Chez Rambo July Reading/Gaming/Watching

I loved Kris Dikeman’s Silent, Still and Cold in Beneath Ceaseless Skies. It has a high fantasy sensibility mixed with zombies, which always seems like a win-win to me. Also in this month’s issue is Jesse Bullington’s The Adventures of Ernst, Who Began a Man, Became a Cyclops, and Finished A Hero. Both stories have great titles, which is one of the things that’s been obsessing me lately.

Abyss & Apex has a slew of interesting stories in this issue, including J. Kathleen Cheney’s steampunky Of Ambergris, Blood and Brandy, C. J. Cherryh’s The Last Tower and Vylar Kaftan’s Mind-Diver.

Part I and Part II of Gavin Grant’s Widows in the World, published at Strange Horizons, are both full of interest and awesome. JoSelle Vanderhooft’s Mythpunk Roundtable is also full of sparkling, interesting thoughts from some smart people: Amal El-Mohtar, Rose Lemberg, Alex Dally McFarlane, Shweta Narayan and, of course, Vanderhooft.

Over at Daily Science Fiction, Peter M. Ball’s The Birdcage Heart displayed Ball’s poetic sensibility, which evokes but never enforces a trembling, exquisite realization for the reader. Lurvely. I also really liked Memory Bugs by Alter S. Reiss and Colum Paget’s chilling Imaginary Enemies. Lots of interesting near-future science.

Recent favorites on Tor.com include Kij Johnson’s Ponies and Ken Scholes’s monkey-riffic Making My Entrance Again With My Usual Flair

Crossed Genres included Therese Arkenburg’s The Halcyon in Flight, Corinne Duyvis’s The Rule of Three, and a story from fellow Clarion West 2005 class member, Ada Milenkovic Brown, Nadirah Sends Her Love, which I first heard at Wiscon a couple of years back.

Redstone Science Fiction’s Like a Hawk in its Gyre by Philip Brewer features one of the best bicycle characters I’ve had the pleasure of encountering.

I loved seeing a Tanith Lee story in Lightspeed Magazine. She’s one of my favorite writers, and Black Fire didn’t disappoint. Even though I tend to think of her as a fantasy writer, when she does sf, she does it extraordinarily well (The Silver Metal Lover, for example, and Drinking Sapphire Wine, neither of which are available on the Kindle and one of which is out of print, for the love of God.)

Yesterday I spent a pleasant chunk of time talking to the Clarion West 2013 students, along with Django Wexler. Django and I were the “mystery muses,” a Friday feature for the CW students where people come in to chat about a specific aspect of the writerly life. Django spoke well to the experience of having one’s first major book come out, since his book (which I have read and heartily recommend) The Thousand Names just came out. He let us all know (to mass disappointment) that it doesn’t lead to being booked on the Leno or Daily Show or lavish book tours, though he did get to go to ComicCon.

I decided to talk about self-promotion and career building, since that’s advice I didn’t get a lot of while at Clarion West myself. And I came up with nine maxims, but lost that index card so I have an incomplete list. Maybe the students can chime in to tell me what I’ve forgotten.

1. Writing always comes first. Self-promotion can become a form of procrastination, particularly if you’re playing on Facebook or Twitter while pretending it’s all in the name of self-promotion. Having the biggest Twitter following in the world won’t help you unless you’ve actually got something to promote.
2. Be discoverable. One of the questions that always comes up in my Building an Online Presence for Writers class is whether it’s mandatory for a writer to have a social media presence and blog and all that. The answer is no, (though it’s helpful in these days, when the burden of promotion falls increasingly on the writer him or herself.) But you do need a way for someone to find you if they liked a story and want to contact you. That may be a simple static webpage where you maintain a list of your publications. It may be a full blown blog. Or it might be a social media presence (although I think this approach is not the best, because people may not be on Twitter or Tumblr or Facebook or whatever network you’ve chosen).
3. Don’t oversell. We’ve all unfriended or stopped following people because of the unrelenting way they push their books. Out of five Tweets (or blog posts, or FB posts, or whatever), only one should be about selling stuff. The others can be kitten pictures, advice, funny sayings, whatever (one easy way to fill this quota is to promote other people), but make it something that people are interested in.
4. Don’t be a jackass. It’s a small world and word gets around when you behave badly. Search on “authors behaving badly” if you want some examples. Professionality is important, although sometimes it’s easy to lose sight of in our charming, silly, opinionated genre. Don’t make arguing on the Internet another form of procrastination.
5. Jealousy is okay. We all experience it. Use it as motivation for writing. Don’t put it on the Internet. Find one person you can trust and use them as your sounding board when you absolutely have to say those snarky things about an award or kudos bestowed unjustly.
6. Say thanks. When someone does something kind like getting you invited to an anthology, blurbing your book, whatever, don’t assume it’s your due because you’re a genius. We all think we’re geniuses. SF is full of people paying it forward, but they’re more likely to do so for gracious people.
7. Be kind to yourself. Writers are so good at beating ourselves up, at feeling guilty for not doing X or achieving Y. Don’t do that. Set goals but rather than punishing yourself for not meeting them, reward yourself when you do hit that word count. You are the person with the most to gain from being kind to you, so do at least one nice thing for yourself each day, whether it’s taking time for some activity you enjoy or giving yourself some small present.
8. Don’t be a jackass. It’s a point worth repeating.

Some other things that got mentioned:

• Find someone who is where you want to be a few years down the line and look to see what they’re doing, using their example to guide your actions.
• Early on, you don’t need to go to conventions unless they’re something you enjoy for their own sake. If you do go, participate. If you can’t be on panels, try volunteering, which is a great way to meet people and network.
• Writing process differs from person to person. Try different strategies and when you find something that works for you, do it, do it, do it.
• For most of us, it’s easier to write if you get at least a few words in each day.
• It is often skill in rewriting that differentiates the professional-level writer from the almost-but-not-quite-there.

And here’s something I didn’t mention, but which has come up a lot recently, as to what to blog about, both in terms of finding something interesting and not spending too much time on it: excerpts of what you’re working on both fulfills those terms and encourages you to get some words out.

Enjoy this advice for writers and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.