Possible Upcoming Changes to SFWA Membership

One of the questions that’s come up repeatedly as a result of the recent vote to admit indie and small press published members: why join at all?

I joined as soon as I was qualified because Ann Crispin told me to, and she was a smart lady. And here’s a list of the things SFWA has provided me. I am a professional writer. I make a modest amount off writing and teaching, and have a spouse who takes care of a lot of the bills plus the health care. My hope is to continue to grow my writing income. With that in mind, here’s what I get for my dues.

What SFWA offers me:

• The Grievance Committee. I’ve benefited from mentioning its name in the past when trying to shake payment from a magazine publisher, for example.
• The Emergency Medical Fund, which I personally haven’t had occasion to use, but am happy to know exists.
  Similarly, the Legal Fund.
• The SFWA suite at conventions, both for food and drink as well as for the chance to hang with other members and enjoy their conversation. I was delighted to have a chance to sit for an hour and talk with Jacqueline Lichtenburg and Jean Lorrah at Worldcon, for example.
• Knowledge resources on the website, such as the document on formatting manuscripts or Myrtle the Manuscript.
• Knowledge resources in the Bulletin, such as recent pieces on what conventions might be useful to me, how teaching and writing intersect, and how to write (and publish) serial fiction.
• A chance to participate in book festivals and other events, such as the Baltimore Book Festival or the ALA.
• The PNW SFWA Reading series, at which I’ve been both reader and frequent attendant.
• Opportunities to publicize books through the SFWA web site, Youtube stream, and Twitter stream.
• A sense of tradition, of belonging to an institution founded by and which has included (and continues to include) so many of my early influences and heroes in its ranks.
• The Nebulas and the East Coast Mill and Swill.
• Free fiction! Both the Nebula Voter packet and what gets uploaded to the boards.
• New friends who are writers, and plenty of them. I’ve deepened earlier friendships with others and even seen some of my students enter SFWA, which delights me.
• A opportunity for meaningful, interesting, and informative volunteer work. I’ve served on the Nebula Short Fiction and Norton juries, worked with the Copyright Committee, written for the Bulletin and the SFWA blog, sat at the SFWA table at conventions, helped moderate the discussion boards, and now serve on the SFWA Board. All of that has been rewarding and engaging.

Speaking of that last item, that’s another big plus for me of SFWA: a community that I see evolving on the discussion boards on a daily basis. I see members doing all of the following:

• Celebrating each other’s victories and small joys
• Promoting each other and organizational efforts
• Teaming up on promotional efforts
• Sharing knowledge, encouragement, and advice
• Grieving when a member dies and supporting other members through illness or loss
• Being silly together at some moments and serious at others
• Discussing the issues affecting writers, the industry, and SFWA overall

So there’s my two cents worth. To my mind and as someone who’s been writing professionally (fiction and freelance) for a decade, SFWA offers me quite a bit. People are welcome to quote this post elsewhere as long as they include attribution.

I got back late last night, after a trip back that included a lost reservation, my luggage being overweight (how could that be? oh, look at all those books) so I had to repack a bit at the counter under the check-in agent’s impatient gaze, and the poor kid beside me throwing up steadily all the way from PIT to IAD. It’s always weird, the day after travel, because one feels as though you’ve been simultaneously on vacation and yet working harder than most days.

I cannot begin to enumerate all the ways that weekend was wonderful. It was a great joy to see months and months of planning finally bear fruit and now we can relax for at least a couple days before thinking about next year. The programming was, in my opinion, outstanding. My only quarrel would be that there was so much good stuff that I could not get to every panel I wanted to, and that I could not spend enough time with the fabulous SFWA events team of Kate Baker, Terra LeMay, and Steven H Silver, who are responsible for everything that was wonderful.

One of the challenges for the Programming Team, led by Mary Robinette Kowal, was making sure the programming had something for all writers, whether they were tradpub, small press, indie, or hybrid. There were so many terrific, in-depth panels, including a wealth of shadow programming additions and office hours with writers and other publishing professionals. It made me think back to a Nebula from several years when I was on a lackadaisical panel about writers block that was, I think, so much less useful than it could have been and realize just how far the Nebula Conference has come from the days of “let’s all get together in a hotel and hand out the awards and then drink a lot.”

Sarah Pinsker did a great job with the mentoring program, which matched up literally dozens of folks for mentoring sessions that were, for a number of folks, a major highlight of the con. I am sure many of the relationships formed there will last long after this weekend; I know I picked up two of my mentee’s books and am looking forward to reading them.

The book depot structure, so adeptly administered by Sean Wallace, meant that everyone had a chance to have their books there. That had been an issue for a number of the indies last year and it was gratifying to see that problem addressed. I apologize for being one of the people who brought a stack of books in at the last minute; Sean was very patient with the number of us who did so.

I will not claim everything was perfect; I think I’m one of the people most acquainted with every behind-the-scene misstep and/or perceived slight that needed smoothing over. But so many of the small touches were stellar. The centerpieces on the banquet tables were charming robots assembled from vintage materials by artist Don L. Jones. There were plenty of chances for networking with partners and finding new and interesting opportunities. The gender-neutral bathroom was there, and usable, and in a place where people could find it. The Volunteer Breakfast on Sunday was lovely; we had a great turn-out and people liked the appreciation certificates and special SFWA temporary tattoos. (I still have a lot of these and am happy to mail them to SFWAns.) Toastmaster Kjell Lindgren was charming and smart and loves SF as much as any of us; he even showed us the books that drew him on his lifepath.

Speaking of reading, the swag bags were STUFFED with great stuff; I was making a number of happy noises while unpacking mine. I also enjoyed pointing people at the excess tables towards books that I knew were terrific, like Sarah Kuhn’s The Heroine Complex or Alaya Dawn Johnson’s Spirit Binders books.

I got to wear several of my more high-end thrift store finds from this year, and also learned how to pack garments that consist mainly of chainmail-like layers of sequins. I also learned that such things really end up being heavy when you accumulate a few in one suitcase. My banquet dress was a big hit; I’ve never been asked before “who were you wearing?”, which amuses me and may underscore the lengths to which I will go in SFWA’s service.

I did indeed announce that SFWA will be giving out a game-writing Nebula. Not an award with a separate name, like the Andre Norton or Ray Bradbury Award, but a Nebula. Why? Because game-writing deserves to be right up there in the ranks, not treated like a special case (no disrespect is intended there to either of the named awards). If you’re a gamewriter interested in providing feedback on how SFWA can help/serve gamewriters — or better yet, if you’re interested in helping make that happen by volunteering — I’d love to hear from you, and you can find my contact information here.

Next year’s Nebulas will again be in Pittsburgh and at the same hotel. Overall, they did a pretty solid job (with a few overwhelmed restaurant bobbles) and I know the manager and the events team sat down together on Sunday and went over everything that went wrong and how we can avoid them next year, down to details like marking the ramp’s edges with white tape so next time no one trips and has a bad fall over that invisible edge.

The business meeting on Saturday went smoothly; I don’t think there were any real surprises for anyone. The officer election results were announced; thank you and welcome to incoming officers Curtis Chen, Andy Duncan, Jeffe Kennedy, and John P. Murphy, with special thanks again to Erin M. Hartshorn for agreeing to take up M.C.A. Hogarth’s sparkly war axe. The most contentious discussion was a member who felt that some members might prefer to write letters to the editor in the e-newsletter The Singularity in order to communicate with fellow members than use the discussion forums; the agreement was made that should anyone wish to write such a letter, we will include it in The Singularity. Afterwards we had a panel in the same room about all the stuff SFWA offers writers; the challenge was that we didn’t have enough time to cover it all.

I don’t often get to surprise Steven H Silver, and yet Kate and I managed to keep the fact that Walter Day had made one of his awesome trading cards for him secret until the banquet. Walter’s trading cards are so nifty; he’s up to over 200 of them now and they were one of the nifty features of the swag bags. He also presented Jane Yolen with a special blown-up version of her new one. Jane gave a lovely speech, finishing with her Sally Field moment, and just generally was awesome and generous with her time all throughout the weekend.

The Super Nebula Showcase HumbleBundle has one day to go. So far it has raised more money for the SFWA Givers Fund, which administers grants to promote F&SF writing, than the Fund gave out last year. If you haven’t checked it out — there’s an awful lot of good reading in there.

Liz Argall did an adorable cartoon about the weekend, and another based on my closing words, which I hope she’ll post at some point, but I will reiterate them. It was so lovely to see you all. You are my people and I appreciate the trust you’ve given me. I’ll keep trying to steer things in a reasonable direction, but you’re the ones powering the ship. Thank you.

Many thanks to the Future Affairs Administration for live tweeting the Nebulas — they had over 4.5 million page views, which is awesome. I hope to be in Chengdu this winter to meet some of those viewers.

I am sure I have left out so much, and I suspect I’ll be updating this post throughout the next couple days as things occur to me, but I wanted to get a post up so peeps who weren’t there got to see some of the pictures. Here’s a few more.