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Teaching Blogging

I just sent my scheduler in to Bellevue College last week – I’ll be teaching the Writing Fantasy & Science Fiction class again this spring as well as the Blogging 101 class. I’ll post the dates for that when I have them in hand.

With both classes, I’ve gone through my notes, getting them together. With the blogging class I’ve been using a new online tool I saw mentioned during the great “Yahoo is getting rid of Delicious!” flak, Trailmeme.

WIth Trailmeme, the central metaphor is “trails” of links, which you can annotate. So I’ve used the outline from my Blogging class to collect my Delicious links on the topic. Here is the Blogging 101 “trail”. A cool feature of Trailmeme is the ability to discuss links – please feel free to make suggestions and/or forward the link to the trail along to people who might find it useful. I know a lot of those links are ones I’ve frequently referred to and often continue to use.

One of the reasons I’ve gone to that trouble is that I’m pushing a couple of consulting services next year, and one of them is a critique of your blog or website talking about its current structure and organization, its search ranking and strategy, how you might use it more effectively, how you might be using social networks, and directions you might want to take it in, based on what a student gets out of that class. For $100, you get a 500 word write-up. If you want to go more in-depth, contact me and I’ll give you an estimate.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Answers to Some Galaktika Magazine Questions

I’ve been following the controversy with Galaktika with particular interest because there are a number of SFWA members involved. My thanks to A. G. Carpenter for graciously sharing what they found out. In the process of talking to people, I dropped Istvan Burger a mail because I had these questions:

  1. Would all writers be paid, preferably without their having to contact Galaktika?
  2. Would all translators be paid? (my understanding was that the same lack of payment has happened with them.)
  3. For any online stories, would authors be able to request that the story be taken down?
  4. Would a process be put in place to ensure this never happens again?

Here’s the reply:

Dear Cat,
I’m writing on behalf of Istvan Burger, editor in chief of Galaktika.

We’d like to ask authors to contact us directly to agree on compensation methods. You can give my email address to the members. mund.katalin@gmail.com

The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more. So Authors don’t need to withdraw their works. As we wrote in our statement, there is no problem with novels, as all the rights of novels were paid by us in time.

Also let me emphasise again that all the translators were paid all the time!

You can quote my reply. Thank you for your help!

Best regards,
Katalin Mund,
Manager of Galaktika Magazine

Next week SFWA will be sending Galaktika a list of affected SFWA members who need to be compensated. If you’re a member whose work was published in Galaktika and want to make sure you’re on the list, please drop me an e-mail, message me, or leave a comment here.

Later addendum: I requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement. I was told that authors will be able to withdraw their stories from the electronic editions if they so desire.

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On Award Pimpage

Jeff VanderMeer mentioned this on Facebook and it got me thinking about it. This is the season when speculative fiction writers (and other genres as well, I believe) start thinking about awards. Nominations for the Hugo and Nebula Awards are coming up. There will be others, such as the Locus and World Fantasy Awards, but for most it’s the Hugo and Nebula, with a small group thinking about the Campbell Best New Writer Award and trying to figure out how to make the most of their two year period of eligibility for it.

Complicating this is the fact that neither award is really very democratic. You can only make Hugo nominations if you’re a member of either last year’s WorldCon or this one. Nebula nominations are made by members of the Science Fiction and Fantasy Writers of America, many of whom are hoping to make it onto the nomination ballot itself. In either case you could love the book and want to vote for it, but unless you’ve paid the dough for either a WorldCon or SFWA membership, you’re not going to be able to.

One of the words that gets mentioned around this time is “log-rolling,” the act of exchanging favors, along the lines of “You nominate my novella for a Hugo and I’ll nominate your short story for a Nebula.” Recent changes, such as no longer being able to see who nominated something for a Nebula, are encouraging, but the awards still sometimes seem less about the merit of the work than about the popularity of their author.

Beyond that, people use the power of the Internet as much as possible: blog posts, Facebook mentions, tweets, and so forth, sometimes gracefully, sometimes not so much. Why? Because it works. If it didn’t work, there’d be a lot fewer people doing it, and (imo) the award lists from the past decade would be significantly different. Does that make the award process something you should just opt out of and hope for the best? Well, certainly people have done that in the past (and saved themselves some work in the process), but I’d rather have as a take-away the idea that one shouldn’t despair if you don’t win.

Awards are shiny. Most of us like shiny things. And more importantly, they’re testimony to what we really want: affirmation that someone read and liked our work. That’s the real pellet that keeps us pressing the button marked “Pimp my work”.

It’s hard to know where to draw the line. Factor in, also, that what one person considers acceptable, the next may perceive as a gross breach of etiquette. I like the approach the Codex writers have taken: there’s a discussion thread where people can opt in and say they’re willing to read for the awards as well as a place where people can post pieces for consideration. I appreciate this because it helps me discover some writing that I might not otherwise have found. Here’s what I said on Codex in a discussion about it:

I think it’s certainly possible to go too far in pimping your work, but in my experience, that line is farther out than one might think. This is an area where the bolder people have a definite advantage, and sometimes you have to force yourself to be bold about it. You are the best champion your work has, and you might as well do your duty by it.

It would be lovely if all one had to do was write a good story, but the nature of things is that those who are good about promoting their work go farther than those who aren’t. Promotion’s not a substitute for good writing (in most cases), but it sure helps. My collection wouldn’t have gotten nominated for the Endeavor Award if I hadn’t sent them copies of the book, for example, and while I thought at the time it was a pretty long shot, it ended up being quite worthwhile.

To me the most important point is this – don’t just throw your work out there. If you’re going to be sending people your stuff to read, then do some reading and recommending yourself, and do it based on what you like, what you think is good, or ground-breaking, or worthy of recommendation. In that spirit, I’ll be posting some recommendations in the next few weeks, and hopefully guiding y’all to some excellent fiction that you might not have read otherwise. Please feel free to make recommendations to me in return, either on this post or upcoming ones!

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