One thing about me that many people don’t know is that one of the things I’ve been doing since the beginning of 2020 is working with the If This Goes On (Don’t Panic) podcast, which I helped co-found. I love doing this because I get to talk with such interesting people! Here’s the episodes from 2024 where I co-interviewed with the excellent Alan Bailey, who is the reason the podcast keeps going.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Recent Reading From September
Linoleum print I did in 2008 (?). Meant to use it on Christmas cards, then never got around to it.I went through the usual slew of books in September, but I thought I’d mention some of the more notable ones. Links go to the Kindle edition when available, because I do most of my reading on that.
Erin Morgenstern’s THE NIGHT CIRCUS was a terrific read and one that will delight fans of THE PRESTIGE and CARTER BEATS THE DEVIL. Lots of gorgeous and beautiful description of a highly evocative setting and the love story that plays out against it.
While on a visit to Baltimore recently, I was introduced to Joe Hill’s graphic horror novel, LOCKE AND KEY. I read the first one, and am looking forward to the rest.
THE PALACE JOB by Patrick Weekes was a terrific romp of a fantasy read, and is an Ocean’s Eleven type adventure played out against a fantasy setting.
Jonathan Wood’s NO HERO and YESTERDAY’S HERO reminded me of a less frenetic Charlie Stross. Another fun and frothy urban fantasy was Jennifer Willis’ VALHALLA.
Love Joe Lansdale, but I’m reading him slowly in order to spread out the cost of getting all the Hap and Leonard novels. September held THE TWO-BEAR MAMBO as well as a collection of short fiction, BUMPER CROP.
I go back every few years to read E.F. Benson’s Mapp and Lucia novels. Why doesn’t someone do a fantasy version of these? That would be so awesome.
THE BANDIT KING by Lilith Saintcrow is a fantasy romance, the sequel to THE HEDGEWITCH QUEEN. I’ve yet to find a Saintcrow book that I haven’t enjoyed.
In nonfiction, I’ve been reading these:
RATIO by Michael Rudman, which talks about the ratios needed for certain things like biscuits vs. pie dough and explores a lot of the science. It’s fascinating, and I’m thinking about taking a year just to work through each of the 33 ratios (he goes through doughs, stock, sausage, sauces and custards) he explores.
You Should Read This: Woman and Nature by Susan Griffin
She knew her skill and she knew it well. She could speak more than one language. She spoke their language, and she spoke hew own, which they could not speak.What: Poetry and meditative essay mingle in Woman and Nature: The Roaring Inside Her by Susan Griffin. I found this book in grad school when I was first learning to look into metaphors to find out what they contained.
Who: Read this if you’re a woman, whether or not you call yourself a feminist. Read it if you’re a man trying to write realistic women, because the structures Griffin talks about are ones that affect all of this, but particularly women. Read it if you don’t mind some poetry mixed in with your thinking.
Why: Read this to reexamine the words and metaphors we use to describe both nature and women, to understand the attitudes behind the language.
He says that woman speaks with nature. That she hears voices from under the earth. that wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But dfor him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature.
And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole.
When: Read this when you want to be lulled by words out of your own body and into the material forms of tree and earth and shell.
Where and how: Read this near a window, where you can look out at trees or sky or mountains or water.
