Guest Post: What Happened to Sabrina?

A common science fiction trope is that aliens would think differently from humans. Larry Niven’s carnivorous Kzinti are curious only about things that interest them, C. J. Cherryh’s T’ca are multi-brained aliens that speak in matrices readable in any direction, and Steven Spielberg’s aliens from Close Encounters of the Third Kind communicate with music and gesture.

But, even just on the Earth, every human being thinks differently! This tremendous variation is called neurodiversity, and each individual’s distinctive cognitive style is their neurodivergence. Many kinds of neurodivergence are common, including autism, anxiety, synesthesia, and more – sometimes presenting challenges to individuals if society demands a different thinking style.

But could these different thinking styles actually help us understand aliens? Many autistic folks experience hyperfocus on special interests: could they better empathize with Kzinti? Could someone with dissociative personality disorder better understand the multiple-brained T’ca? And could a person with difficulty verbalizing better harmonize with Spielberg’s aliens?

My co-editor Liza Olmsted and I decided to explore whether neurodiversity would help us understand aliens in The Neurodiversiverse: Alien Encounters, a hopeful, empowering science fiction anthology from Thinking Ink Press exploring neurodivergent folks encountering aliens. Over forty contributors shared with us stories, poems and art exploring this theme.

For example, in “The Space Between Stitches” by Minerva Cerridwen, an autistic person’s hyperfocus helps her effortlessly repair an alien’s broken teleporter. In “Where Monolithic Minds Can’t Travel,” Akis Linardos explores whether aliens with multiple minds would resonate with dissociative disorder, unlocking travel to the stars. And in “Music, Not Words” by Ada Hoffmann, aliens that speak in music find harmony with a young woman who has trouble with words.

Many stories in The Neurodiversiverse are told from an authentic #ownvoices perspective, in which authors write stories about characters who share their own distinctive experiences. For example, I struggle with social anxiety disorder, and in my own “Shadows of Titanium Rain,” give those experiences to the character Djina as she struggles to understand solitary aliens.

Liza and I feel #ownvoices are particularly important because they improve the representation of marginalized voices in stories, which is part of the mission of Thinking Ink Press. Sometimes, it can be hard to imagine achieving something if you’ve never seen someone like yourself doing it – and it can be hard to solve a problem if you have no words to describe it.

We’re bringing The Neurodiversiverse to life no matter what, but because we’re a small press, we’re running a Kickstarter to help defray the costs of producing and promoting the book. In particular, we want to pay our authors the Science Fiction and Fantasy Writer’s Association (SFWA) “professional rate” of 8 cents a word, and the Kickstarter will help us do that.

Creating The Neurodiversiverse has been a voyage of discovery for us. Recently Thinking Ink Press embraced its identity as a publisher focused on marginalized voices – something we had always done, but not precisely noticed that we were doing; but once we noticed that it was our focus, we decided to lean in on that and do it well.

Exploring the topic of neurodiversity inspired me to propose “The Neurodiversiverse Anthology,” which I shared with our team to ensure we handled it sensitively. Liza was enthusiastic, joining as my coeditor and helping craft the anthology’s explicit focus on hopeful, empowering and #ownvoices stories. And work on the book awakened my understanding of my own struggles with neurodivergence, particularly social anxiety disorder and autism.

The Neurodiversiverse has opened doors for us as not just editors but as people with our own struggles with neurodivergence, and we hope it has a similar impact on everyone who reads it. So please back our Kickstarter (accessible during the campaign via neurodiversiverse.com) where you can not only help us pay our authors, you can get a copy of the book and find out the answer to the question, “Would neurodiversity help in an encounter with aliens?”

You can find the Kickstarter here.

About the author: By day, Anthony Francis teaches robots to learn; by night, he writes science fiction and draws comic books. His “Dakota Frost, Skindancer” urban fantasy series begins in the award-winning FROST MOON and continues in BLOOD ROCK and LIQUID FIRE. His latest novel is JEREMIAH WILLSTONE AND THE CLOCKWORK TIME MACHINE. He co-edited the anthology DOORWAYS TO EXTRA TIME and is the co-editor of the forthcoming anthology THE NEURODIVERSIVERSE: ALIEN ENCOUNTERS; for more information check out neurodiversiverse.com . You can read more about Anthony’s words, art and science on his blog “The Library of Dresan” at dresan.com.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community with fellow fantasy, science fiction, and horror writers, sign up for the Rambo Academy for Wayward Writers Critclub!

I knew I needed to become a writer after reading Frank Herbert’s Dune. I must’ve been about eleven years old at the time. I didn’t have an inkling about writing a rough draft, let alone the laborious editing process required to craft a decent manuscript. But I was captivated by how Mr. Herbert spun such a fascinating and realistic world of sci-fi splendor and swashbuckling adventure in such a slender volume. If you discount the appendices, Dune is well under 500 pages. To this day, I’m hard-pressed to think of another author who created such an enthralling and believable world with so few words.

Frank Herbert isn’t the only author I owe a debt of gratitude. My novel Dragons Walk Among Us is a young adult urban fantasy written in first person present tense. I never would have considered such an undertaking when I first found the stick-to-it-iveness to sit down and crank out words. That was before I read The Hunger Games by Suzanne Collins. I admit I found the style a bit off-putting initially, but I quickly warmed up to the immediacy the technique gives Katniss Everdeen’s adventure. When I first started writing in first person present tense, I wasn’t sure what to expect. I feared I’d find the first person narrative limiting and the present tense aspect hokey. Not the case at all. Turns out, it’s a heck of a lot of fun.  If it wasn’t for Suzanne Collins’ example, I never would have even considered experimenting with the technique.

Two themes that play essential roles in Dragons Walk Among Us are being an outsider and questioning one’s perception. The works of Fonda Lee and Rachel Hartman helped me solidify my thoughts on these themes. In Hartman’s Seraphina series and Lee’s EXO series, the protagonists are pariahs who end up questioning the social order of their respective worlds. In Dragons Walk Among Us, Allison Lee, the protagonist, is a member of a minority. She often feels she is an outsider and, after being blinded, questions reality, even her sanity. The protagonists’ character arcs in Seraphina and EXO gave me insight into how to elucidate these themes in a manner that I think resonates with readers. Of course, Rachel Hartman’s books include dragons, and just about any book containing dragons is inspirational.

Lastly, I drew inspiration from observing my son’s experiences, who is biracial. Not being a minority myself, I can’t claim to have ever experienced racism. My son, however, has experienced it. He was upset and pensive over the incident but has since moved on. His experience had a profound impact on me. I was already aware of the racial tension permeating the United States, but having my child brush up against the ugly beast of racism brought the issue to my doorstep. I fear the fault lines of bigotry and bias run deeper and wider than many people care to admit. One example is the anti-Asian sentiment emerging in the wake of the pandemic. All this is to say, some of Allison Lee’s experiences are loosely based on my observations of my son’s experiences. I can honestly say, I don’t think Allison’s story would be authentic without my son providing some inspiration.

BIO: Dan Rice has wanted to write novels since first reading Frank Herbert’s Dune at the age of eleven. A native of the Pacific Northwest, he often goes hiking with his family through mist-shrouded forests and along alpine trails with expansive views.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!