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Notes from the Internet Presence for Writers Panel

This is from the panel on Internet Presence for Writers from Norwescon a few weeks ago. Participants were K.G Anderson, K. Tempest Bradford (moderator), Chimedum Ohaegbu, and myself.

Panel description: We’ve all heard the warnings, “Be careful what you put online; it’s forever!” Is this really a concern? We’re encouraged to have a heavy online presence, but sometimes it can feel like walking on eggshells. Hear pros share how they balance their fanbase and personal sharing, where it’s gone right and gone wrong.

One of the keys is to be findable on the Internet. You should have a website, and that website should have a means of contacting you. You would be surprised how many writer websites do not have the writer’s name on the front page.

Along the same lines, that website should look professional rather than amateurish. If you must have squid, Karen observed, make them professional looking squid.

Curate your presence and don’t be random about it. You want to think about your online presence. Look at your social media and the last 20-25 things you’ve posted. How many are positive? How many are negative? How many are informative? That’s the presence you’re projecting online. People are drawn to people who care about people.

Have a newsletter. Raven Oak’s was held up as an example.

Facebook groups are more useful than Facebook pages. (note from Cat: I’m been hearing this for a while and it did lead me to start up a group, which so far has been livelier and more active than anywhere else for me on Facebook.)

Post proportionately and consistently.

Don’t let social media overwhelm your energy. You must have something to promote or all of this is pointless.

Use Twitter tools like Buffer or Hootsuite to keep things manageable by scheduling posts. Twitter lists are also useful. Cat keeps a private list marked “interactives,” which is people who frequently interact or repost her stuff, which is the first place she pulls from when scheduling posts. Another is a public list, Women in Fantasy and Science Fiction. To see what lists you are on, go to your Lists page and click on “Member of”.

Explore Twitter hashtags like #writingcommunity, #writerwednesday, #followfriday. On Instagram, look for #bookstagram and other book-related hashtags.

Blogging is coming back, but you need to have content that people want. Mary Robinette Kowal has a series called Debut Author Tips, for instance.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Where I'll Be: Origins 2025

A happy author selling books at Authors Alcove.A happy author selling books at Authors Alcove.
Once again I’ll be at Authors Alcove for Origins Game Fair in Columbus, Ohio. Please stop by the booth and say hi, or come to one of my panels! I should have handouts for some of the panels. I’ll also have buttons and badge ribbons to give away!

Thursday

11:00 AM
Let’s Get Cozy: Writing Cozy Fiction*
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Cat Rambo, Aaron Rosenberg
Everyone’s all about the cozy these days. What is a cozy, exactly? And how do you write one?

Friday

1:00 PM
Writing Resistance
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Cat Rambo, Sarah Hans, Laura VanArendonk Baugh
How do we create narratives that inspire and encourage social change without writing propaganda?

Saturday

1:00 PM
Writing along the Gender Spectrum
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Jenifer Purcell Rosenberg, Cat Rambo, Sarah Hans, Amy Schneider
How do we create characters that show and celebrate the diversity of the human race when it comes to gender and sexuality?

2:00 PM
Effective Worldbuilding *
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Daniel Myers, Cat Rambo, C.S.E. Cooney, Jeri Shepherd
Games and fiction require creating interesting, immersive worlds. What are some tips and tricks?

4:00 PM
Giving Encouragement to Prospective Authors
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
James Daniel Ross, Cat Rambo, Addie J. King
How do you do it succinctly? How do you do it without that conversation becoming the rest of your day?

5:00 PM
Basics of Writing Short Stories *
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Donald J. Bingle, Cat Rambo, Kelli Fitzpatrick, James Daniel Ross
How you get started writing – and then finishing – a short story.

Sunday

11:00 AM
All About Self-Publishing *
GCCC – 2nd Floor – Meeting Room A 212 – Authors Track
Sarah Hans, Cat Rambo, Aaron Rosenberg, Laura VanArendonk Baugh
Self-publishing used to be a bad word, but it’s become much more respected in recent years. Should you self- publish? How do you go about it?

*I have a handout for this panel. If you miss the panel, come by the booth afterward and I’ll give you the applicable handout (if I still have any).

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Notes from the Year's Best Fantasy and Science Fiction 2010 Panel, Norwescon 34

Gir Contemplates Norwescon 34
Gir Contemplates Norwescon 34
Participants: Lou Anders, Brenda Cooper, Gordon Van Gelder, Cat Rambo, Sam Sykes

Works from 2010:
Ben Aaronovitch, Midnight Riot. (Kindle version)
Lou Anders, (editor) Masked. (Kindle version)
Lou Anders and Jonathan Strahan, (editors) Swords & Dark Magic: The New Sword and Sorcery. (Kindle version)
Ilona Andrews, Bayou Moon. (Kindle version)
Ilona Andrews, Magic Bleeds. (Kindle version)
Jon Armstrong, Yarn. (Kindle version)
Paolo Bacigalupi, The Alchemist.
Paolo Bacigalupi, Shipbreaker. (Kindle version)
Elizabeth Bear, By the Mountain Bound. (Kindle version)
Elizabeth Bear, Chill. (Kindle version)
Elizabeth Bear, The White City. (Kindle version)
Lauren Beukes. Zoo City. (Kindle version)
Patricia Briggs, Masques. (Kindle version)
Patricia Briggs, Silver Borne. (Kindle version)
Patricia Briggs, Wolfsbane. (Kindle version)
Bullington, Jesse. The Sad Tale of the Brothers Grossbart. (Kindle version)
Jim Butcher, Changes. (Kindle version)
Jim Butcher, Side Jobs. (Kindle version)
Ted Chiang, The Lifecycle of Software Objects.
James Enge, Travellers’ Rest. (Kindle version)
Catherine Fisher. Incarceron.
Eric Flint, The Tangled Web (Ring of Fire). (Not recommended as an entry into the series; those new to it should start with 1632).
Kate Griffin. The Midnight Mayor: Or, the Inauguration of Matthew Swift. (Kindle version)
Clay and Susan Griffith, The Greyfriar (Vampire Empire, Book 1). (Kindle version)
Hale, Benjamin. The Evolution of Bruno Littlemore. (Kindle version)
M.K. Hobson. Native Star. (Kindle version)
Mark Hodder, The Strange Affair of Springheel Jack. (Kindle version) Philip K. Dick award winner)
N. K. Jemisin, The Broken Kingdoms. (Kindle version)
Mary Robinette Kowal, Shades of Milk and Honey. (Kindle version)
Ian McDonald, The Dervish House. (Kindle version)
Devon Monk, Magic at the Gate. (Kindle version)
Devon Monk, Magic On the Storm. (Kindle version)
Elizabeth Moon, Oath of Fealty. (Kindle version)
Nnedi Okorafor, Who Fears Death. (Kindle version)
A G Pasquella, Why Not A Spider Monkey Jesus?
Mike Resnick, The Buntline Special: A Weird West Tale. (Kindle version)
Kristine Kathryn Rusch, Diving Into the Wreck. (Kindle version)
John Scalzi (editor), Metatropolis. (Kindle version)
Sprunk, Jon. Shadow’s Son. (Kindle version)
Sam Sykes, Tome of the Undergates (The Aeons’ Gate, Book 1). (Kindle version)
Ian Tregillis, Bitter Seeds. (Kindle version)

Works from other years that were mentioned:
James Enge, Blood of Ambrose. (Kindle version) (I snagged a copy of this at the con and have been happily devouring it.)
N. K. Jemisin, The Hundred Thousand Kingdoms. (Kindle version)
Elizabeth Moon, Kings of the North (The Deed of Paksenarrion). (Kindle version)
Sam Sykes, Black Halo (The Aeons’ Gate, Book 2). (Kindle version)

...

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