Books that I read to blurb or edit are not included in this list. I read over 200 books in 2024, counting books read for editing and feedback as well as for pleasure.
My Top Reads of the Year
Chain Gang All Stars by Nana Kwame Adjel-Brenyah is near future SF focused on the prison system, and is a gripping, savage indictment of the way we treat criminals.
The Last Hour Between Worlds by Melissa Caruso is modern day fantasy with gorgeous worldbuilding and a great queer protagonist.
Dungeon Crawler Carl by Matt Dinniman (and all the subsequent books) are amazing examples of LitRPG, and if you like to play games, you will love these books. This was originally an indie book, but it’s been picked up by a major publisher and is very available.
Menewood by Nicola Griffith is the sequel to her amazing book Hild, and is just as beautifully written.
The Ballad of Perilous Graves by Alex Jennings is fantasy set in a post-Katrina New Orleans and it is gorgeous. I interviewed Alex for If This Goes On; Don’t Panic. You can find the episode here.
The Last Shield by Cameron Johnston is Diehard in a castle with a strong female protagonist and I ate this up.
The Eyes Are the Best Part by Monika Kim is a horror thriller that is transfixing.
Liberty’s Daughter by Naomi Kritzer is near-ish future SF that shows you what a libertarian state really would look like.
Metallic Love by Tanith Lee is the sequel to The Silver Metal Lover so if you loved that book the way I did, you’re welcome.
Alien Clay by Adrian Tchaikovsky is wonderful SF that feels very timely.
How to Be the Dark Lord and Die Trying by Django Wexler is funny as hell and well worth picking up. I’m really looking forward to the sequel.
Someone You Can Build a Nest In by John Wiswell is cozy horror and an utterly delightful love story.
Other 2024 Reads I Really Enjoyed and Highly Recommend
The Poisons We Drink – Bethany Baptiste
Ancestral Night – Elizabeth Bear
Necessary Poisons – Andrea Blythe
The Savage Detectives – Roberto Bolano
Fortune’s Fool – Angela Boord
The Outcast Mage – Annabel Campbell
The Fall is All There Is – C.M. Caplan
Ring Shout – P. Djeli Clark
The Mercy of Gods – James S.A. Corey
Carl’s Doomsday Scenario – Matt Dinniman
The Dungeon Anarchist’s Cookbook – Matt Dinniman
The Eye of the Bedlam Bride – Matt Dinniman
The Gate of the Feral Gods – Matt Dinniman
The Reformatory – Tananarive Due
The Spell Shop – Sarah Beth Durst
Dr. No – Perceval Everett
God’s Country – Perceval Everett
Under the Skin – Michael Faber
Victorian Psycho – Virginia Feito
Shades of Grey – Jasper Fforde
Dragonslave – Dominque Glass
The Unstrung Harp – Edward Gorey
Hild – Nicola Griffith (reread)
This Princess Kills Monsters – Ry Herman
Still the Sun – Charlie N. Holmberg
Dead Set – Richard Kadrey
Fateless – Julie Kagawa
When the Tides Held the Moon – Venessa Vida Kelley
A Sorceress Comes to Call – T. Kingfisher
The Bones Beneath my Skin – TJ Klune
The Poppy War – R.F. Kuang (reread)
Station Eternity – Mur Lafferty
Red Sister (Book of the Ancestor 1) – Mark Lawrence
Grey Sister (Book of the Ancestor 2) – Mark Lawrence
Holy Sister (Book of the Ancestor 3) – Mark Lawrence
The Scarlet Throne – Amy Leow
Six Crimson Cranes – Elizabeth Lim
Black Mouth – Ronald Malfi
Legacy of the Brightwash – Krystle Matar
Adrift in Currents Clean and Clear – Seanan Mcguire
The Fifth Veil of Salome – Silvia Moreno-Garcia
The Tusks of Extinction – Ray Nayler
The Witchstone – Henry H. Neff
Hum – Helen Phillips
Haunt Sweet Home – Sarah Pinsker
The Book of Doors – Gareth Powell
Hells Acre – Lilith Saintcrow
The Incandescent – Emily Tesh
Camp Damascus – Chuck Tingle
Womb City – Tlotlo Tsamaase
State of Paradise – Laura Van den Berg
The SafeKeep – Yael Van der Wouden
Saga, Vols 2, 3, 4, 5 – Brian Vaughn
Horse of a Different Color – Howard Waldrop
Wheel of the Infinite – Martha Wells
The Witch King – Martha Wells
The Staircase in the Woods – Chuck Wendig
The Nickel Boys – Colson Whitehead
Firewatch – Connie Willis
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Trigger warning: child murder, violence
This is an early superhero fiction story of mine that originally appeared in Corrupts Absolutely?, edited by Lincoln Crisler.
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Mentioned this on Patreon yesterday and putting it here now. I’m taking November 2 through the 15th off and going to chillax and recuperate a bit. I’ve got that section of time blocked off in my schedule with big letters that say “DO NOT SCHEDULE” and I’ve managed (for the most part) to avoid doing so.
Here’s the anthology update so you don’t have to wade through the rest for it. Yes, the anthology is still happening, but right now I’m working to get it handed off to someone else who has more bandwidth (and organizational skills) but everything should go as planned. But I am gently easing much of it off my plate.
Why? Because I’m tired. So tired. Between teaching and Zoom sessions I haven’t had a single day where I wasn’t working in one form or another in recent months. I’ve been keeping on keeping on unrelentingly since the beginning of 2020 and I need to spend two weeks recharging after 10 months of staying cheerful and finishing two books and a bunch of stories in the face of the pandemic, dealing with the death of two close loved ones, an attempt to move to Portland that fell through, a lot of ongoing online harassment, and the general state of American politics.
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This short urban fantasy story originally appeared in Stamps, Vamps, and Tramps, edited by Shannon Robinson. It takes place in Durham, North Carolina, and involves a tattoo artist who’s got a different purpose in mind than her latest client does. It seemed like it would be a fun Halloween story to share!
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I have been remiss about blogging, and I thought I’d like to share some of the stuff I’ve enjoyed lately. I do want to start by pointing out there’s just a couple days left on a Storybundle that includes my Nobeula-winning novelette, Carpe Glitter, as well as one of my favorite reads of 2019, The Traveling Triple-C Incorporeal Circus by Alanna McFail.
I finished Rin Chupeco’s The Bone Witch and The Heart Forger and really liked them both. The third volume in the trilogy, The Shadowglass, is queued up on my e-reader right now. An elegant, enjoyable series.
The screen play of Jordan Peel’s Get Out features an essay by Tananarive Due as well as plenty of deleted material and Peele talking about the script. Really lots of stuff that interested me and I’m really glad I picked it up. I will be going watch to watch the movie again.
Rediscovery: Science Fiction by Women (1958-1963) is a terrific anthology with a lot of stories I hadn’t hit before. part of my self-directed reading this year (as with last year) is finding stuff written by women at the times when conventional wisdom says there weren’t a lot of women writing. Part of the fun of conducting the short story discussion group that’s part of the Chez Rambo community calendar is sharing and exploring some favorites. next up on our agenda, for example, is Kit Reed’s “The Food Farm.” Authors represented are Pauline Ashwell, Rosel George Brown, Doris Pitkin Buck, Otis Kidwell Burger, Sonya Hess Dorman, Joy Leache, Katherine MacLean, Judith Merril, Kit Reed, Jane Rice, Maria Russell, Sydney cvan Scyoc, Anne Walker
Alex Burcher’s alternative history As Ants to the Gods is dense but evocative prose that conveys the flavor of its world, where the Arab civilization has taken over Europe and is in the middle of its Industrial Revolution. The paperback comes out on the 10th and if the production values are as high as the e-book would imply, it will be a pretty book.
I hadn’t learned about the joy that is Rat Queens yet; currently on the 3rd book with the 4th on its way.
Since I love reading gaming supplements and systems, I was pleased to get the fulfillment for a Kickstarter I’d supported, the Monsters! Monsters! RPG Rules by Ken St. Andre along with a solitaire adventure, “Toughest Dungeon in the World.” Another system I picked up recently for reading is Tales from the Loop; I wasn’t entranced by the TV episode I watched, but I may be playing in a brief campaign of this so I wanted to check it out.
I’ve been watching season 2 of The Umbrella Academy (lots of fun but season 1 was better, IMO), Stargirl (so cheesy! so snappy and fun!), and Z Nation (halfway through season 3 and really enjoying it despite the fact I dislike zombies).
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Stephen King said, “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” I don’t know many pro writers who disagree with him. We might debate how much reading is enough, and I think a lot of us struggle to find time for writing, reading, and the myriad other things we have to do to live. To me, that competition for time makes the time that I do have to read more important.
I’m a science fiction writer. Right now, I write military sci-fi thrillers. My debut novel, PLANETSIDE, came out in 2018 and the sequel, SPACESIDE, released in late August. I think it surprises people when I tell them that the biggest influence on PLANETSIDE was GONE GIRL, by Gillian Flynn. If you happened to have read both, you’re probably thinking to yourself”¦but wait”¦PLANETSIDE is nothing like GONE GIRL.
Of course it isn’t. Yet, here we are.
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I’m tracking my reading on a monthly basis again as part of 2019’s effort to be more methodical about record keeping. So here’s what i read, along with some notes on it, as i start building up in order to be doing more regular lengthy reviews again.
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The works read but yet to be reviewed are piling up, so here’s a new roundup to clear away part of the deluge.
The Mere Wife by Maria Dahvana Headley is a retelling of Beowulf from the monster’s point of view, set in a possibly not-so-future world where the rich live in protected enclaves. Stark and beautifully told, the story raises the question of who the actual monsters are and whether they haven’t been residing in us all along. (Farrar, Straus and Giroux; release date 17 July 2018)
A Treacherous Curse by Deanna Raybourn is the second in what feels very much like a series, following A Perilous Undertaking. It reads a lot like Elizabeth Peters’ Amelia Peabody series but with a much more sexually outspoken protagonist named Veronica Speedwell and a dose of fantasy. I initially thought Speedwell’s love interest was Bram Stoker, which actually turned out not to be the case. A fun, light read. (Berkeley Original, 2018)
The Year of the Knife by G.D. Penman is entertaining urban fantasy in the police procedural tradition, and will remind the reader of a Ben Aaronovitch novel with a slightly smaller cast. Meerkat has been putting out some very solid stuff, and this is another example of that. (Meerkat Press, 2017)
Two graphic novels, very different from each other, round out the list. The first is Freedom Hospital: A Syrian Story by Hamid Sulaiman, winner of the English PEN Award. This book is graphic, a brutal and heart-wrenching introduction to conditions in Syria in 2012. The art is simple, sometimes with the quality of a slogan stenciled on a wall: I could image image after image from the book used in that way. Recommended but not light reading. (Interlink Publishing Inc., 2018 American Edition)
Henchgirl, by Kristen Gudsnuk, comes from Dark Horse Books and is a fun exploration of the economics of supervillainy, particularly for the minions and henchfolk just trying to make an honest living. Clear and charming drawing with a nice sense of whimsy. (Dark Horse Books, 2017)
You can read this at http://thegreenmanreview.com/books/recent-reading-wolves-wives-knives-curses-a-hospital-and-a-henchgirl/
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The Reader: War For The Oaks is a hardbound book presenting a photography project by Tim Cooper. It’s a slim little 8.5″³x 11″³ volume, clocking in at 96 pages. The pleasant interior design presents the photos nicely, along with some pretty arboreal details. The cover, whose design is unobjectionable but unremarkable, features a photo that lets the reader know exactly what the book is about: photos of people reading War For the Oaks in various Minneapolis locations.
There are a few books I have re-read so many times that they are an integral part of fantasy to me, and Emma Bull’s first novel, War for the Oaks is one of them, featuring Eddi McCandrey and her half-human, half-elvish band, the Fey. It was originally published in 1987; the paperback copy I’ve been carrying around for decades is battered and coverless now, but it was a pleasure to have the task of going back and reading it yet again in order to do this review.
I’m not alone in loving this story, and the book’s part in defining and shaping urban fantasy cannot be overestimated. Reading in many ways like a crisper, less Romantic version of Charles de Lint, Bull demonstrates in this book that despite being one of the quieter writers, she will become a major talent. Many nifty but commercially non-viable projects that we would miss if reliant only on traditional publishing have come out in recent years, often supported through crowdfunding; this one was a Kickstarter project. It’s delightful to see a project dedicated to the novel in this way, celebrating how much the book has meant to many readers.
Which is perhaps my major caveat. This book will enchant, down to their very toes and beyond, those who love Bull’s novel and know the city as well. Cooper’s photos show locations from the book in an order corresponding to the novel’s chronology, each time with people reading War for the Oaks somewhere in the picture. For someone who loves the book in part because of its setting, the sole disappointment may be that the photo are low enough resolution that sometimes it is difficult to make everything out.
Familiar with the book but not so much with the city? Mileage will vary here, depending both on one’s degree of affection for the book as well as how firmly the reader is attached to their vision of things. Someone with a mental vision that is particularly strong, in fact, might find it jarring to have it contradicted by these pictures.
Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.
Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.
I’ve stuck this on one of my shelves of favorite F&SF next to that battered paperback copy of War for the Oaks, because it’s definitely a keeper. Next time I’m at a con with the author, I may even take it along, because having it signed by the person whose book inspired so much passion would make it even niftier.
(Tired Tapir Press, 2014)
You can read this review at http://thegreenmanreview.com/books/recent-reading-eddi-and-the-feys-revival-tour/
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(Science fiction, short story) “For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”
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