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Notes from the Internet Presence for Writers Panel

This is from the panel on Internet Presence for Writers from Norwescon a few weeks ago. Participants were K.G Anderson, K. Tempest Bradford (moderator), Chimedum Ohaegbu, and myself.

Panel description: We’ve all heard the warnings, “Be careful what you put online; it’s forever!” Is this really a concern? We’re encouraged to have a heavy online presence, but sometimes it can feel like walking on eggshells. Hear pros share how they balance their fanbase and personal sharing, where it’s gone right and gone wrong.

One of the keys is to be findable on the Internet. You should have a website, and that website should have a means of contacting you. You would be surprised how many writer websites do not have the writer’s name on the front page.

Along the same lines, that website should look professional rather than amateurish. If you must have squid, Karen observed, make them professional looking squid.

Curate your presence and don’t be random about it. You want to think about your online presence. Look at your social media and the last 20-25 things you’ve posted. How many are positive? How many are negative? How many are informative? That’s the presence you’re projecting online. People are drawn to people who care about people.

Have a newsletter. Raven Oak’s was held up as an example.

Facebook groups are more useful than Facebook pages. (note from Cat: I’m been hearing this for a while and it did lead me to start up a group, which so far has been livelier and more active than anywhere else for me on Facebook.)

Post proportionately and consistently.

Don’t let social media overwhelm your energy. You must have something to promote or all of this is pointless.

Use Twitter tools like Buffer or Hootsuite to keep things manageable by scheduling posts. Twitter lists are also useful. Cat keeps a private list marked “interactives,” which is people who frequently interact or repost her stuff, which is the first place she pulls from when scheduling posts. Another is a public list, Women in Fantasy and Science Fiction. To see what lists you are on, go to your Lists page and click on “Member of”.

Explore Twitter hashtags like #writingcommunity, #writerwednesday, #followfriday. On Instagram, look for #bookstagram and other book-related hashtags.

Blogging is coming back, but you need to have content that people want. Mary Robinette Kowal has a series called Debut Author Tips, for instance.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Where I'll Be: Origins 2025

A happy author selling books at Authors Alcove.A happy author selling books at Authors Alcove.
Once again I’ll be at Authors Alcove for Origins Game Fair in Columbus, Ohio. Please stop by the booth and say hi, or come to one of my panels! I should have handouts for some of the panels. I’ll also have buttons and badge ribbons to give away!

Thursday

11:00 AM
Let’s Get Cozy: Writing Cozy Fiction*
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Cat Rambo, Aaron Rosenberg
Everyone’s all about the cozy these days. What is a cozy, exactly? And how do you write one?

Friday

1:00 PM
Writing Resistance
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Cat Rambo, Sarah Hans, Laura VanArendonk Baugh
How do we create narratives that inspire and encourage social change without writing propaganda?

Saturday

1:00 PM
Writing along the Gender Spectrum
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Jenifer Purcell Rosenberg, Cat Rambo, Sarah Hans, Amy Schneider
How do we create characters that show and celebrate the diversity of the human race when it comes to gender and sexuality?

2:00 PM
Effective Worldbuilding *
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Daniel Myers, Cat Rambo, C.S.E. Cooney, Jeri Shepherd
Games and fiction require creating interesting, immersive worlds. What are some tips and tricks?

4:00 PM
Giving Encouragement to Prospective Authors
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
James Daniel Ross, Cat Rambo, Addie J. King
How do you do it succinctly? How do you do it without that conversation becoming the rest of your day?

5:00 PM
Basics of Writing Short Stories *
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Donald J. Bingle, Cat Rambo, Kelli Fitzpatrick, James Daniel Ross
How you get started writing – and then finishing – a short story.

Sunday

11:00 AM
All About Self-Publishing *
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Sarah Hans, Cat Rambo, Aaron Rosenberg, Laura VanArendonk Baugh
Self-publishing used to be a bad word, but it’s become much more respected in recent years. Should you self- publish? How do you go about it?

*I have a handout for this panel. If you miss the panel, come by the booth afterward and I’ll give you the applicable handout (if I still have any).

...

RamboCon - Proposed Sessions for an Imaginary Spec-Fic Convention

Some panel ideas, which any convention organizer is welcome to grab.

(Writing) Making the Transition from Short Story to Novel
What are the pitfalls and what should the writer know before starting? Is it easier to do it in reverse and go from novel to short story? What’s similar and what’s different? Does it help to think of chapters as mini-stories?

(This seems to me to be harder than anyone acknowledges it to be, and I know there’s several basics I wish I’d known before I’d begun blindly floundering in the much deeper waters of a novel. I’m also pretty sure this is not a new idea for a panel, but I haven’t seen it at recent cons I’ve been at.)

(Editing or Publishing) The Architecture of the Country of the Blind
Reading blind, so you see just the story and not the name of the author with its info about gender, is something many editors and publishers agree is a good idea. What are the practical aspects of setting up such a system? What do you do if editors or slush readers recognize the story? Is it true you can tell gender by how someone writes? What about the fact that such a system removes the “name recognition” that some widely published authors hold?

(Let’s just start with the assumption it’s a good idea for once. For the love of Pete. Thx.)

(Writing) What the F*** is Flash Fiction?
Some people say flash fiction has a minimum length, such as 1000, 500, even 250 words, while others say Hemingway’s famous “For sale: baby shoes. Never worn.” is a complete story. Who’s right? Where does prose poetry fit? Why are flash magazines so popular and what are the ones doing interesting things in the field? Who are the flash authors to watch out for?

(Flash seems like such a great place for new writers to start. They can get stuff out there and in circulation while the magazines constantly need new stuff. At the same time, there’s some great writing happening in this area. I’m teaching a flash fiction workshop called Sudden Fiction this Saturday at Bellevue College, so obviously I’ve got strong opinions about some things mentioned above.)

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