I’m super pleased to be able to announce that I’m Author Guest of Honor at Norwescon this year. Norwescon’s the first con I went to as an author and will always have a special place in my heart accordingly.
While there, I’ll be on plenty of programming (I’ll post that schedule as soon as I have it), and I’ll also be spending time at Jenn Brozek’s booth, where I’ll definitely have copies of ALTERED AMERICA, CARPE GLITTER, MOVING FROM IDEA TO DRAFT, and THE SURGEON’S TALE.
If there’s another book of mine you’d like to buy and get autographed while there, drop me a line in e-mail and I’ll make sure I stick it in my luggage, but otherwise I’m flying there and have limited luggage space, so I’m snagging the smaller books.
I will be reading for the first time ever from the sequel to YOU SEXY THING, hurray! Come to the reading if you want to know how DEVIL’S GUN starts off.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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MidSouthCon
This will be the first blog post ever done on the iPad, so excuse both brevity and typos.
MidSouthCon is great and everyone is super friendly. Yesterday I had a panel on con etiquette (really, it all just boils down to Wil Wheaton’s law – Don’t be a dick.) then opening ceremonies and a meet the guest event. The con is small but fun, and this is its 30th year, which is nifty. And I got a swell gift basket and got to sit next to Mark Goddard, who Lost In Space fans will recognize as Major Don West.
Today, among other things, I’m giving a talk on electronic publishing where I fear I’ll be just saying more of the same stuff everyone else does, but we’ll see. I do want to talk about it in terms of the various sectors: readers, authors, publishers, agents, and editors, because I think everyone’s got a different horse in this race.
Tomorrow more con, and then I’m flying back Monday and fleeing this strange and frightening day star. Back to Seattle gray!
What makes Seattle particularly well suited to writing speculative fiction set in it?
Kat – Marvelously creepy weather, and distinct neighborhoods that preserve their history. What are ghosts but history that won’t go away?
Julie – The weather for sure, as well as the visual landscape it provides. The distinct neighborhoods with life. Any fiction set in a distinct city is better.
John – The diversity of culture and people as well as the landscape
K.C. – The geography and the weather, which can go from fog to crystal clear one day to the next.
What landmarks of Seattle lend themselves to spec-fic writing?
Kat – Pioneer Square. The first year I was here, an unusual fog struck and all I could see were the disembodied feet of pedestrians moving in it, which inspired all sorts of possibilities writing-wise. Seattle has lots of layers, which are great writing points, the places where the skeleton is partially exposed.
Julie – Seattle has lots of distinctive features. The Greenlake district is really distinctive, but there are lots of different settings that are suited to different moods.
John – The greenness of winter as well as the wilderness and the places to get lost that it provides
K.C. – The whimsical details of the city, such as the five foot concrete dragon in the park near me in West Seattle. I wrote my story, I Must to the Barber’s Chair, because of a sign I’d seen: “Psychic” in one window and “Barber” in the adjoining one. After the story was published, the barber who owned that shop wrote to me. He said the psychic had gone out of business (which you think they would have seen coming) and he’d been moved to buy the “Psychic” sign and add it to his own window.
How do you research Seattle-based stories?
Kat recommends Historylink.org, which has its own Twitter stream, as a resource.
Also the Museum of History and Industry.
Most participants like to go to places to research and get the ambience that affects a story.
K.C. believes in fussing with setting details, while John suggests fussing on a different level by researching names and cultural background. He strives for enough concrete details to make something authentic then makes up the rest, creating a veneer of research that doesn’t bog him down.
Kat: I’d like to be right all the time but the city keeps changing, like the Picnic Pavilion in Occidental Park, which got torn down after the book holding it was published.
Cat suggests one of the Seattle ghost tours, and recently did this one. Learned details like a place at Pike Place Market where three ley lines meet, and Dr. Linda Hazard, an early Seattle serial killer.
Details of Seattle that make it particularly well suited to the weird:
High number of serial killers
Lots of wildlife – cougars and bears
Fertility of the soil
Banana slugs and geoducks
