Five Ways
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For Your Amusement

I was working on this a few months ago and set it aside for when I had more time, but thought people would find it amusing. My intent is to split it into a fiction and nonfiction version to point people at when applying for freelancing jobs.

Cat Rambo Promo

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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WIP: The Ghost Installers

photo of an electric ghostHere’s a bit from the story I’m trying to finish up today, a young adult piece tentatively entitled “The Ghost Installers.” It actually came out of a dream that I had – a good reason to be keeping a dream journal.

We talked about that recently in a class – the need to listen to your unconscious mind, to pay attention to dreams and serendipitous slips of the tongue. To nourish it with a variety of arts and make sure its senses are satisfied. To give it space in which to express itself. Sometimes when I’m drawing, that’s when a story that’s mentally knotted begins to untwist itself and show me what my mind is trying to do with it.

The dream was just a moment, an image/situation that I won’t describe for fear of spoilers. Talking to Wayne about it the next morning, I found a story idea emerging, which we batted back and forth, applying the classic try/fail, try/fail, try/succeed algorithm, until it was fleshed out to the point that I jotted down a 250 word outline. Now I’m working through that from scene one till the end, but I think if I get stuck along the way, I might try moving to the ending and writing it, advice from this excellent post about writing process by Kameron Hurley that I wanted to point to.

Here’s a bit from the beginning. Penny and her dad have just moved into their new house, so new that pieces of it are still being worked on. It’s two in the morning, and she’s just snuck in after hanging out with her friends in a nearby park.

She had a penlight in her pocket, although the battery was almost out from using it in the park. She crept towards the attic stairs. The solidity of the little light wrapped in her fingers reassured her, although it could hardly be used as a weapon.

Maybe some animal that wandered in? A raccoon or something. Maybe a cat?

She held her breath, as she crept up the stairs. Was that”¦voices?

“Goddammit, Mysa, hand me the calipers, this one’s a bitch,” someone said.

“Keep your voice down, Brian! There’s a family sleeping downstairs.”

“Who futzed up the schedule? These are supposed to go in before anyone arrives.”

“That’s why this one’s high-priority. They moved in three days ago.”

A mutter of Irritation. “Everything’s high priority.”

Penny swallowed down the lump of fear in her throat. Who are these people and what are they doing here? They sounded like the sort of people who’d been working on the house all along, but why were they installing something at two in the morning? She hesitated, then progressed upward a few more steps. A few more and she’d be able to see what they were doing. Speculations raced through her head, but she couldn’t figure out anything that would fit. This was all too weird.

But the pair, once she could glimpse them, seemed ordinary enough. They wore black coveralls and matching black stocking caps. The taller one was fiddling with something attached to the highest point of the roof. And then she noticed what wasn’t ordinary at all. His feet hung in the air. Unsupported, dangling just enough to show that he wasn’t standing on something that she couldn’t see.

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Teaser From Another Unfinished Steampunk Story

Photo of a Glasgow train engine, accompanying a steampunk short story snippet from speculative fiction writer Cat Rambo.
If you're interested in my steampunk stories, you might start with "Clockwork Fairies," which originally appeared on Tor.com
I’ve been writing a lot in a steampunk world lately; this is the fourth story set in this world. The passengers are headed to Seattle, but a version much grimier and war-ridden than our own. The Civil War is three years over; another war, over a substance called phlogiston, has arisen.

Jemina noticed the Very Small Person the moment she entered the train.The child paused in the doorway to survey the car before glancing down at her ticket and then at the other half of the hard wooden bench, high-backed, its shellac peeling, that Jemina sat on. Jemina tucked the macrame bag beside her in with her elbow.

The child was one of the last on, which was why Jemina had been hoping against hope to have the bench to herself, at least all the two day trip to Kansas city. The train began to roll forward, a hoot of steam from the engine, a bell clang from the caboose at the back of the train, the rumble underfoot making the little girl pick her way with extra caution, balancing the small black suitcase in one hand against the pillowy cloth bag in the other.

She arrived mid-car beside Jemina and nodded at her as she struggled briefly to hoist her suitcase up before the elderly man across the man did it for her. She plumped the cloth bag in the corner between sidearm and back and sat down with a little noise of delight as she looked around. Catching herself at the noise, she blushed, fixed her gaze sternly forward as she folded her hands in her lap, and peeped at Jemina sidelong.

Jemina tried to imagine how she might appear. She knew herself thin but nicely dressed and pale-skinned. The lace at her throat was Bruges, the cross around her neck gold. She looked like a school-teacher, she imagined, and not a particularly nice one. She felt her lips thin further at the thought.

The child, interpreting the flattening of Jemina’s mouth for disapproval, fished in her bag and took out a small blackbound Bible. She began to read.

“Oh, it’s all right,” Jemina said. Her boldness surprised her, but this was a child, after all. “I’m Jemina Iarainn and I’m a scientist, headed to work at the War Institute in Seattle. Who are you are where are you going?”

The smile bestowed on her could have lit a room. The Bible slid back into the bag. “Oh thank goodness! I’m Laurel Finch and this is my very first train ride ever, up to Seattle too, and I was hoping I’d have an agreeable companion on my voyage.”

She stumbled a little over the solemnity in the last words. Jemina said, “Trips are much, much nicer with someone to talk to. Where are you going in Seattle? To visit relatives?”

“To the Soldiers’ Orphans’ Home there,” Laurel said, and her mouth drooped before she summoned her smile again. “I’ve been staying with my uncle for the last three years but he is traveling to China as an ambassador. It’s all right, he’ll come back for me, but in the meantime I’m to live there for a few years.”

“Seattle is very nice,” Jemina said. Her mind raced along the years before this child, living among orphans with no chance of adoption herself. Bleak, as bleak as any of Jemina’s childhood years. “You will meet Princess Angeline, Chief Seattle’s daughter. She lives down near the market and is a real Indian princess.”
“Do you know Seattle well?”

Jemina shook her head, then nodded. “My twin sister is out there already and she has been writing me long letters.”

“Is she also a scientist?”

“She writes for the newspaper.”

“Oh! Like Nellie Bly!” Laurel clapped her hands and Jemina sighed internally. A daredevil reporter was more exciting than a scientist, but she was the one constructing giant killing war machines, after all, even though she was not at liberty to talk about any of that.

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