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For Writers: 5 Quick Ways to Increase Your Blog's Discoverability

Writers get told they must blog, but not a lot of advice about it. I’ve talked about this more than once, most notably in Do Writers Need to Blog? No. and How to Blog Without Really Trying But Still Managing Not to Be Half-Assed About It. But another thing to consider beyond the content you’re producing is whether or not your readers are finding it.

If you have a blog, take a moment and type your name into a search engine. If your blog doesn’t appear on the first page of results, you have a problem. The further down the page it is, the harder it is for a reader to find it. Type ‘Cat Rambo’ in and you should see this blog on the top of the list, along with other links that go to me rather than that taxi driver with a cat named Rambo who drives around with his cat in the backseat or the Cat Rambo featured in an article about underwater pumpkin carving.

So — if you’re not on that first page –how do you remedy that? Here’s five ways to make your blog more effective by making it more discoverable when people come looking for you.

Check your front page. Does it include the name you write under? Not just your first name, not a cute pseudonym. And not contained in an image rather than text. If not, please add it.

Make titles meaningful. A title should give a reader a reason to read, often to answer a question that the title has raised. For example: what are the five quick ways I could make my blog more discoverable? rather than “Check this out” or “Here’s something startling.”

Use images. Visual content makes a post more engaging and it provides something when people are sharing it on social media. Visual content gets shared more often than text-only. And a post lacking an image may not be pinnable on Pinterest, which is a valid social media site for authors.

Look at your site on your phone. Google Analytics tells me over half my traffic is readers using their phone to read it; it would be foolish for me not to make it as readable as possible for them. What’s not appearing? What looks weird? Menus that look great on a computer screen and are easy to select and click with a mouse are often much more difficult to navigate on a phone’s smaller touch screen.

Use what’s available. Tags and categories are both tools that search engines incorporate when creating rankings and they make things more discoverable for your readers. The Related Posts plug-in that I use on this blog depends on tags in order to find and display similar content that may intrigue readers of a particular post.

Bonus tip: Link to other posts. Internal links can help your reader find relevant content without leading them away from your site, and they also favorably influence search engines. You might even create pages that consolidate information, like this page of Resources for F&SF Writers. Look at this page — I can count five different ways I’ve done this. Can you find them all?

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Class Notes From Writing Fantasy and Science Fiction

View of a Japanese Garden
Images speak differently than words. They speak in color and shapes, smells and movements that our writing can only hope to approximate.
We’re coming up on the end of the Writing Fantasy & Science Fiction class I teach at Bellevue College. Tonight’s the next to last session. In earlier sessions we’ve talked about the writing process, story parts and mechanics, delivering information, characters, description, and worldbuilding. A number of past blog posts have come out of those classes: 5 Things to Do in Your First 3 Paragraphs, Active Verbs, Foreshadowing and Establishing Conflict, Plotting and Re-plotting Stories, Three Strategies for Snaring the Senses, Three Things that End a Story Well, Using Random Tools Like Stumbleupon For Rewriting, and Why Titles Matter.

Here’s what we’re covering in this session and the next:

Tonight (Rewriting, Revising, and Polishing)

  • The difference between rewriting, revising, and polishing
  • Rewriting – ways to do it
  • Revising – things to look for
  • Polishing
  • Working at the sentence level
  • Placement of sentences
  • Breaking up paragraphs
  • Titles
  • Quoting song lyrics
  • Collaboration

Next Week (Publishing & Career Stuff)

  • Markets: researching them, submitting to them, querying them, foreign markets, reprints, audio.
  • Submissions: how to, tracking them, etiquette, types (flash to novel)
  • Agents: researching and querying them
  • Conventions: why go, what to do to make the most of them, top cons
  • Workshops: why do (or not), how to make the most of them, top ones
  • Blogging & websites: why, BRIEF discussion of mechanics
  • Publications to follow
  • Networking
  • SFWA and other professional organizations
  • Writing groups
  • Resources
  • Keeping yourself motivated

So here’s my question. I’ll be glancing back at this list when thinking about future blog posts and drawing from it as well as from what I’m experiencing in my own writing. What would -you- like to see?

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Recent Online Reading: Short Notes about Short Stories

Swan
Taken at the American Museum of Natural History. I just love the delicacy of those feathers.
I loved Kris Dikeman’s Silent, Still and Cold in Beneath Ceaseless Skies. It has a high fantasy sensibility mixed with zombies, which always seems like a win-win to me. Also in this month’s issue is Jesse Bullington’s The Adventures of Ernst, Who Began a Man, Became a Cyclops, and Finished A Hero. Both stories have great titles, which is one of the things that’s been obsessing me lately.

Abyss & Apex has a slew of interesting stories in this issue, including J. Kathleen Cheney’s steampunky Of Ambergris, Blood and Brandy, C. J. Cherryh’s The Last Tower and Vylar Kaftan’s Mind-Diver.

Part I and Part II of Gavin Grant’s Widows in the World, published at Strange Horizons, are both full of interest and awesome. JoSelle Vanderhooft’s Mythpunk Roundtable is also full of sparkling, interesting thoughts from some smart people: Amal El-Mohtar, Rose Lemberg, Alex Dally McFarlane, Shweta Narayan and, of course, Vanderhooft.

Over at Daily Science Fiction, Peter M. Ball’s The Birdcage Heart displayed Ball’s poetic sensibility, which evokes but never enforces a trembling, exquisite realization for the reader. Lurvely. I also really liked Memory Bugs by Alter S. Reiss and Colum Paget’s chilling Imaginary Enemies. Lots of interesting near-future science.

Recent favorites on Tor.com include Kij Johnson’s Ponies and Ken Scholes’s monkey-riffic Making My Entrance Again With My Usual Flair

Crossed Genres included Therese Arkenburg’s The Halcyon in Flight, Corinne Duyvis’s The Rule of Three, and a story from fellow Clarion West 2005 class member, Ada Milenkovic Brown, Nadirah Sends Her Love, which I first heard at Wiscon a couple of years back.

Redstone Science Fiction’s Like a Hawk in its Gyre by Philip Brewer features one of the best bicycle characters I’ve had the pleasure of encountering.

I loved seeing a Tanith Lee story in Lightspeed Magazine. She’s one of my favorite writers, and Black Fire didn’t disappoint. Even though I tend to think of her as a fantasy writer, when she does sf, she does it extraordinarily well (The Silver Metal Lover, for example, and Drinking Sapphire Wine, neither of which are available on the Kindle and one of which is out of print, for the love of God.)

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