Checking In: October Stuff

I’m off to Multiverse Con next week – it’s their first year, and I’m there as Industry Guest of Honor along with Seanan McGuire and John Piccacio. Come say hi if you’re there! Two weeks after that I’ll be up in Surrey BC as a presenter at the Surrey International Writers Conference.

In writing stuff, I am working hard this month on EXILES OF TABAT, which should go to beta readers on November 1. THE FIVE OF US, my middle grade space opera, just went off to readers at the beginning of the month. Next up in writing is the sequel to the Tor space opera, which will be my November project. In December, I’m going to focus on short stories and outlining three of my 2020 projects: a horror novel, a novella project, and the third space opera book.

I just got the advance reading copies of CARPE GLITTER, my novelette coming out on the 29th with Meerkat Press. It’s a slim little book, and contains the story of a young woman who finds more than she expected when cleaning out the accumulated belongings of her stage magician grandmother, and asks the question – what do we do with unwanted inheritances when they’re part of our family?

Here’s a lovely early review from Sebastian Doubinsky:

Really enjoyed this family drama cum magic (mostly black) taking place in a late Not-So-Fairy-Grandmother’s house. Trying to find some interesting (and probably sellable) stuff in her deceased granny’s house, Persephone stumbles on stranger and more dangerous things than she had hoped for. A short, enjoyable and beautifully mastered anti-fairy tale novella, which offers more than its glittery surface indicates. Highly recommended for the readers who like true complexity hidden behind apparent simplicity.

One thing that’s helped keep me productive is working with the new Rambo Academy Critclub, our online community for fantasy and science fiction writers who want to exchange critiques, market news, advice, and pictures of their pets. Want to join us? You can by being a supporter on Patreon or by subscribing through Paypal. Here’s the details. Critiquing is not mandatory! Come hang out and see what you think. 🙂

This weekend, the Rambo Academy presents two new live online writing classes that I’m excited about. The first, Writing in the Cracks: Finding Time to Write with Diane Morrison, is aimed at people prepping for NaNoWriMo next month, and provides guidance for making and defending writing time. It’s $49 (or $39 for Patreon supporters and former students.) If you can’t make it, don’t despair! Next week the on-demand version will be up as well.

The second class on Sunday is a timely one if you’re thinking about Halloween fiction. Crimson Peaks and Menacing Mansions: How to Write Gothic Horror is a session where Catherine Lundoff will provide lecture and writing exercises designed to help you incorporate gothic horror into your own writing. It’s $99 (or $79 for Patreon supporters and former students.)

You may also like...

Getting Ready for 2014: One Method of Decluttering

December 27, 2013

Picture of a teapot shaped like a dead clown. — I have a photo of this fabulous object, a clown teapot with cups shaped like clown heads, each with xes for eyes, as though the principal clown had slain all his enemies and taken their severed heads in the process. Therefore it's okay I didn't buy it. Someone else gets all the joy.

We’ve (as in two humans, two cats, a briefly lived betta, and assorted temporary insects) lived in this space since 2001. While I’ve decluttered and cleaned before, cruft inevitably creeps in. An odd little ball colored red, white, and blue. Countless keys. Sharpies in a rainbow of colors. Twists and ties and clips. Twenty years after my D&D days, there’s still a few polyhedrals rolling around.

Many things have memories attached, and discarding the object sometimes feels like discarding the memory. The paperweight I bought in Prague while traveling to train Eastern Europeans about network security software. A tin butterfly from our time in Mexico when I was a child. The sequinned baby shoes I use as a prop in the flash class. I feel as though if I put them aside I may lose the thing that triggers the memory.

While I’m not ditching everything, a lot of these are getting digitized. I take a few pictures with my camera and stick it aside. Here’s an example of a book I’ve been carrying around since high days. My paternal grandmother got it for me when I expressed an interest in folk tales and folk songs. I drew on it heavily when writing songs for Armageddon, sometimes adapting songs outright, otherwise creating ones patterned after the originals.

It’s a hefty doorstop of a book. I suspect I’ll be able to find this knowledge, or comparable stuff, on the net whenever I need to. But at the same time, the object holds memories: sitting in my room in high school, reading through it, while the rain drummed on the roof and the locust tree outside my window tapped its long fingers on the glass, for one. Performing songs based on it as my bard on Armageddon, purple-haired, seemingly bemused but secretly sharp, Karaluvian Fale. I take more than just a photo of the dustjacket: one of the inside so I can see the font, another of an illustration, one of an enigmatic and very scrawly note. Enough that I’ll be able to evoke it, access those memories again if I want to.

What’s the best way to preserve these images? I haven’t gotten that far yet. For now I’m saving and tagging, and trying to shrink down the mass of physical stuff attached to my life.

Love the Easter Bunny and want to find out what happens next? Support Cat on Patreon in order to have a say in what she writes next, as well as getting other snippets, insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

...