adopted a new writing process, which has several parts. I want to emphasize that I’m pretty sure this is not a process that’s going to work for everyone. I have, for example, major luxuries such as a) no children, b) the financial resources for a gym membership, c) the time to make use of that membership as well as devoting a significant chunk of my time to writing, and d) good health and reasonably good energy levels. If this process sounds like one that might work for you though, I highly suggest you check out both the book as well as others by Chris Fox.

So here’s what I do.

  • I get up at 5:30 AM and drive over to the gym to work out, doing a mix of elliptical and rowing machine, mainly about 45 minutes to an hour’s worth. In recent days, when the fog has been thick, I’ve chosen to do an hour’s brisk walk instead. Yes, it is dark, and cold, and miserable. No, I am not looking forward to colder weather and having to de-ice things.
  • I come back here, eat my yogurt, start a pot of coffee, and begin writing with absolutely no Internet allowed, whether on phone or computer.
  • I write in Scrivener, (writing software I’ve been using for over a decade now, available for both Mac and Windows OS) and I set myself a goal of 5,000 words, keeping the word count tracking window open so I can see the progress.
  • I do a lot of 30 minute writing sprints, where I spend a few minutes beforehand figuring out what I want to accomplish in the scene I’ll be writing. Some of that will be typed, but if the flow is going well, I may switch over to dictation, using the Mac’s dictation feature, which I’ve come to favor over Dragon Dictate.
  • Usually by 9 or 9:30 AM I hit the 3k word mark, and at that point, let myself walk over to a local coffee shop to pick up a latte and a pastry. It’s a 10 minute walk (and that’s another luxury I have, pleasant and safe surroundings for such a walk.) I can text my spouse at this point, but no Internet access still, even when waiting in line at the coffee shop.
  • Sometimes I’m not sure I’ll hit my 5k mark by 11 AM but most of the time I do. (If I don’t, I keep writing till I do.)
  • I reward myself for hitting my goals, usually with something on a weekly basis, but I’ve also been known to promise myself a treat for the day if it’s hard going. The rewards of late are Breyer horses, which is something that I would normally never allow myself to splurge on. Apparently my inner twelve-year-old is a powerful motivator.

The Breyer that started it all, “The Girl from Ipanema” form th Equestral line.
Doing this has pretty consistently yielded 5,000 words each weekday along with another 5,000 spread out over the weekend, with the experience of the past few days, when I was at a writing conference but still managed two early morning workouts and 2,000 words. Currently I’m at over 93,000 words for the month of October. I’ve finished two books since PNWA: an adult novel as well as a middle grade one, and am currently 22,000 words into the sequel to the former.

I’m more productive overall and less likely to put stuff off (I think). Chris quotes Mark Twain as saying “Eat a live frog first thing in the morning and nothing worse will happen to you the rest of the day.” And it’s true. Get it and soldier through something not particularly palatable, and other stuff becomes easier. It does seem that, for me, working on strengthening my willpower is paying off. Staying off the internet is better overall for my sanity I think; I know I’ve pretty much stopped paying any attention to the trollios because there’s just not enough time in the day and wrangling with them is pointless anyhow.

And what I’m writing is pretty good! Writing that fast means it’s fresher in my head and I’m less likely to lose my way or forget bits I’ve added, The “making it all fit together pass” is easier than with manuscripts written over more time.

So why say all this? Am I taunting you with my productivity? Absolutely not. But I am saying – I started pushing myself a little harder and I was surprised how much farther I could go by doing something that put me in my body and then avoiding distractions and focusing on writing in an undiluted way, free of email distraction. There was no mail so important it could not wait until 11 AM.

I did learn to get better about getting set up ahead of time, making sure my gym clothes were laid out, my headphones ready, and that I knew where Wayne had parked the car each night. One morning I ended up going to the gym in damp clothes and feeling quite virtuous; I’ve also been feeling a lot healthier, stronger, and more energetic as a result of this regime.

I also don’t beat myself up if I miss track. I didn’t write as much as I wanted to at Surrey, but I also spent some time napping and reading in order to maintain my energy level and stay at my best during the conference. Today it was so foggy that I didn’t drive over to the gym — but I still managed to get my 5k in, so hooray for me. Tomorrow will be another day.

...

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