daily writing

One thing that was fascinating about this year’s Nebulas was the chance to meet so many people in the publishing industry, including a couple of the founders of Habitica, Vicky Hsu and Siena Leslie, who were on a panel about avoiding distractions – a key skill for a writer.

Habitica is a motivational game. It lets you gamify your daily tasks and to-do list, turning them into challenges you face in the game. As you complete tasks, you gain levels and items in the game, giving you an extra push to get things done. You can also set it up so you lose points for doing things, if there’s habits you want to avoid. There’s a social aspect; you can join parties and guilds in order to share your progress with friends.

I am always on a quest for a method that will help me stay organized. Various systems have come and gone, some more successful than others, and I’ve learned a few things about how to make such systems more effective. As I share how I am using Habitica, I’ll include some insight into how that knowledge shapes that use. I’ve been logging into it consistently for two weeks now, and I believe it’s going to stick, because I’m finding it very effective for a) nudging me to do things, b) helping me remember stuff, and c) motivating me to use free time and options (like snacks) better.

Core Component: Dailies, Habits, and To-dos

The key to Habitica is its tasks, which fall into three categories: dailies, habits, and todos.

If I were truly organized, this would have appeared on New Year’s Day, but I had a very nice weekend instead. Now it’s Monday, and I’ve had my coffee and homemade yogurt and done some stuff. I’m feeling good about the year and have made the usual sorts of resolutions. Things that I’m trying in 2016:

More productive. Daily writing, no matter what the circumstances, shooting for 3k, but taking 1k as the absolute minimum. Getting the novel done, done, done, and a slew of other stories and projects, all stuff I’m looking forward to, but which must be banged out and then (ugh) revised. Daily free-writes to get warmed up and help me listen to my unconscious. Doing some of the daily little practices that end up accumulating, like practicing my Spanish on Duolingo.

More organized. Sitting down in the morning to take ten minutes to sort out my day and write the three most important things to get accomplished. Tracking things better. Having a household system where things have their designated place and get put there, and eliminating the clutter clusters, the places where stuff gets dumped and remains. The new house helps with not just the act of having to purge and sort that moving involved, but in having more spaces to put things.

More mindful. That same morning moment helps me figure out my day and live it more purposefully, less prey to random disorientation and derailing. Keeping a daybook/journal where I jot down ten things about the day, as well as a short list of what I got done, and the more important occurrences like visitors, trips, etc. Giving my poet-side time to sit and think at times.

More healthy. With the move, I’m walking more, and with the Fitbit, I could be tracking that and making sure I hit at least 5 miles a day, but hoping to be closer to an average of ten by the end of the year. Fewer eat-ALL-the-sweets moments and more fruits/veggies. Focusing on positivity and trimming negative crap out of my life where I can. Celebrating things that should be celebrated and practicing gratitude for being alive in such a nifty world, under what are pretty darn good circumstances.

I thought about trying to map everything out in Habitica but in the end I’ve just got a journal page with it all listed, plus I’m trying to build in habits that let me audit how I’m doing.

Part of mindfulness is the occasional moment where I remind myself that I have managed to do okay so far, and that despite feeling like a hapless mess half the time internally, I put on a reasonable facsimile of a responsible adult with an actual career and stuff. That’s kinda key too. While my inner teenager does give me a lot of pleasure, she’s also pretty insecure. To me, taking care of all those internal personae seems crucial, and it’s that part of me that’s actually achieved a semblance of adulthood.

Currently working on a couple of collaborations and a story whose title makes me laugh every time, but actually seems to have some social commentary at its heart.

Happy 2016, everyone! Here’s to health and happiness, to an overall increase in human empathy and a decrease in insecurity and meanness. Here’s to living life in a way that’s meaningful, rather than treading water and waiting for things to occur. Here’s to wonderful words and songs sung together, full voiced and beautiful, even with the occasional disharmony to make the rest sound all the better.

One of the things I stress to students is that you cannot wait for the muse. And, in fact, the more you wait for her, the less likely she is to arrive.

For example. The last few days I’ve been working at getting back into the flow of writing daily. I held myself accountable and post daily word counts here or on Twitter. And lemme tell you, some of those words were difficult to wrestle out of my skull and onto the page. One way I can tell things are going in difficult fits and spurts is that I’ll hop around a lot from story to story.

One of those projects is “Prairiedog Town” (which is definitely getting a different title). I started jotting down mental notes for it while traveling through Kansas, but only had a thousand words or so on it before last week. It was slow writing, partially because I wasn’t sure how I was getting from one point to another in the story. I knew it was a piece about a woman reclaiming her humanity and I had a good idea of what the penultimate scene would look like.

So I kept jotting words down in sporadic clumps of a few hundred at a time, yerking the story along in an awkward and impatient way. It helped when I incorporated a prompt from Sandra M. Odell, a woman finding an abandoned teddy bear by the road. But it still was slow slogging. Yesterday I took a break from it.

And then, this morning, while working on it, things began to fall into place. A secondary character had popped up, and I understood how to bring her back into the story — and why. A piece that was supposed to take three days suddenly shortened into a single night, and with that, the ultimate scene came clear. I went through, pulling the threads into place as close to a thousand words came spilling out and into the story.

It’s not done yet — maybe another thousand words to go, but I’ve got a map of it, and comments where I need to go back and insert things. Here, for example, is what a section of today’s work looks like:

They end up chatting. Talia asks after father. Relates that he’s died. Talia asks if she’s going to the funeral.

No
It’s what you’d say either way, isn’t it.
That’s true
I’ll be there. On the outskirts.

She freezes again. It’s an old code word they used to use, back in the days when they worked together. It’s someplace close but (some distance) to the (direction).

And most importantly at all, things have come together to a point where I’m excited about the story, feel that some clever stuff has been worked in or has had places made for it. It’ll end up being around 4-5 thousand words, and I know I’ll finish it by the end of this month, because it’s designated as the next story to go out in the Patreon campaign.

And if I hadn’t done that picking away at it — scraping those words out of my skull, even though it felt painful and awkward and uninspired — I would have never gotten to that point at all.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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