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Guest Post: Ellie Coverdale on Top Tips for Writing Better LGBT Characters

As a writer, it’s normal to want to share stories about the diverse and interesting world around you. That can be difficult if you have to write a character with a completely different background and life experience than you. The important thing is to stay away from writing a stereotype or a character that’s unbelievable. To help you, this article will share five helpful suggestions to create excellent and multi-layered LGBT characters.

1. Don’t be stereotypical

In today’s world, producers and audiences alike want to see diversity in books, movies, and TV shows. But creating a stereotypical LGBT character just to fit the demand isn’t good enough. Instead, create a multi-dimensional person with a storyline… and they happen to be gay as well.

According to a writer at Academized and State of Writing, Jamie Lyndham, “a good suggestion is when you’re creating a character, ask yourself if and why they need to be heterosexual or cisgender (identifying with their birth-assigned gender). Think about if you could enhance your story by changing their gender identity or sexuality.”

2. Find a different angle

It can be easy when you’re writing about LGBT characters to develop a dramatic story line like coming out or transitioning. While these issues are important and not to be dismissed lightly, there are a lot of LGBT people in life who are living fun and interesting lives that have nothing to do with their gender or sexuality. It doesn’t always have to be about that.

Think about creating stories for your LGBT characters that are positive, engaging, and not what your audience is expecting. Find a new angle for your story and make your story stand out from others.

3. Research your characters

If you’re not a member of the LGBT community but you want one of your storylines or characters to be specific to this community, you need to do your research. If your storyline concerns a time period before homosexuality was legalized, talk to someone who was around at that time.

This is the best way to make your story, language, and character’s experience ring true for your audience. If you have LGBT friends and colleagues, you might want to talk your ideas through with them to make sure your character is as authentic as any heterosexual character you write.

4. LGBT characters can be in all genres

LGBT people have been around since the beginning of humanity, so you don’t need to only include LGBT characters in modern stories. If you’re writing a period novel, why don’t you consider including an LGBT character, as there are so many great story lines about life before decriminalisation.

Some ideas from Sam Deele, a blogger at Paper Fellows and Australian Help, are for writers to “also write about children with gay parents, or a child that is learning about being transgender. LGBT stories don’t just start when the character become an adult at 18. You can also consider how including an LGBT character could have a positive impact on your audience.”

5. The term trans includes many people

If you’re writing about a trans character, you have to be aware that trans is an umbrella term for many different people, not only someone who was born male but identifies as female and vice versa. Trans actually includes many different people, including those who don’t identify as any given gender, or who are a mix of both, and anything in between.

Don’t fall into any stereotypes here, because writing about trans characters gives you so many new opportunities for different and engaging stories. Like in the first point, think about whether your character needs to be male or female and whether your story could benefit if the character didn’t identify as cisgender.

It’s never too late to ask for feedback, even if you’ve finished the LGBT character or storyline and you want to make sure it’s right. It’s immensely better to make corrections at this stage than to submit it and realize it’s not right afterwards. If you don’t know any LGBT people that can read it for you, look into online groups that promote diversity like Bang2writers who would be happy to help.

About the Author: Ellie Coverdale, a writer and blogger at Essay roo and UK Writings, loves sharing her writing tips and suggestions with her audience. She writes about many topics including education, life as a writer, and lifestyle tips. She also works as a teacher for Boom Essays in her free time.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

#sfwapro

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
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  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
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Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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Guest Post: Verity Player's Fiendish Bean-Dish by C L Spillard

Verity Player’s Fiendish Bean-Dish

“Oh, brilliant! What shall we bring?”

Verity and her husband Sacha””and any of their family friends””will never have a host cook all alone.

This is the dish they brought round to the Meiers’ for the first “˜do’ at theirs of that fateful new year: the year when she would twice travel to the USA””the “˜Evening Lands’. There she would risk her life for a simple letter written, as it turned out, during the head-splitting hangover after this particular soirée…


Arash and Farrukh had arrived in Britain, the day after New Year’s, without anywhere to stay. Within three days, they’d launched themselves into buying a house together.

Ruth said it might be fun for them all to meet up.

By nine in the evening noisy conversation criss-crossed the Meiers’ generous dining table. Dishes of gefiltefish, couscous salad and stuffed vine leaves passed from hand to hand, along with news and wine.

Verity sat next to the two new arrivals.

She picked up an open bottle of red to refill her glass, offering it to her neighbours first.

Each declined with a polite wave of the hand.

“Er”¦white, then?”

Neither said anything.

“Oh, right. Sorry. Of course.”

Sharia law.

Two blokes living together.

Sometimes people made even less sense than usual.

She poured herself a glass and took a swig.

“Ruth said you were house-hunting.”

She’d start with the easy question.

“Where’re you going to buy?”

“Bishopthorpe Road.”

“What, near the racecourse?”

Farrukh nodded.

“Would you go to the Races? Are you allowed to bet?”

“Gambling is haram. But for horses, one can make an arrangement with the organisers”””˜make a prediction’ and win, if one is correct. There are bureaux for this, in our country. We’ve not yet found a Predictions Bureau here, though.”

Arash smiled. “There’s a business opportunity for someone.”

He paused.

“My cousin would have been good at that.”

“Would have?” She picked up her glass. “Does he”¦do something else now?”

No! Her face burned””Heck, it must match the colour of the wine in her glass. Would have. That must mean he was dead, been killed somewhere.

“He disappeared.”

The whole table went quiet.

Everyone turned to her. Was she supposed to ask?

“Er”¦how?”

“He was arrested. In Rawalpindi, the night before he was due to fly to Europe. Terrorism. No one has heard from him since.”

“What’s”¦what’s his name?”

Perhaps Amnesty had taken up his case? Perhaps she’d see him in next month’s magazine when it arrived at the house. She should make sure to find it, and write. She’d already made that New Year’s resolution to write to the Director of the C.I.A. about those camps”¦

The formal name, elaborate and winding, soon left her consciousness. She didn’t dare ask, “˜what was that again?’

Ruth rescued her. “So, about the house?”

Arash explained the very thing she’d wanted to know to start with””how a Sharia mortgage worked. A mortgage without usury.

She hoped she hadn’t drunk too much to be able to remember the details in the morning.

***

Verity pressed the hot flannel against her forehead. If she pressed hard enough, perhaps the splinters of ice might melt””not dig into the joints in her skull. She tried not to groan. Sacha stirred. Damn, she’d not wanted to wake him.

“I made an idiot of myself at the Meiers’, love. Sorry”¦”

“I did tell you. I did pour some water out for you.”

“Sorry”¦”

“And you asked so many questions. I hope we haven’t upset the Meiers.”

He turned over, away from her, but the pain put her past the point of caring.

She had to write that letter in the morning.

It needn’t be a long one…


But to more practical matters. The dish, being Vegan, is (or at least, can be considered) also both kosher and halal. And you never know when that might come in useful.

 

The vegetables: 

  • 2 small potatoes
  • 3 carrots
  • 2 parsnips
  • Half a celeriac, or 4 sticks celery

The rest: 

  • 4 tablespoons sunflower oil
  • 5 cloves garlic
  • About 1/2 cubic inch ginger
  • 2 red onions
  • Fistful of fresh mint leaves
  • 1 level teaspoon crushed chillies (turmeric will also work, if people prefer a milder dish)
  • 1 tin (about 400g) tomatoes
  • 1 tin (about 250g once drained) cooked chick-peas or any white beans such as cannellini, pinto…
  • 1 mug (about 300g) of veggie stock
  • Pinch saffron threads

Kit: 

  • Large frying pan
  • Cooking spoons
  • Deep dish or similar, to set vegetables aside in
  • Only one cooking ring needed
  • About 50 minutes of time, of which 20 are actually busy

Method: 

  1. Dice the vegetables.
  2. Finely chop the onion, garlic and ginger (no need to peel the ginger).
  3. Finely chop the fresh mint.
  4. Make up the stock and drop the saffron threads in.
  5. Tip half the sunflower oil into the frying pan and gently fry the vegetables until they begin to soften. If the frying pan has a lid that’s great, but still make sure the veggies don’t stick to the bottom. I don’t know why but the potatoes are always the worst for this.
  6. Take the fried veggies out and set them aside.
  7. Top up the oil in the pan, and heat gently.
  8. Fry the garlic and ginger.
  9. Add the onions, mint and chilli, and fry on low heat until the onions are soft and translucent.
  10. Tip in the tin of tomatoes, stir them in, and simmer for 5 minutes.
  11. Add the drained beans, stir in, then add the fried veggies and the stock.
  12. Simmer for at least half an hour.

Seasonal variations: 

Fiendish bean-dish can be adapted for summer by changing to summer vegetables. Celery rather than celeriac, and red peppers instead of parsnips, for example. It can even be served cold, if the weather merits it.


BIO: C L Spillard is a complex interplay of matter and energy in a wave-pattern whose probability cloud is densest in York, United Kingdom.

The moon landings influenced the young pattern’s self-awareness mechanisms, igniting lifelong interest in Physics, and in humanity’s plight on Earth.

C L Spillard’s wave-pattern enjoys proximity to a second pattern originating in St Petersburg (Russia), and these two have since generated two younger ones who are now diffusing over the planet stuffing themselves with knowledge as if it were going out of fashion.

She claims responsibility for a raft of published short stories, the fantasy “˜The Price of Time’, and its newly-released sequel “˜The Evening Lands’.

Her website lurks at www.cspillardwriter.co.uk and she can be stalked on Twitter @candispillard.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

...

Guest Post: Food and SF in Jewish Australia - Part 2 by Gillian Polack

Part Two

I have ten published novels. I’ll talk about just five today. Even five is too many, however, Judaism slips quietly into five, so I’m introducing five of my novels today. There are two novels I couldn’t write without being Jewish Australian. I’ll save those two for last. Let me give everything numbers, to make it easier.

1. In Langue[dot]doc 1305 (a time travel novel) I have a single Jewish character. That’s all. When I did my MA and PhD in Medieval History, I discovered many fascinating things about the Middle Ages, and some even more fascinating things about how we see the Middle Ages. I wanted to smash together our knowledge of the Middle Ages and how we interpret it and to make it explode. Also, I wanted marauding peasants. That single Jewish character is one of the pieces that led to the explosion.

I can’t tell you more without spoilers, but I can say that scientists checked my depiction of my bunch of scientists and said, “Scientists behave like this. How did you know?”Â That’s another story.  

 

2. My space opera novel, Poison and Light, tells of a society that reinvents the eighteenth century for all the wrong reasons. There are three Jewish towns on New Ceres, and they quietly rebel against the rule of the eighteenth century. Also, there are Jewish puns. The novel is set in a big city and the towns are a tiny part of the whole. The puns, the “I’m not what you think,” and the tendency to overeducation reflect my relationship to my own cultural relationship with my own country (as an Australian Jew). That’s the surface Jewishness.

Poison and Light has sword fights and balloon rides and gourmet food and much politics, but it’s actually about how Grania (the protagonist) deals with impossible loss and change. Her efforts are part of my personal response to the Shoah.

I’ve spent a lot of my life trying to learn how pogroms and exploitation and massacre and throwing people out of their homes and homelands affect survivors and I’m not even close to understanding. In Poison and Light, I built a society of colonisers and bigots because I wanted to understand the vested interests people have in defending what they know, even if it means hurting people. Poison and Light is one step towards me understanding, and none towards acceptance.  

 

3. I used a different Jewish history in The Time of the Ghosts. The Time of the Ghosts is a contemporary fantasy set in Canberra. Three women (the youngest is sixty) and their sidekick fight supernatural threats. There aren’t nearly enough novels with Jewish fairies, so their sidekick reads a memoir written by a Jewish melusine. These three women are all heroes of the tea-drinking, dinner party, and stock-whip using kind.  

 

4. My most recent novel (The Green Children Help Out) is totally about Jewish superheroes. My background is Australian Orthodox (somewhere between Modern Orthodox and Conservative) and I wanted to create an alternate universe where people could kick ass their personal work towards tikkun olam. Tikkun olam is more balancing the world and bringing it to rights than saving it, and it’s informed my whole life. It was about time it informed the lives of a bunch of superheroes who are, as the title suggests, the Green Children.

The Green Children Help Out is set on an alternate Earth (with magic) so that I could look into how to write people from cultural minorities. Also, I wanted a world so real that I could step into it in my mind.  

 

5. The very first Australian fantasy novel that incorporated Australian Jewish culture was my own The Wizardry of Jewish Women. It uses the Anglo-Australian Jewish culture I come from and it includes my grandmother’s recipes with their London Sephardi origins. There are many novels about ultra-Orthodox Jews, and very few about secular Jews, and I wanted to even things out a bit.

What happens when secular Jews rediscover lost culture and a lemon tree becomes demonically possessed? I began building the family culture with food, so I’ll tell you more about The Wizardry of Jewish Women and give you some of the recipes in Part Three.


BIO: Dr Gillian Polack is a Jewish-Australian science fiction and fantasy writer, researcher and editor and is the winner of the 2020 A Bertram Chandler Award. The Green Children Help Out is her newest novel. The Year of the Fruit Cake won the 2020 Ditmar for best novel and was shortlisted for best SF novel in the Aurealis Awards. She wrote the first Australian Jewish fantasy novel (The Wizardry of Jewish Women). Gillian is a Medievalist/ethnohistorian, currently working on how novels transmit culture. Her work on how writers use history in their fiction (History and Fiction) was shortlisted for the William Atheling Jr Award for Criticism or Review.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

...

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