A Wayward Wormhole Origin Story

September 13, 2024
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Have you ever had a ridiculously lofty desire buried so deep in your psyche that you’ve never mentioned it to anyone? That’s what the Wayward Wormhole is for me.

Immersing myself into a world of writers where everyone is as obsessed, driven, and crazy about language and story for weeks at a time is my ultimate happy place. That passionate kiss of at a three-day conference only stoked my desire for more. I applied to some of the greats: Clarion and Odyssey and vowed to apply to Viable Paradise and Launch Pad as schedule and finances permit, but I’ve yet to receive an acceptance from any of them. Is that a reflection of my writing? Maybe…but they’re all incredibly popular and competitive. The sheer talent from the other applicants is intimidating. I’m not a natural. I’m a writer who makes all the usual mistakes and has to fight my way up the rejection ladder. On the flip side, I love learning about writing, and I’m damn stubborn, so I’ll keep going as long as I’m having fun.

Tired of waiting for an acceptance and finding that I aged with every passing year, I started giving myself an education from the many instructors that graced the workshops I wanted to attend. That’s where Cat Rambo came in. Their Academy for Wayward Writers was the perfect training ground for my struggling career as a writer. They brought in Tobias Buckell, Michael Underwood, Sarah Pinsker, Ann Leckie, Kate Heartfield, and Jamie Lackey, not to mention all the classes put together by Cat themselves. And it was great.

But it still wasn’t the deep end I dreamed about. Then, one day all the time spent on Cat’s Patreon and Discord brought the opportunity of a lifetime—a month of November—an intensive workshop in Spain. Was anyone interested? I was. Did she have a location? No. So I looked for one. I found a castle (A CASTLE!). The next step was financial viability—was a venture like this something that could at least pay for itself? Spreadsheet time. The numbers said it could. We wouldn’t get rich, but we could offer a new, high-level intensive writing workshop offering access to exceptional instructors, and bring together fellow writers who were as eager to help each other succeed as you are to helping them. That’s what it’s all about!

Cat received a good deal of flack over the location’s lack of accessibility, and that was my fault. To anyone who wanted to attend and couldn’t, I can only apologize and say we are committed to doing better with each upcoming workshop.

Spending last November with Cat Rambo, Ann Leckie, Sarah Pinsker, and Tobias Buckell, along with eleven excellent writers in their twenties, thirties, fifties, and up, from four different countries, gave my confidence a much-needed boost, and with that, my writing leaped forward. We’re kept the Ride or Die Writing Group together in 2024, and students are getting published!

Cat Rambo has an amazing array of friends in the SFF community. They’ve all experienced her kindness, generosity, and balanced sense of right and wrong.

We’re heading to New Mexico this November with Arley Sorg, Minister Faust, Donald Maass, C.C. Finlay, plus a slate of students eager to repeat the magic from last year.

I can’t believe this is my life. Maybe we’ll see you there one day!

Fantasy

Altered America: Steampunk Stories

Steampunk fans will rejoice in the appearance of Altered America: Steampunk Stories, collecting Nebula and World Fantasy Award-nominated author Cat Rambo’s steampunk fantasies, including “Clockwork Fairies,” “Snakes on a A Train,” and “Her Windowed Eyes, Her Chambered Heart,” into a single book. Rambo’s wry humor, precise and evocative descriptions, and ability to create a world with a few deft touches are showcased in these ten tales.

Includes “Clockwork Fairies,” “Rare Pears and Greengages,” “Laurel Finch, Laurel Finch, Where Do You Wander?”, Darrell Award nominated “Memphis BBQ,” “Rappacini’s Crow,” “Her Windowed Eyes, Her Chambered Heart,” “Snakes On a Train,” “Web of Blood and Iron,” “Ticktock Girl” and “Seven Clockwork Angels.”

Sci-Fi

And the Last Trump Shall Sound

“In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.”—First Corinthians 15:52

From New York Times bestselling author, Harry Turtledove, critically-acclaimed novelist, James Morrow, and Nebula Award winner, Cat Rambo, comes a masterful anthology of three sensational novellas depicting a dark fictional future of the United States.

And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government.

There are those who cannot abide by what they view as a betrayal of the nation’s founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union.

The authors’ depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization—a dire warning to all of us of where we may be headed unless we can learn to come together again.

Fantasy

Eyes Like Sky and Coal and Moonlight

This debut solo collection Eyes Like Sky And Coal And Moonlight brings together twenty stories from the extraordinary talent of fantasy author Cat Rambo. Here are tales from seaport city of Tabat, both before and after the sorcerous wars that destroyed the Old Continent. Here are alchemical explanations for failed blind dates. Here you’ll find a dryad, the last great elephant, and an uneasy blur of humanity. Cat Rambo doesn’t simply amaze and delight, she restores wonder to her readers with every page. You won’t simply believe that pigs can fly, you’ll question why you ever doubted the premise at all.

Sci-Fi

If This Goes On

Some of today’s most visionary writers of science fiction project us forward to the world of the future; a world shaped by nationalism, isolationism, and a growing divide between the haves and have nots. This anthology sits at the intersection of politics, speculative fiction, and American identity. The choices we make today; the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it.

Cat Rambo invites you to worlds very like this one― but just a little different. Including:
-“Green Glass: A Love Story” by Lily Yu, Hugo and World Fantasy Award nominee, and winner of the 2012 John W. Campbell Award for Best New Writer, filters the future of now through a wholly relatable lens: relationships and marriage.
-Hugo-winning editor Scott Edelman’s “The Stranded Time Traveler Embraces the Inevitable” expertly employs an age-old -science fiction convention to tell a deeply human tale of love, loss, and desperate hope.
-Streaming our everyday lives has become commonplace, but in “Making Happy” Zandra Renwick examines a very uncommon consequence of broadcasting your every experience.
-Former Minnesota Viking and noted equal rights advocate Chris Kluwe’s “The Machine” deals with one of the most important and hotly contested questions of the day: what truly defines citizenship and American identity?
-Nebula winner Sarah Pinsker’s “That Our Flag Was Still There” uses possibly the most powerful symbol in American iconography to create a frightening and darkly illuminating vision of freedom of speech.
-NAACP Image Award winner for Outstanding Literary Work Steven Barnes offers up the consequences of integrating technology and surveillance into our daily lives with his detective story “The Last Adventure of Jack Laff: The Dayveil Gambit”

Fantasy

The Surgeon's Tale and Other Stories

(co-written with Jeff VanderMeer) In a world where magic is fading and science begun to ascend, a young surgeon in medical school experiences an obsession so forbidden that its realization will change him forever. “She looked as if she were asleep, still with that slight smile, floating on the thick sargassum, glowing from the emerald tincture that would keep the small crabs and other scavengers from her. She looked otherworldly and beautiful.” Sometimes life is not enough. Also including five more stories of dark wonder from Rambo and VanderMeer, from “The Dead Girl’s Wedding March” to “The Farmer’s Cat.” Enter a world of rat suitors, severed arms, and Fungi Et Fruits de Mer, served up with prose both appetizing and uncanny. Dark fantasy has never been quite so decadent . . .

Fantasy

Neither Here Nor There

Cat Rambo’s newest collection of fantasy fiction contains both work original to the collection as well as work from Beneath Ceaseless Skies, Tor.com, and other leading fantasy fiction magazines. The work is presented in the same double-sided format as Rambo’s previous collection, Near + Far, of which Don Sakers of Asimov’s said, “If you want some really excellent stories, get the e-book. If you also want a physical object to warm the heart of any print-book collector, go for the paper version.”

Neither Here showcases alt-world fantasy, including stories set in Tabat, the world of her first novel Beasts of Tabat, while Nor There features stories set in our own world, including “The Wizards of West Seattle,” original to the collection. In their starred review, Publishers Weekly said, “This double collection showcases Rambo’s versatility within the fantasy genre. Find out Ursula Vernon called Rambo “one of the brightest talents in the field,” Jodi Lynn Nye said, “Rambo has a gift for immersing her reader into a vivid universe full of adventure, sensuality, wit, and poignant observation,” and NY Times bestselling author Kevin J. Anderson simply advised, “Cat Rambo is endlessly innovative, ingenious, and just plain entertaining. Read her stories.” “

Reinvented Anthology

Sci-Fi

The Reinvented Detective

(co-edited with Jennifer Brozek) What happens when time and technology change the definition of crime and punishment?

Science fiction often focuses on future technology without considering the society housing it. Social norms may change as tech changes — or not. What will criminals, investigators, judges, and juries look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge the possibilities of new laws, new police methods, and the birth of sentient Artificial Intelligence, as well as all the ways they can clash or combine?

The Reinvented Detective presents stories that complicate law and order as well as the concept of criminals, detectives, punishment, and justice for all by showing how shifting technology, the rise of sentient AIs, and shifting social attitudes may affect what is not only acceptable, but expected, within both real world and digital communities—and everything in-between. These stories reinvent detective and true crime tropes, recasting them for the 21st century, and above all, experimenting, astonishing, and entertaining.

Includes stories and poetry by Premee Mohammed, Harry Turtledove, Jane Yolen, Peter Clines, Lisa Morton, Rosemary Clarie Smith, and more!

Reinvented Anthology

Sci-Fi

The Reinvented Heart

(co-edited with Jennifer Brozek) What happens when emotions like love and friendship span vast distances — in space, in time, and in the heart? Science fiction often focuses on future technology and science without considering the ways social structures will change as tech changes — or not. What will relationships look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge possibilities of new genders and ways of thinking about them?

The Reinvented Heart presents stories that complicate sex and gender by showing how shifting technology may affect social attitudes and practices, stories that include relationships with communities and social groups, stories that reinvent traditional romance tropes and recast them for the 21st century, and above all, stories that experiment, astonish, and entertain.

Fantasy

Carpe Glitter

Nebula Award-winning novelette from Cat Rambo, author of You Sexy Thing and the Tabat Quartet. What do you do when someone else’s past forces itself on your own life? Sorting through the piles left behind by a grandmother who was both a stage magician and a hoarder, Persephone Aim finds a magical artifact from World War II that has shaped her family history. Faced with her mother’s desperate attempt to take the artifact for herself, Persephone must decide whether to hold onto the past–or use it to reshape her future.

Nonfiction

Moving from Idea to Finished Draft

Find multiple ways to take a story idea and flesh it out into a complete draft, looking at different ways in which ideas may manifest, such as plot, character, literary device, theme, scene, title, prompt, historical moment, collaboration, tribute to another writer, and more. Each section discusses a specific way an idea can appear, what that provides the writer, pitfalls to watch out for, and possible next steps, along with writing exercises designed to let the reader test each technique and idea and one of Rambo's stories that started in that way.

Ad Astra: The 50th Anniversary SFWA Cookbook

(co-edited with Fran Wilde) The 50th Anniversary SFWA Cookbook features dishes as creative and varied in taste as the authors who shared them. (Please do not eat actual authors.) From Alien Scones to At the Fruitcake of Madness, DOOM Cookies, Falling Cloud Cake, and Miss Murder’s Black Forest Trifle, these recipes will help you prepare the perfect celebratory spread, no matter who—or what—you’re feeding!

All proceeds from this project will go to SFWA’s Legal Fund, which was established to create loans for eligible member writers who have writing-related court costs and other related legal expenses.

Sci-Fi Short Stories

Near + Far

Whether set in terrestrial oceans or on far-off space stations, Cat Rambo’s masterfully told stories explore themes of gender, despair, tragedy, and the triumph of both human and non-human alike. Cats talk, fur wraps itself around you, aliens overstay their welcome, and superheroes deal with everyday problems.

Book 3

Disco Space Opera

Sci-Fi

Rumor Has It

Coming September 24 - the third book of the Disco Space Opera.

Book 2

Devil's Gun

Life’s hard when you’re on the run from a vengeful pirate-king…

When Niko and her crew find that the intergalactic Gate they’re planning on escaping through is out of commission, they make the most of things, creating a pop-up restaurant to serve the dozens of other stranded ships.

But when an archaeologist shows up claiming to be able to fix the problem, Niko smells something suspicious cooking. Nonetheless, they allow Farren to take them to an ancient site where they may be able to find the weapon that could stop Tubal Last before he can take his revenge.

There, in one of the most dangerous places in the Known Universe, each of them will face ghosts from their past: Thorn attempts something desperate and highly illegal to regain his lost twin, Atlanta will have to cast aside her old role and find her new one, Dabry must confront memories of his lost daughter, and Niko is forced to find Petalia again, despite a promise not to seek them out.

Meanwhile, You Sexy Thing continues to figure out what it wants from life—which may not be the same desire as Niko and the rest of the crew.

Book 1

Disco Space Opera

Sci-Fi

You Sexy Thing

Just when they thought they were out…

TwiceFar station is at the edge of the known universe, and that’s just how Niko Larson, former Admiral in the Grand Military of the Hive Mind, likes it.

Retired and finally free of the continual war of conquest, Niko and the remnants of her former unit are content to spend the rest of their days working at the restaurant they built together, The Last Chance.

But, some wars can’t ever be escaped, and unlike the Hive Mind, some enemies aren’t content to let old soldiers go. Niko and her crew are forced onto a sentient ship convinced that it is being stolen and must survive the machinations of a sadistic pirate king if they even hope to keep the dream of The Last Chance alive.

At the Publisher’s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Farscape meets The Great British Bake Off in this fantastic space opera You Sexy Thing from former SFWA President, Cat Rambo.

2022 Dragon Award — Nominee

2022 Locus Award — Nominee

Book 3

The Tabat Quartet

Fantasy

Exiles of Tabat

Revolution.

Riot.

Enslaved magical creatures and an exiled, reluctant hero.

Bella Kanto finds herself aboard a hostile ship bound for a frontier town. When she encounters an old lover along the way, she has a chance to escape—but does she really want to take it?

Meanwhile apprentice Lucy and her friend Maz have been kidnapped from Tabat and taken to the Southern Isles in search of ancient magic. They fear what will happen when they get there, particularly when their kidnapper realizes he’s wrong about Lucy’s identity.

Return to a world where magical creatures fight for their right to be free in a system that makes use of their work and sometimes their very bodies in a city full of revolution and riot, ready for the return of its lost champion: the reluctant Bella Kanto.

Book 2

The Tabat Quartet

Fantasy

Hearts of Tabat

Fireworks, riots, and rousing speeches all mark the vast societal upheavals taking place in the city of Tabat. But personal upheavals reflect the chaos. Adelina Nettlepurse, noted historian and secret owner of Spinner Press, watches the politics and intrigue with interest, only to find herself drawn into its heart by a dangerous text and a wholly unsuitable love affair with a man well below her station.

The match offered by Merchant Mage Sebastiano Silvercloth would be much more acceptable, but Sebastiano is hampered by his own troubles at the College of Mages, where the dwindling of magical resources threatens Tabat itself. And worse, his father demands he marry as soon as possible.

When Adelina’s best friend, glamorous and charming gladiator Bella Kanto, is convicted of sorcery and exiled, the city of Tabat undergoes increasing turmoil as even the weather changes to reflect the confusion and loss of one of its most beloved heroes.

Meanwhile the Beasts of Tabat — magical creatures such as dryads, minotaurs, and centaurs — are experiencing a revolution of their own, questioning a social order that holds them at its lowest level. But who is helping the Beasts in their subversive uprising?

In the second book of the Tabat Quartet, award-winning author Cat Rambo expands the breathtaking story from Beasts of Tabat with new points of view as Adelina, Sebastiano, and others add their voices. Tabat is a world, a society, and a cast of characters unlike any you have read before

Book 1

The Tabat Quartet

Fantasy

Beasts of Tabat

Mythical beasts. Legendary gladiators. The fate of a boy entwined with epic revolution.

When countryboy Teo arrives in the coastal city of Tabat, he finds it a hostile place, particularly to a boy hiding an enormous secret. It’s also a city in turmoil, thanks to an ancient accord to change governments and the rising demands of Beasts, the Unicorns, Dryads, Minotaurs and other magical creature on whose labor and bodies Tabat depends. And worst of all, it’s a city dedicated to killing Shifters, the race whose blood Teo bears.

When his fate becomes woven with that of Tabat’s most famous gladiator, Bella Kanto, his existence becomes even more imperiled. Kanto’s magical battle determines the weather each year, and the wealthy merchants are tired of the long winters she’s brought. Can Teo and Bella save each other from the plots that are closing in on them from all sides?

“a fascinating world of magic, intrigue, and revolution.”—Publishers Weekly

One Response

Cat Rambo says:

September 18, 2024 at 7:39 am

From Cat’s side of things: Janet made the Wormhole happen, and I absolutely couldn’t have done it without her. Wait till you see what we have cooked up for 2025 – I just got the email confirming one of the instructors and I am SO stoked.

Reply

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Tracking 2011

January 17, 2012

I posted earlier that I’d had nineteen stories published in 2011, and John asked for some particulars. Here they are, in a post that tries to sum up what I -did- in 2011. 🙂

I finished two large fiction projects. The first was a collaboration where the other participant dropped out, and I ended up finishing the book. I would estimate that I wrote between 50-60 thousand words on this, and it went through two sets of revisions. It’s currently being shopped around.

The second was a reworking of an earlier novel into a trilogy. I mapped this out and divvied up the existing content, and finished the first volume, which involved about 70 thousand words of new content. A goal for 2012 is to finish the second volume. It’s currently being looked at by a publisher, and I think it’s the best thing I ever wrote, so I hope to sell it this year.

I did some editing work as well, which I’ll talk about at another time.

Statistics:
Number of submissions: 32 in 2011, which is actually much lower than (imo) it should be, and which I hope to double in 2012
Number of acceptances: 18
Most rejections garnered by an accepted piece: 10 for Flicka, which is a very odd story and ended up appearing in SUBVERSION. Also notable is Whose Face This Is, I Do Not Know, which appeared in Clarkesworld after eight other rejections (clearly I should have sent it to them much earlier, but I was thinking of it as a horror piece)

New stories written (not counting flash, which I did a bad job of tracking):

A Querulous Flute of Bone ““ written to spec
Do The Right Thing ““ written at an editor’s request, who then turned it down, just rewrote and sent out for the first time
Five Ways To Fall In Love on Planet Porcelain ““ currently in circulation
Logic and Magic in the Time of the Boat Lifts (collaboration with Ben Burgis) ““ currently in circulation
Pumpkin Knight ““ Codex contest story, reworking before it goes anywhere
Talking in the Night ““ needs polishing before it goes out

Last year was actually a little unproductive in terms of stories. This year I’ve already finished: 1) a 1000 word piece for a children’s market, 2) “Space Elevator Music” (flash), 3) “Love’s Footsteps,” a S&S piece that I’m reading at Confusion this week and then sending to BCS. I’ve got a slew of half-finished stuff that I’m taking to the con as well, because sometimes I get very productive during my solo time at cons.

In 2011, I pulled one story from a market who had had it way too long and got a nice note from the editor about how the wait would make the pro sale that much sweeter when I got it and letting me know that the more professional the market, the longer I should expect to wait. I moved said market to the top of my “do not submit to these people” list.

Stories that appeared in 2011:

Aquila’s Ring (Shadows & Light II, 4 previous rejections)
Bots D’Amor (Abyss & Apex, 3 previous rejections)
Close Your Eyes (Apex, 2 previous rejections)
The Coffeemaker’s Passion (Bull Spec, 1 previous rejection)
Flicka (Subversion, 10 previous rejections)
The Forbidden Stitch (10 Flash, sold first time submitted)
A Frame of Mother of Pearl (OSC IGMS, 2 previous rejections)
Futures (Dream People, 1 previous rejection)
The Immortality Game (Lightspeed, sold first time submitted)
Karaluvian Fale (Giganotasaurs, 4 previous rejections)
*Long Enough and Just So Long (Lightspeed, sold first time submitted)
Lost in Drowsy Dreams (10 Flash, sold first time submitted)
Love, Resurrected (Beneath Ceaseless Skies, 1 previous rejection)
Pippa’s Smiles (DSF, 7 previous rejections)
Long Enough And Just So Long (Lightspeed, 1 previous rejection)
A Querulous Flute of Bone (Tales from the Fathomless Abyss)
Swallowing Ghosts (DSF, 3 previous rejections)
TimeSnip (Basement Stories, 3 previous rejections)
Whose Face This Is I Do Not Know (Clarkesworld, 8 previous rejections)
Zeppelin Follies (Crossed Genres, 4 previous rejections)

*This is the story I am pushing for award notice, but other notables are “Whose Face This Is I Do Not Know” and “Love, Resurrected.”

Some notes on my submission process:

I have four criteria for market that help determine whether or not I submit to them, which are pay rate, reply time, whether they take e-subs, and how much notice they get. Something that’s high in one category may compensate for something in another category ““ Tor.com’s pay rate versus the slow reply time, for example, or the amount of notice F&SF gets versus the pain in the rear nature of printing out a paper submission (it has become the only magazine I’m willing to do this for, though).

Sometimes I send things to a specific market because I wrote it with them in mind. This is what happened with “Clockwork Fairies,” which appeared in Tor.com because the first market turned it down. Occurrences like this are not uncommon. I mention this only to increase my own mystique and make editors more eager to grab my stories when they appear, but I am afraid my prolific nature works against me in this regard.

...

WIP: No Clue What the Title Is Yet

March 10, 2016

Photograph of a diagram showing the different kinds of starting points for a story. — A story in very rough form.

Working on a far future space story that is getting very complicated with its gender stuff. This is one of the things that annoys me sometimes about future space stuff — that it superimposes early 21st century (sometimes earlier) gender patterns in a way that I know is hard to avoid but which infuriates me when it’s unquestioned. I just reread The Pride of Chanur (OMG how is that out of print in hardcopy??) yesterday and love the way Cherryh handles the question.

Hence this story of two cultures clashing, and both the gender norms and the norms around the sex act are getting tangled up in interesting ways.

Anyhow, this is currently the story’s beginning (and is a good candidate to remain the beginning):

“It can’t be avoided, Tom,” Gayathri said to her spouse. “I know it’s Age-Come for Suzette and Bit, but they must deal with an outsider visiting. To keep Grace, they must be taken in by one of the Lines, and everyone else is dealing with emergencies right now. i can’t create a diplomatic incident over the feelings of two family members. They must learn to adapt.”

“It’s not the quarters that’s a problem,” they grumbled. “Since Bethany and Besa moved over to their new Line, we’ve had extra. But Gaya, this means adjusting all my meal planning.”

“A few more servings here and there”¦”

“Individualized cakes with names on them for the party, for one,” they said. “And the centerpiece was a fondant scene of the family. Now how will I incorporate them?”

“I’ll send you a couple of images from her press kit. Dress her in scarlet, that’s the Corps color for women.”

They frowned at her. “They dress in different colors? What do they do about in-betweeners or asexuals?”

“The Corps doesn’t allow them.”

They rolled their eyes. “One of those.” They eyed her. Her own insistence on keeping the same gender without ever attempting other forms or sexualities was a sore point in the relationship. While not unknown, it was eccentric enough that Tom found it embarrassing.

“A wealthy one of those, with money to invest on the behalf of her coalition. You will be nice.”

In the end the tiny fondant image of the GrÃ¤fin was easy enough. A little twiddling let Tom print a sugar face, which they affixed with a dab of icing. They’d been working on faces for the family members for a month: seven generations would be represented, which they privately thought a poor showing, but Gaya’s family was so much newer than the one they’d married out of. And cooking for that family on such an occasion had been making food for several hundred. Tom might have had more help in their family of origin, but there would have been considerably more work.

Still, the loss of Bethany, the most interested in kitchen work, had grated on them. Bethany had known how to help, how to clean up after Tom as they moved through the kitchen as well as how to supply whatever it was that was needed, prepping the mutual mise en place to perfection. And the pair known each other’s depth of perception, could tease each other with tastes, ask advice on building a sauce that reached past acid and sweet to take on other notes and textures.

They tapped air bubbles out and tamped the face down with a toothpick, then set it in the diorama to one side, clearly an onlooker. They relented and moved it a few inches further in. The poor woman couldn’t help it that she came at an odd time.

The diorama sprawled, a meter in diameter, on the kitchen’s center counter. They circled it, looking it over in the lime-tinted sunlight cast through the rear windows that overlooked slopes of garden leading down to the lake, an expanse that would have swallowed the massive house entire without a thought, its surface glutted with water-lilies.

In a week the swollen cream-colored heads would burst into blossoms, soft explosions that would happen as dusk settled, while the nightbirds sang, and the children would have an Age-Come that let them step into new roles and responsibilities if they chose. Sometimes children decided they did not want it yet and retreated. Tom didn’t think Bi would. They had borne the baby, carried it within their body till birthing time, and that gave the two of them a special knowledge of each other. Suzette had come into the family as a baby when one of their parents had married in, and the affection Tom held for them was the same as that towards most of the two dozen children: pride and affection, but perhaps not to the same fierce degree they experienced when teaching Bit “” not cooking skills, to their chagrin, since the child expressed no interest, but other basics, like how to tie a knot or do daily chores.

Tom had been expecting them for a while, but they came late to breakfast and inspected the diorama dutifully, without focus or remark, before sitting down.

Turning from the heat counter, Tom slid a plate of pancakes in front of the child, who inspected it with the same lack of interest the diorama had evoked.

Jitters. “Having second thoughts? Should I move your figure to the sidelines? You wouldn’t be the first.”

A headshake in reply. You try not to press them, let them grow at their own pace, but they do it to themselves. “It’s only one change, one of plenty in your life. Take it at your own pace, however you like.”

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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