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Announcing The Reinvented Detective!

I’m pleased to announce that we have final cover, release date, and table of contents!

December 12, 2023, The Reinvented Detective, the second installment of the Reinvented Anthology series from Jennifer Brozek and Cat Rambo, appears from Arc Manor.

The evolution of crime, punishment, and justice in the future.

What happens when time and technology change the definition of crime and punishment?

Science fiction often focuses on future technology without considering the society housing it. Social norms may change as tech changes — or not. What will criminals, investigators, judges, and juries look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge the possibilities of new laws, new police methods, and the birth of sentient Artificial Intelligence, as well as all the ways they can clash or combine?

The Reinvented Detective presents stories that complicate law and order as well as the concept of criminals, detectives, punishment, and justice for all by showing how shifting technology, the rise of sentient AIs, and shifting social attitudes may affect what is not only acceptable, but expected, within both real world and digital communities—and everything in-between. These stories reinvent detective and true crime tropes, recasting them for the 21st century, and above all, experimenting, astonishing, and entertaining.

Table of Contents

Foreword – Jennifer Brozek

REPORTS
Poem: That Missing C: Police Report #1 – Jane Yolen
The Best Justice Money Can Buy – C.C. Finlay
The Gardener’s Mystery: Notes from a Journal – Lisa Morton
Someone Else’s Device – AnaMaria Curtis
Coded Out – Frog and Esther Jones
Murder at the Westminster Dino Show – Rosemary Claire Smith
The Unassembled Victims – Peter Clines

ARTIFACTS
Poem: Ghosts – Seanan McGuire
Agents Provocateur – Lazarus Black
Great Detective in a Box – Jennifer R. Povey
Color Me Dead – E. J. Delaney
The Unremembered Paradox – Maurice Broaddus and Bethany K. Warner
Go Ask A.L.I.C.E. – Lyda Morehouse
Request to Vanish – Lauren Ring
Overclocked Holmes – Sarah Day and Tim Pratt

JUDGMENTS
Poem: Final Judgement – Jane Yolen
Dead Witness – Marie Bilodeau
We Are All Ourselves Inside Our Skins – Sam Fleming
Inside, Outside, Above, Below – Premee Mohamed
To Every Seed Their Own Body – Guan Un
In the Shadow of the Great Days – Harry Turtledove
Gum5hoe – Carrie Harris

Afterword – Cat Rambo

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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negative-space-woman-reading-philosophy-book-thought-catalogA week or so ago we had the orientation session for the slush readers. I gathered them by posting announcements in my newsletter and other social media, but I also tried to reach out to a range of people in order to ask for recommendations in order to ensure I had a diverse pool. We ended up with over a dozen slushreaders, and one of the things I want all of them to take away from the experience is better understanding of stories and how to sort through things.

We video-recorded the session, and the publisher went over the mechanics of the slush system in that as well. Parvus Press has mentioned recently that I asked to have the slush read blind, which to me seems like a better approach. Studies have shown that perception of the attached name can change the way someone reacts to a scholarly paper, and I’m reasonably sure similar things happen when reading fiction.

One of the things I’ve stressed is that typos and grammatical errors aren’t a dealbreaker – we can fix those. A compelling story with some issues like that is something I want to see. But the world’s most immaculately formatted story won’t do much for me unless there’s a good story attached, by which I mean a story that entertains while at the same informs or engages or makes you think or hopefully some combination of all of that. Look for the stories that startle and amaze you, I told them. Or really piss you off, I added, because sometimes that’s the sign of a good story.

If the story is from a viewpoint radically different than their own, I’d like them to make sure some other eyes check it out. (Nonetheless I’m going to be a pain in the rear and read everything, partly because I want to be able to talk to the slushreaders about stuff as it comes up.)

I emphasized a policy that I have borrowed from John Joseph Adams, who has edited a kerjillion anthologies, and asked people not to talk about the slushreading experience in anything but vague and enthusiastic terms. I know writers will be watching those utterances and often taking stuff to heart that was not intended for them. In my early years, I had the odd experience of having an IGMS slushreader blog about my story submission in mocking terms. This probably would have been more discouraging if the actual editor hadn’t just bought the story, but I will always remember reading through their account of the slushreading party and the lines about all of them laughing about hitting a story written from an elephant’s POV. The vividness of that moment is not something I really want the slushreaders inflicting on other writers.

We closed up by talking a little about how to stay un-depressed in the light of what may well turn out to be a whole bunch of grim stories. It’s okay to step away from the keyboard sometimes, and we have enough slushreaders that plenty of eyes will be looking at the stories.

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Booking My Editing Services

The flooring saga continues. One guy came and made the repairs to the subfloor that the flooring people had requested — or so I thought! When the flooring people came back, they weren’t happy with things still, and so the other company is coming back to do that, but can’t get here until the latter part of the month, and since they didn’t understand they needed to level the floor the first time, there’s some additional cost, although they are cutting me a deal on it as an apology. At any rate, someday I will have a usable kitchen, but that time is not now.

As you can guess, this is all complicated, time-consuming — and costly, particularly on the heels of replacing the roof last month, which I knew I’d have to do at some point but was hoping to do next summer, thereby bumping any thoughts of a new deck to 2023. Accordingly I’m going to take on some editing work in the next few months.

Accordingly, if you ever wanted to give yourself the gift of an edit from an experienced editor/writer/teacher who is also a Locus and World Fantasy Award nominee and Nebula award winner, this might be the time. All edits/reads include the chance to identify particular spots for feedback in advance and to ask questions afterward.

I will be accepting a limited number of projects, so if you are interested, I would contact me sooner rather than later.

Story editorial read

$50 per 5,000 words. This is not an edit. It is a 1-2 page analysis that includes notes on suggested changes, weak spots, and other editorial feedback. Stories over 5,000 words will be pro-rated at $5 per additional 500 words.

Novel editorial read

$1000 per 100.000 words. This is not an edit. It is a chapter by chapter analysis that includes notes on suggested changes, weak spots, and other editorial feedback. I will include a copyedit of the first chapter (up to ten pages) to show patterns and suggestions at the sentence level. Works over 5,000 words will be pro-rated at $10 per additional 1000 words.

Story copyedit

$100 per 5,000 words. This is a rigorous edit of something you consider finished, with changes tracked and explanatory notes. If you are not happy with it, I will return your money. Stories over 5,000 words will be pro-rated at $10 per additional 500 words.

Novel copyedit

Because this can vary greatly, the fee is based on how much work I’m looking at. Send one chapter and the word length and I can provide an estimate.

Got a project that doesn’t fit any of these? Feel free to mail me at cat@kittywumpus.net (it would be handy if you use the subject line “Edit Request”) with the details.

Projects will be added to my work queue in the order they are received. If you need your work prioritized due to a deadline, there is an additional rush fee.

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