Reading idiosyncratic dialogue like that of Pogo and his peers is key to learning how to craft that kind of dialogue yourself. If you're interested in a workshop aimed at helping with dialogue, check out my online classes.Pogo the Possum was created by Walt Kelly in 1943, continuing on for 32 years (two year past Kelly’s own death). It’s a lovely cartoon, involving the denizens of a swamp: possums, skunks, turtles, squirrels, mice, alligators, and more. They live their lives, which sometimes oddly echo our own, or rather the politics of their time in which they were written, commenting on J. Edgar Hoover, McCarthyism, and muckracking.
What: Pogo is a comic strip. You can find plenty of compendiums for sale or you can seek out samples on some of the online sites devoted to Walt Kelly’s work.
Who: Writers interested in twisting language to their own ends should seek out Pogo, in whose pages it is beautifully wonderfully made coherent gibberish that delights the ear and cries out to be read aloud. Here, for example, is a Christmas carol that’s been Pogo-fied:
Deck us all with Boston Charlie,
Walla Walla, Wash., an’ Kalamazoo!
Nora’s freezin’ on the trolley,
Swaller dollar cauliflower alley-garoo!
Don’t we know archaic barrel
Lullaby Lilla Boy, Louisville Lou?
Trolley Molly don’t love Harold,
Boola boola Pensacoola hullabaloo!
Bark us all bow-wows of folly,
Polly wolly cracker ‘n’ too-da-loo!
Donkey Bonny brays a carol,
Antelope Cantaloupe, ‘lope with you!
Hunky Dory’s pop is lolly,
Gaggin’ on the wagon, Willy, folly go through!
Chollie’s collie barks at Barrow,
Harum scarum five alarum bung-a-loo!
Dunk us all in bowls of barley,
Hinky dinky dink an’ polly voo!
Chilly Filly’s name is Chollie,
Chollie Filly’s jolly chilly view halloo!
Bark us all bow-wows of folly,
Double-bubble, toyland trouble! Woof, woof, woof!
Tizzy seas on melon collie!
Dibble-dabble, scribble-scrabble! Goof, goof, goof!
Why: Read it because of the way gentle humor, sharp political insight, and sometimes grave disappointment in the state of America have all been combined in the lives of a cast of characters that manages to combine charm and cynicism.
When: Read it when you want some new characters to people the chambers of your head: earnest Pogo, the scowling Porkypine, too ingenious for his own good Albert the Alligator, and wanna-be trickster Churchy Lafemme.
Where and how: Read it somewhere that you can laugh freely and smile to yourself or even read a scrap (maybe more) aloud just to hear the cadences.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
You may also like...
End of the Year Reading Recommendations
Now available on Smashwords, "All the Pretty Little Mermaids," which originally appeared in Asimov's. You set the price! If you enjoy it, please leave a review.I spent a good chunk of my summer reading through a multi-volume fantasy series for the sake of completeness. The series will remain nameless, because I can’t in good conscience recommend it, but it did impact the amount of other reading I did. Most of these are particular to 2014, but not all.
Daniel Abraham came out with the most recent of his Dagger and Coin series, The Widow’s House, and it was just as enjoyable as the first three. Abraham has a gift for flawed characters that you care deeply about, whose dilemmas rack the reader to the heart even when they’re doing despicable things.
Carol Berg’s Dust and Light. Carol consistently hits it out of the ballpark when it comes to epic fantasy, and this start to a trilogy is no exception. If you like Sanderson, Martin, or Bujold’s fantasy, you will like Carol Berg.
The Hole Behind Midnight by Clinton Boomer is terrific urban fantasy with a highly original protagonist. Think of a mash-up of Jim Butcher’s The Dresden Files with the Tyrion Lannister sections of Game of Thrones and Salman Rushdie’s Midnight’s Children and you’re in the general vicinity.
M.L. Brennan manages urban fantasy outside the tired norm with Iron Night, the latest in her Generation V series. I will admit, her kitsune character has me totally captivated, but the vampires manage not to be cliche, and protagonist Fortitude Scott is wonderful, reminding me of Rob Thurman’s engaging Caliban series.
Stephen Brust and Skyler White’s The Incrementalists is urban fantasy taken in a different direction, with an ancient society intent on nudging humanity along in the right directions.
Harry Connolly’s Twenty Palaces series is still more urban fantasy. There’s only four of them, and I wish it were twenty-four. I really enjoy the flavor and wonderful, terrible magic that fills this books. Great stuff.
Caren Gussoff’s The Birthday Problem. Seattle and a plague of madness-inducing nanobots? Sign me up. This is a terrific short novel that should be kept in mind for award ballots.
M.C.A. Hogarth’s The Mindhealer’s Series, Mindtouch and Mindline, were lovely, charming reads about a friendship between two disparate but equally compassionate healers. Looking forward to more in this series. Also recommended: Even the Wingless (looking forward to that serial as well.)
Kameron Hurley’s The Mirror Empire, the first volume of the Worldbreaker Saga. Beautiful fantasy with all sorts of wonderful world-building detail and absolutely gripping characters. Highly recommended, and another to keep in mind for award ballots.
Elliott Kay’s Poor Man’s Fight and Rich Man’s War. I love books with an economic underpinning to them, and this far future military SF delivers wonderfully. Sometimes the villain is almost a little too cartoony, but if you take it as space opera, it’s pretty wonderful.
Meilan Miranda’s Son in Sorrow is the engaging second volume of her An Intimate History of the Greater Kingdom. There’s a level of intrigue and sexuality to these books that reminds one of Jacqueline Carey’s Kushiel books, with equally deft prose and dialogue.
Linda Nagata’s The Red: First Light was terrific military SF/political thriller with lots of engaging detail and a solid dash of cyberpunk. Good stuff, highly recommended.
Tom Perrotta’s The Leftovers is lovely, and significantly better (imo) than the HBO series. It has a wonderful poetry to it that i will match against any lit fic by Paul Auster or T.C. Boyle.
Sofia Samatar’s A Stranger in Olondria was beautiful, reminding me at times of LeGuin’s Earthsea books. Samatar is burning up the charts lately with awards, and this was no exception.
Jeff VanderMeer’s Southern Reach Trilogy is tremendous. Often unsettling, eerie, and always striking, like playing a massive multi-player game where no one else is logged on. Highly recommended, also award ballot material. Wayne read these while we were in Costa Rica and liked them just as much
I also reviewed Jo Walton’s My Real Children and What Makes This Book So Great for CSZ, and really enjoyed the heck out of both, though I know I’ll come back to the second much more than the first. As an inveterate re-reader, it’s highly satisfying to read someone else’s account and analysis of the practice, and I emerged from the book with both a to-read and a to-reread list. WMTBSG is highly, highly recommended for fellow genre re-readers.
Andy Weir’s The Martian was engaging as heck because of its protagonist, who is one of the most likable main characters I have ever encountered. A man is trapped on Mars – will he escape? It’s been done before, but rarely so well.
I greatly enjoyed the first of Django Wexler’s flintlock fantasy, , and the second, The Shadow Throne, was equally enjoyable. Engaging POVs that remain tightly controlled and well-plotted.
You Should Read This: The Chronicles of Narnia by C. S. Lewis
The moment in Prince Caspian where Lucy and Susan are riding on Aslan's shoulders remains one of my favorites in fantasy literature.The Narnia books changed the way generations of young readers would look at wardrobes. Their importance in the field of children’s fantasy literature cannot be overstated. I came to them early and had a boxed set which was, by my teen years, grubby and well-worn.
What:The Chronicles of Narnia is the creation of C.S. Lewis. The seven books can be read in chronological order (starting with The Magician’s Nephew) or as Lewis wrote them (starting with The Lion, the Witch, and the Wardrobe. Children from our world find entrance into another, filled with talking animals and mythological creatures. The parallels with Christianity are strong, and intentional, but do not damage the book.
Who: Kids will love these, particularly avid readers, but scholars of both children’s fantasy and Christian literature will also want to read at least the first book, if not the series overall.
Why: Read these because they’re a chance to explore a classic fantasy landscape and books which influenced so many others to come, such as Lev Grossman’s The Magicians, Guy Gavrie l Kay’s Fionavar Tapestry series or Joy Chant’s Red Moon and Black Mountain.
When: Read these when you want a ripping good fantasy with no intrusion of complicated sexuality (other than the usual Freudian overtones). But read it also for a look at how female characters have been treated, and when you’re done, read this excellent reflection on Susan.
Where and how: Anytime, really. These are comfort books for me, particularly The Silver Chair, The Voyage of the Dawn Treader, and The Last Battle.
