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99 Statues, Part Two

Picture of a bed
Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace's metabolism, would inevitably throw most of them off during the night, onto Nicholas.
(Another excerpt from the story I’m currently working on.)

Nicholas woke slowly. It was chilly in the room, and when he shifted his body between the clinging flannel sheets, he could encounter zones of warmth and cool. Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace’s metabolism, would inevitably throw most of them off during the night, onto Nicholas.

He could hear Feniker’s soft breathing, a burry almost snore, a sound so uniquely Fen that it tugged a smile onto Nicholas’s lips, knowing what his lover’s face looked like when sleep-slackened, how it must look right now. He had drawn the drapes across the windows; the hotel’s front looked out onto the plaza, but Nicholas had opted for one of the less ostentatious back chambers which he secretly thought more pleasant, overlooking the back gardens, which were the more handsome vista, even when leaf-deprived and blackened by the cold, due to the green cedars that ringed it round.

The hotel was stirring. Soon enough his breakfast, with plenty left over for Feniker, would arrive and be deposited outside the door with a discreet knock. The hotel’s own brand of fish tea, with an odd peppery brackishness. He still wasn’t sure whether or not he liked its aftertaste, even after living in the hotel for almost two months now. He had lived with his father before then, but fire had taken their mansion, and both had taken themselves to alternate lodgings. He had chosen this hotel, which he could afford on his lavish allowance, for the way it managed to combine proximity to the student quarter with luxury.

He rolled on his side and found Feniker watching him, no longer snoring, blue eyes bright in the morning light, almost luminous.

“Good morning, sunshine,” Nicholas said. He leaned over to give Fen a kiss. Fen’s fingers tangled in his hair, drew him down to meet lips.

“What’s on your agenda for today?” Fen said.

“I am meeting with my father to go over the plans for the new factory in Cloudmarch,” Nicholas said.

“Will you be visiting it? The expedition is going through Cloudmarch. You could come out with us, say goodbye there, do whatever you needed to do with the new factory.”

“I would serve my father ill as a factory manager,” Nicholas said. “I’m not good with such things.”

“You have a mind keen enough to keep up with anyone in their classes,” Feniker said. “If you chose to exert yourself. Instead you pretend yourself slower than you are, and use it as excuse to while away your days drinking fish tea and playing cards.” He pushed himself off the bed and strode across the chamber, naked, to reclaim his clothing from the bench below the window.

Nicholas gathered the covers around himself, reluctant to lose their warmth, even in pursuit of what the kiss had promised. “What of you, what does the Duke’s secretary do today?”

Fen shrugged and drew on his trousers, sat down to pull on his boots. Behind him the window panes were laced with frost, a pattern like the ghost effluvium a professor had demonstrated at the last University lecture Nicholas had attended.

Thinking of that, he protested, “I do go to some lectures after all, and meet with Professor Wirewit to work on my paper.”

“Meetings that are few and far between,” Fen said. He caught himself. “Look, I don’t mean to nag you.”

“Will you come tonight and see a play with me?” Nicholas asked.

“I will have papers to transcribe,” Fen said. “I have been burning the candle at both ends, and I must decide where I should be spending my time. I do not mean to imply that it should not be with you, only that I would rather spend time enjoying your company, than sitting together staring down at a stage while the audience gossips so loud that we cannot hear half the lines.”

The reasonable tone, the exaggerated patience in his voice made Nicholas want to smack him.

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WIP: A Cavern Ripe With Dreams

Cover for A Seed on the Wind, painting by Mats Minnhagen
Tiny things floated through the air all around him. He stretched out his palm and kept it motionless long enough that one drifted to be trapped in his palm. A seed, a brown seed. Attached to one end a tuft of hairs, fine and feathery, to carry it along. Carefully he raised his hand, examined it more closely. So small. As it neared his eye, it became no longer brown, ridges and swirls marked its surface in grays and greens and reds that somehow blended together to create the impression of brown from just a few inches farther away.
I’m finishing up A Cavern Ripe with Dreams, the sequel to A Seed On the Wind. A version will undoubtedly go out to Patreon patrons before I start shopping the combined novellas around as a single entity.

This story owes a great deal to both William S. Burroughs’ Junky (indeed, the protagonist is named Bill in his honor) and Joe R. Lansdale’s Drive-In, a book I found immensely freeing and exhilarating in its sheer WTFery and bravura. If you’ve read A Querulous Flute of Bone, it’s the same world, that of the co-writing project The Fathomless Abyss.

From part of today’s writing:

Bill felt a rush of fear, but a kind that he had never experienced before, something like the fear you feel when someone tells you a frightening story that they believe is true. A terror that was convincing yet somehow dilute. A terror that was not his, somehow.

A fear that was enjoyable.

He realized that it was the creature. That he was feeling its emotions. That if he closed his eyes, he could still see the room like a ghostly overlay across the darkness behind his lids.

He wondered if it experienced the same phenomenon, this double life. He put his hand up and touched it with a fingertip, stroking along the coarse fur that was still damp with eggy fluid. It smelled like newly-split wood, rare and sharp. As he touched it, it shuddered but stayed still, like a woman whose innermost core had been touched, who feared and craved more. At the thought, he grew hard, and he felt it shudder again before it curled tighter around his neck.

He lay there with it around his neck, savoring the mental taste of it, dipping in and out of its perceptions. After a while, his bladder drove him into standing and using the chamber pot beneath his bed. As he pissed, he could feel the creature tasting his sensations in turn.

It made him curious. Settling back onto the bed, he took a syrette from the bedside table, already loaded with honeypain. He injected it in his wrist and lay back to feel the twofold sensation.

First it felt as though the back of his eyes had dissolved, only to be filled with a subtle warmth that flowed out from them, flowing through him until he was only a zone of temperature and sensation, as though he was warm water in a bath, only an outline. But always with that lurking presence perceiving him, keeping him whole. He had loved honeypain for its ability to take him outside himself, but now he realized that it was nothing compared to the creature.

He tried to think at it, to see if it would answer him, but all his thoughts were blurred by the honeypain. He could hear only his blood drumming in his veins, a hard and insistent beat that told him he was alive, as it had before, for sometimes when he was dipped deep in these reveries, he thought himself dead. Now he had that beat but more ““ the creature curled on his chest. Part of him but not part.

After a while he slept.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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Hands

signs of life
Photo owned by zoetnet (cc)

The crescent moon is a fingernail mark pressed into the darkening sky. An anxious star tugs at it, trying to pull it up farther. Hands swim below the surface of the water. Birds cradled in the wickerwork of leafless branches eye the restless fluttering of the fingers.

Someone calls, but no one answers. Shadows sweep along the banks of the lake, pulled and stretched into awkward shapes by passing headlights. No one answers.

Someone walks and feels the dry stiff grass lace itself around their ankles, tracing lines of frost. The hands continue to crawl and the moon creeps up the sky.

No one answers.

Tin dancing mice revolve in the warmth of the kitchen. One watches the light of the moon as it moves down the blue stripes of the wallpaper. It marks the time with one ticking paw. The mice click and whir, dancing frantically, trying to forget that their clothes are only painted on.

The salt and pepper shakers, shaped like ears of corn, sit sullenly. Upstairs, sleepers move restlessly, their dreams escaping, leaking into the feather comforters.

The moonlight reaches the fifth bar of delphinium.

There is still no answer. Someone longs for the heated air of the kitchen, but instead sits on a bench and watches the movements of the hands. Fingers break the corrugated surface of the water and return to counting the pebbles in the silt below.

Ducks whisper among the reeds, revealing their secret journey. Their tickets are crumpled birch leaves, spiderwebs of veins eroded by the autumn rain, gilded by the guilty starlight. Someone takes one and tucks it in the pocket of their jacket, where it tangles with milkweed down.

The moonlight reaches the twelfth bar,and the mice spin slowly, regretfully, back into their boxes. The comforters are stained crimson and ebony with the dregs of dreams.

The hands swim like memories in the process of being forgotten. Someone waits, and no one answers.

...

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