Favorite Reads in 2024

This is by no means an exhaustive list, but includes many of my favorites.

Ninth House by Leigh Bardugo. The success of Lev Grossman’s The Magicians trilogy has led to quite a few other “college for mages” books. This was my favorite of this year’s batch, although I did also enjoy Sarah Gailey’s Magic for Liars.

Pet by Akwaeke Emezi is a young adult novel that is just extraordinary and beautiful and astounding. I’m about to ship it off to my godkid as well as the next book.

Sal and Gabi Break the Universe by Carlos Hernandez is another young adult novel, this time much more humorous than Pet, but with its sadnesses as well. The voice is funny and delightful while still full of all of the insecurities of high school.

The Grand Dark by Richard Kadrey has a gorgeous, depressing texture, an interesting storyline, and an evocatively detailed world that had its Kafka-esque moments. This is very different than Kadrey’s Sandman Slim books — while they’re fun reads, this feels like a much more serious book without being ponderous.

The Twisted Ones by T. Kingfisher is a spin-off from Arthur Machen’s horror work The White Ones and it is, like all of her books, crazy good. It’s weird to me, however, that in 2019, she’s got a hoarder grandmother story, I’ve got a hoarder grandmother story, and Ellen Klages has a hoarder mother story that I enjoyed as well. Something in the zeitgeist?

The Raven Tower by Ann Leckie. It took me a little while to settle into the voice of this book, but once I got with the groove I was totally hooked. Leckie’s a master of storytelling. There’s a lot that’s hopepunk-y about this book, including the casual community-based heroism of the protagonist as well as the insistence on the power and mutability of stories and language.

The Traveling Triple-C Incorporeal Circus by Alanna McFall is actually a book that I edited, so I have a horse in this race, but it is terrific. This reads like a feminist reworking of Beagle’s A Fine and Private Place, and it is a fine and splendid work.

Middlegame by Seanan McGuire is a complicated and interesting book delivered with McGuire’s usual smooth prose and engaging characters. I don’t want to say too much about it for fear of spoilers.

Gideon the Ninth by Tamsyn Muir is like Mervyn Peake’s Gorgmenghast in space with lesbian necromancers. This was a terrific read and (IMO) well worth all the hype. I don’t even know how to describe it but I loved the slow burn of relationship building and the atmosphere and the overall bizarreness of the world. So delightful.

A Song For a New Day by Sarah Pinsker is near-future SF reminisencent of a mash-up of Marge Piercy and Joni Mitchell. This is definitely one of 2019’s hopepunk standouts.

A Choir of Lies by Alexandra Rowland is the follow-up to her amazing A Conspiracy of Truths and it deepens the understanding of the first book in a way that had me going back to read it again. When people are building lists of hopepunk, this and its predecessor definitely should always be included.

Today I am Carey by Martin Shoemaker is a lovely expansion on the award winning story. I really love this piece and it’s very timely.

The Deep by Rivers Soloman (novella) is a fabulous example of how stories can shift forms. Based on a Daveed Diggs by the same name, this is an intense and beautiful translation of the song.

The Fall by Tracy Townsend is the sequel to a book I loved, The Nine, and it was a great continuation of the series, reminiscent of one of my favorite writers, P.C. Hodgell.

The Lesson by Cadwall Turnbull is a fascinating, tightly drawn novel in which humans are forced to co-exist with super-advanced and mostly benevolent aliens, set on the Virgin Islands after the killing of one of the locals by an alien.

If you’d like to check out something I wrote in 2019, please take a look at modern day fantasy novelette Carpe Glitter! You can find a list of my other 2019 writings here.

Want to recommend a 2019 piece that you enjoyed? Please drop it in the comments!

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Steampunk continues to manifest as a genre, although it seems to me it’s not as relentless in its novelty as it used to be. Perhaps once you have reached the point of being parodied in a Key and Peale episode, you cannot claim to be cutting edge anymore? Not to mention that I’ve found steampunk jewelry making kits at the local craft store and the local Value Village flyers featured “How to Make a Steampunk Costume” along with Pirate, Vampire, Zombie, Superhero, and Sexy Barista.

I love the texture of steampunk and have been enjoying seeing continued riffs on a theme that has a long way to go before it’s played out. Here’s six that I’ve enjoyed in the past couple of years. It is by no means an exhaustive list, but each of these bring in aspects of other genres in a way that showcases how much life such a mixture can produce.

Clockwork Lives by Kevin J. Anderson and Neil Peart The book description had me at “steampunk Canterbury Tales” and it’s got some of that adventure’s flavor as it moves along following the adventures of Marinda Peake as she strives to make her life worthy of her father’s legacy. I picked up the lovely hardcover version of the book, which is very prettily put together, complete with facsimile marbled endpapers, high-grade paper, and nice illustrations.

City of the Saints: A Scientific Romance in Four Parts by D. J. Butler There’s a frenzied genius to Butler’s cast of characters, which includes Richard Burton, Samuel Clemens, and Edgar Allen Poe, all turned into intelligence agents vying with each other and the agents of the Kingdom of Deseret against a background of a Utah transmogrified by the steampunk filter into something rich and tangily textured. This book is fun not just for the quick-paced story but as an alternate history that plays with a number of known characters in ways that only add to their legendary nature.

The Emperor’s Edge by Lindsay Buroker. Buroker is a great example of what indie publishing can be. I came to her Emperor’s Edge series because she’d offered the first one free for the Kindle. Smart strategy on her part, because they’re fun fantasy romps that are addictive as crack, with a cast of characters that are entertaining and engaging, and a slow simmering love story that stretches out over the course of the series.

The Clockwork Dagger by Beth Cato. The Clockwork Dagger is the first of a series; the sequel appeared this June. Another strong romantic subplot, but the focus is the journey of Octavia Leander as she struggles to understand her growing healing powers. It’s an unexpectedly satisfying book, and I’ve got the sequel queued up and in my TBR pile.

Cold Magic by Kate Elliot. The first of a terrific trilogy, this combines epic adventure and steampunk as the orphaned Catherine Barahal travels through a pseudo-Victorian world caught up in the middle of social upheaval. One of the joys of big fat fantasy book series is knowing that you’re in for a good, long ride, and Elliott delivers that in spades. (And if you haven’t read her before, you’re welcome. She’s one of the underestimated fantasy writers, IMO.)

A Thousand Perfect Things by Kay Kenyon. Kenyon writes some of the best social science fiction around, and here she turns that skill to steampunk. The warring countries of Anglica and Bharata meet on a mystical bridge that spans the sea distance between them, and the description of that mode of travel continues to resonate in my head as one of the most interesting landscapes fantasy has to offer.

Crooked by Richard Pett. Imagine Lovecraftian steampunk, with machineries of flesh and rot, and mysterious elixirs of immortality, and you might come close to Crooked. Eerie and wonderful, it’s a marvelous and chilling read that shows how steampunk Cthulhu can becomes.

And here’s a bonus that I ran across while researching links for this post, and found a must-buy: The Diabolical Miss Hyde, by Viola Carr. The description made it irresistible. I love books that pay tribute to classics by reworking them in interesting ways, and Dr. Jekyll and Mr. Hyde is a particular favorite of mine. I’ve saving this read for sometime when I want to curl up and lose myself for a while.

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