Trigger warning: child murder, violence
This is an early superhero fiction story of mine that originally appeared in Corrupts Absolutely?, edited by Lincoln Crisler.
Trigger warning: child murder, violence
This is an early superhero fiction story of mine that originally appeared in Corrupts Absolutely?, edited by Lincoln Crisler.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
I read more than I watch or listen, and so here are highlights from this year of the close to 200 books I read or reread in 2023. I get the majority of my reading from NetGalley, BookBub deals, ARCs, and the library. I include publication dates so I can remember what I will recommend for Nebula reading; bolded titles are eligible for award stuff this year; titles in italics indicate a forthcoming title.
Here are some of my favorites in speculative reading from this year:
In anthologies and collections, I recently began a project to go through all my anthologies and collections to see which I want to keep. So far that’s included:
In my short fiction reading club, in which we read classic stories of F&SF, we read: Ray Bradbury’s “The Fog Horn,” Karen Joy Fowler’s “Standing Room Only”, Robert Heinlein’s “All You Zombies,” and “The Green Hills of Earth,” Anne McCaffrey’s “The Ship Who Sang,” Vonda N. McIntyre’s “Of Mist, and Grass, and Sand,” C.L. Moore and Henry Kuttner’s “Vintage Season”, Clifford Simak’s “Desertion,” Connie Willis’ “A Letter from the Clearys”, and Roger Zelazny’s “Auto-da-Fe.” I’ve found these craft-focused sessions, which are part of my Patreon community, illuminating and useful in terms of learning more about F&SF history as well as craft tips and tricks.
In video/computer games, I started playing the early version of Baldur’s Gate 3 in early September, and I’ve been obsessed with it. Earlier in the year, I was playing Sun Haven and really enjoyed it, along with occasional bouts of Darkest Dungeon. If you’re a Stardew Valley fan, you will like Sun Haven, because there’s a lot of similarities and fun writing. I continue to play Pokemon Go on my phone.
RPG-wise I’m running a live game of D&D 5e and playing in two f2f homebrew D&D campaigns, one virtual D%D campaign plus Esper Genesis on Twitch. That sounds like more than it really is, which is a chance to game once or twice each week. Early in the year, I played in a game of Apocalypse Hearts run by Lowell Francis and want to recommend the Open Hearth gaming community for people interested in finding interesting story-focused games to play online. I also used the Party Backstory Generator tool by Justin Sirosis in my D&D game as the session 0 and found people really grooved with it and generated some interesting connections.
...
Most of the last couple of months has been focused on one of several things: finishing the beta draft of Hearts of Tabat, finishing up the second edition of Creating an Online Presence for Writers, sorting through details for the release of Altered America: Steampunk Stories, or SFWA’s Nebulas Conference, which took place midmonth in Chicago, and which I blogged about last week.
So here’s some highlights of my summer schedulee.
Tomorrow I’ll post the list of classes for June and July, which includes a round of the Writing F&SF Stories workshop (Wednesday evenings) as well as the Advanced Workshop (Tuesday evenings). I’m not 100% sure, but I think that’s the last round of classes for 2016, aside from a workshop I am doing for Clarion West this fall and maybe a co-taught one every once in a while. I’ve got a lot of travel coming up in the latter half of the year and I’d like to be able to focus on writing and SFWA as well. Whether or not I decide to run for office again next year depends in part on how much I can manage to get done this year.
In answer to several people asking about the difference between the two multi-session workshops — I created the Advanced one for people who took the first F&SF one and wanted more. If you haven’t taken the first, you should do that rather than the Advanced Workshop, regardless of skill level, because it lays out my theories of storytelling in a coherent way while the second ranges wildly all over the place.
June 10 is the release of Altered America, which is a compilation of all my steampunk stories. Patreon supporters at the $5 level and above will get a free electronic copy ten days in advance. This has ten stories in it altogether, a number of which were published on Patreon. I hope to do a similar mini-collection of near-future SF by the end of the year, which will also go to Patreon supporters beforehand.
June also sees the release of a Storybundle of writing books organized by Kris Rusch that includes the 2nd edition of Creating an Online Presence, which is why I spent part of last month frantically getting that updated in time.
Bud Sparhawk and I wrote a novelette together, “Haunted,” that should appear in July’s Abyss and Apex. It’s space fantasy. I think. We had a lot of fun with it,but it’s definitely not a comedy.
July 5th will feature the release of both the class and book version of Moving from Idea to Draft. You’ll see several other classes appearing in the Rambo Academy for Wayward Writers, including classes from Rachel Swirsky, Juliette Wade, and a couple of other folks.
Summer conventions include the Locus Awards weekend, Westercon, GenCon, Worldcon, and Dragoncon. After that I am off to Beijing for the Chinese Nebulas and will spend several weeks in China. Following that, Griffcon in Indiana, the Surrey Writers Conference, Orycon, and maybe WFC. (I’m not sure about that last. It’s been a travel-heavy year, and WFC isn’t my favorite convention. It always feels very anxious and unwelcoming, no matter what city I experience it in.)
Writing wise, I am completing the currently half-drafted YA novel based on “Circus in the Bloodwarm Rain,” which is currently laboring under the working titleConflagration and starting to flesh out the outline for the next Tabat book, Exiles of Tabat, which is the third of the quartet.
As always, plenty of stories are flowing and currently floating around in forms ranging from inchoate to semi-final draft. Right now I’m completing the Wizards of West Seattle story and realizing the concept’s going to end up becoming an ongoing series that probably will go out once a month or so on Patreon. I’m also thinking about a RPG supplement based on the copious notes I’ve been accumulating.
In SFWA areas, I’m focusing on a new committee that I’ll be working with, the Membership Retention Committee, whose job will be to look at the new member experience for SFWA members as well as how to keep the organization useful for members. (If you’re interested in volunteering with that, feel free to drop me a line.) Other efforts include a) working with SFWA fundraising, b) a small musical endeavor that I just prodded someone about and which involves Tom Lehrer (yes, that Tom Lehrer), and c) helping out where I can with some of M.C.A. Hogarth’s amazing efforts, such as this mysterious thing here lurking under a tarp that I am not at liberty to discuss. *mouths the words “SFWA University” then is dragged away by the SFWA honey badgers while shouting something about a guidebook*
Three other important SFWA things:
#mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; }
/* Add your own MailChimp form style overrides in your site stylesheet or in this style block.
We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */
Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.
...
(fantasy, flash fiction) The second thing I asked my fairy godmother for was a cookie, the kind my mother used to make. At first she didn’t understand me. “I told you, I can’t do that sort of thing,” she said. And then, “Oh, a cookie. I see.” She snapped her fingers and handed it to me.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. This site is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.