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The Coffee Cup Song

Cup of Coffee
Coffee cup
Another story that originally appeared in an obscure journal, preserved here for posterity.

How dare you!” my momma says, her voice high and screeching like a lonely fiddle. “How dare you!” She throws one two three four five coffee cups at me. Percussion smash. Tinkle of white shards on the blue linoleum. We’ll be drinking coffee out of styrofoam for a while, I think. That’s all we have, coffee cup-wise, except for the sixth one, the last thing my daddy drank out of the morning he left, and it’s sitting in the china cabinet in the front room.

She doesn’t aim to hit me, although the fifth cup comes close. It explodes on the floor and a chip dings off my guitar’s gloss. She’s never thrown anything at me before. I watch the way you might watch a television program showing animals doing something you’ve never seen them do.

“How dare you!” my mother says again,. She sinks down in her chair and puts her head in her hands. Her words are muffled as they make their way past the blue sleeves of her workshirt, the one with “Candy” embroidered in red loops on the front pocket. “How dare you put me in that song?”

I don’t answer. She’ll cry for a while, and then she’ll sweep up the pieces, wipe her face with a cool rag, and go to work at the Krave-More Diner, where you can get the finest cup of coffee in this town or any other. I put my guitar in its case, go out the screen door, and head out down the road, raising puffs of red dust puffs around my heels.

It’s morning. Maybe too early to have sprung it on her, when she was still shaking off her dreams. The sky arches over me high and sweet, and I can hear the sighing of mourning doves and the wind in the telephone wires. The air’s cool now, but it’ll heat up later, till you don’t feel much like moving more than your hand on the guitar neck as you sit on the porch swing and try to puzzle out a song or maybe just that chorus that’s been eluding you, chasing it up and down the frets. Back home, my momma’s washing her face. She knows I’m not going far.

I can’t say how I came by my love of honkytonk music. We always listened to classical at my house, enough so I can call up some of the pieces in my mind, the big booming ones that go with the Kansas prairie. But a lot of that stuff’s too tinkly and quick. When you’re driving down the road, the notes fly out the window and bury themselves in the long grass. They don’t stick around and keep you company, the way honkytonk music does.

I taught myself to play on my daddy’s guitar, the only thing he left behind besides that coffee cup. At first my hands were too small and soft to do much more than strum, but they toughened up. I learned to pick fast and easy and the music sounded so lovely, I kept stopping to say to myself, is that me, is that me that’s making those fine sounds?

My name is J.D. Daniels, Jennifer Delilah if you must know, but I go by J.D., the way my daddy did. I don’t mean to make it sound like he’s dead, because he isn’t. My daddy sold insurance and provided for us for eight years. Then a wander itch came on him like a night fever and he packed up his things and left us without a word. Didn’t take him overly far, though. He’s living over in Greensborough with a woman named Amanda who’s cleaned up his act. He doesn’t drink or run around any more, and wears a tie to church every Sunday.

The only present he ever gave me was that guitar, an old steel string no name brand, and I don’t know if the gift was intentional. I came off better than my momma. All she has is a cup.

My momma works at the Krave-More. She brings folks coffee and smiles at them to sweeten up their day. She’s slow to smile, but when she does, it could melt ice from across the room.

I’ll be fourteen next month. Changes coming, my grandma tells me. I know all that stuff. We learned it in health class and there’s no call for her to nod so mysteriously. But I don’t tell her that. She means well by us, and helps out when she can. The house we’re living in belongs to her, and every birthday, she and I dress up in our best and go down to the First Farmers’ Bank and deposit my birthday check in my savings account for college. People ask me what I want to be when I grow up, and I tell them an archaeologist or a country singer or an astrophysicist, but the fact of the matter is that I don’t know. But I pray every night to grow up a good woman like my momma and grandma, and not to be afflicted with a wander itch.

Three months ago I wrote a song. That’s what caused all the trouble. The music teacher, Miss Mopp, told us about a contest sponsored by a radio station in Abilene, Kansas. You wrote a song and sent it in, you singing along with whatever instrument suited your fancy. The radio station would pick the best tape and the winner would come in and record it at their studio. Then they’d make 45 rpm records of it to give away to five hundred lucky souls and play it three times daily on the air.

I thought that sounded pretty easy. I’ve been writing songs ever since I started playing guitar. At first I had a hard time getting them out of my head and into the strings. But I got better. I’d listen in the evenings to the songs on the radio, and I’d fool around until I figured out how so and so got that lonesome sound or how somebody else did that fancy bridge. I’d play a song over fifty, sixty times, until I got it right, but I had to play soft, because my momma hated what I was playing.

“That’s trash music,” she’d snort. “Learn to play something higher tone and I’ll pay for guitar lessons. Better yet, we’ll rent a piano, and you can play all day.”

But by then, I knew enough to play the songs I loved, sad songs that crept out my window and spread across the sky like a million twinkling stars, sorrowful songs about cheating men and hearts worn out with weeping. I could make tears run down my grandma’s cheeks when I played, and there’s no higher tribute she could pay, but my momma stayed dry- eyed.

Miss Mopp let me borrow the school tape recorder. I played three songs, then rewound and listened. My first song was about that coffee cup in our front room and it was so sad it made the soles of my feet itch

But I wasn’t sure. One time I wrote a song about being buried in white roses, because they’re the most romantic things I know. I thought it was a sad song, but my grandma only laughed. Another time I wrote a song about a single candle in the window, and I thought that was a sad song, but my grandma paid it no mind. This song seemed sad, but I couldn’t test it out on my mother, seeing as how she figured in it, which might influence her judgement. My grandma wasn’t handy, and I wanted to turn the song in the next day.

I went ahead and wrote my name, age and school down on a recipe card with a little drawing of jam pots and squash up in the corner, because we didn’t have any index cards. I gave it to Miss Mopp. And then I forgot about it, and that’s the pure and simple truth, until yesterday when Miss Mopp told me I’d won.

I thought my momma would be pleased when I told her the news at breakfast. And she was, at first, until I fetched down my guitar and played that song for her. And that’s when coffee cups started flying through the air.

I walk down the road to my grandma’s house. She’s up and in her kitchen.
“Sit down and play me this prize-winning song,” she says when I get in the doorway. That’s how I know my momma has already called her on the telephone. This is where I go when things get a little hard every now and then. My grandma pours me a glass of milk and puts two chocolate doughnuts on a plate. I sit down, prop my guitar on my knee, and play her that song. She starts crying before the first verse’s halfway through, stands there and dabs at her eyes with her apron when I finish.

“That’s the saddest song I ever heard,” she says. “I can see where it’d fetch a prize or two. But do you understand why your momma’s so upset, J.D. honey?”

I shake my head.

“It’s just a song.”

“But it’s your momma’s song. It’s all her sadness spread out in the air for anyone to hear,” she says, blowing her nose. “And maybe there’s folks she doesn’t want listening.”

I know she’s right. But I wanted to write a song about the saddest thing I knew, and that coffee cup has always qualified.

“It’s my song too,” I say to my grandma. “I live there too.”

My momma doesn’t say anything about the song at dinner. I figure she’ll ignore it, the way she does with things she doesn’t like. She doesn’t say anything at all to me.

Two days later, my grandma drives me into Abilene to the radio station. We figure we’ll record the song in the morning, then have lunch, go visit the Greyhound Hall of Fame and the house Dwight D. Eisenhower was born in. It’s a scorching day by the time we get there, but the radio station, WKNS, your station for Kansas country sound, is air conditioned.

They take me in a room full of fancy dials and buttons. They make me play the song on my guitar, and then they play it back through headphones and I sing along with what I played. I play and sing maybe ten, twelve times before the way it sounds satisfies the man sitting up in the booth drinking coffee. He shakes my hand and congratulates me. His voice is thick and there’s a little bit of water in the corners of his eyes. He says “That’s the saddest song I ever heard. Thanks for letting me listen.”

A secretary gives me papers to sign, which my grandma reads through first, and then a lady DJ takes me in her office to tape an intro. It’s like being inside a big machine, full of toggle switches and dials. She’s got pictures of singers taped up on the walls: Patsy Cline, Kitty Wells, Loretta Lynn.

“Just speak naturally, sugar,” she tells me. She flips a button on her microphone. “So tell me, J.D., how old are you?”

I tell her, and she asks questions like where I go to school and what’s my favorite class and how I learned to play the guitar. Then she says “How did you write that song?”

I take a minute before I answer, “It’s a song about a member of my immediate family, but if you please, I’d rather not say anything more.”

She studies me, and flips the switch off, but she doesn’t ask me any more about the circumstances of the song.

My grandma buys me lunch. We stroll around town and visit the Greyhound Hall of Fame. Eisenhower’s house is closed, so all we do is walk around the outside and look in the windows, which is about as interesting as you’d expect. My grandma gives me a present she’s made, a shirt with “J.D. Daniels: Prizewinning Songwriter” embroidered on the front pocket. I know I’ll never wear it to school, but I like the way it looks, and I thank her. I wrap it up again, carefully, and keep it on my lap as we bounce our way home over dusty roads.

When I get back to our house, nothing’s changed. My momma won’t speak to me much. Meals are awfully quiet. She buys new coffee cups, the same as the old ones. They start playing my song on WKNS, and mail me five of the records. Some of the kids at school tell me they heard my song and say they liked it. But I don’t turn the radio at home to WKNS because I’m afraid if my mother hears what I said on the radio, it’ll make things worse.

Two days later, I come home from school, and there’s my daddy sitting on the front porch. He stands as I come up toward the house. I squint against the sun like I can’t make out who he is.

“Jennifer, is that you?” he says, and before I can nod or shake my head, he picks me up and hugs me tight. I hold myself stiff.

“It’s me, baby, it’s your daddy,” he says and puts me down. I look at him real hard, this being the first chance I’ve had in a number of years, but I don’t say anything. I don’t know what to say.

“I heard your song on the radio,” he says. “That’s the saddest song I’ve ever heard. It touched my heart and showed me how I done wrong by your momma. I’ve come back to the both of you, and you can take that coffee cup out of the cupboard, wash it out, and fill it up again for me.”

That’s a quote from my song, but it sounds different coming from him.

“You’ll have to wait out here till Momma comes home,” I tell him and his face falls, but then he smiles even bigger.

“Tell you what I’m gonna do,” he says, leaning forward and whispering like we were spies in a movie. “I’m gonna go buy your momma some flowers. I’ll be back in half an hour.”

My momma comes home before the dust from his wheels has settled. She sits down at the kitchen table and I pour her a cup of the coffee I have waiting. I don’t know how to say what’s happened. I study on ways to do it. She leans back in her chair and puts her feet up, kicking her shoes clear across the room. She’s still not talking to me much.

He knocks before I get the chance. I follow her to the front door, and there he is on his knees, with a big bunch of red roses. He says, “Candy honey, I’ve come back to you.”

She stares down at him through the wire squares of the screen. I donUt remember his shirt so white, his blue eyes shining, his hair slicked back and shiny. The roses are full open, petals sagging in the heat, sending up a sweet sad smell.

“Jennifer’s song on the radio touched my heart and made me see how I done wrong by you and her.” He smiles up at her. His hair on top is just about gone, and the skin gleams between the strands in the sunlight. He rocks a little, as though the wood under his knees was paining him.

“Does Amanda know you’re here?” she asks.

“Amanda and I, we’re past history,” he says. He smooths his hand through the air. “Water under the bridge.”

She steps back and looks over at me. I shrug, trying to say this wasn’t what I wrote that song for. I wrote it for the sake of writing a song, not so he’d hear it. She shrugs back. He kneels outside in silence, watching us.

My momma looks uncertain at first, but the edges of her mouth quirk up a touch. She turns around, opens the door of the china cupboard, and takes the coffee cup, that goddamned coffee cup, out. I hold my breath.

“I believe you left this last time you were here,” she says as politely as if she were on a commercial, and opens the door enough to hold out the cup. He takes it with a funny grin on his face and starts to speak. My momma closes the door on him and goes back into the kitchen. I follow her. She sits down at the table and adds more coffee to her cup to warm it up. A car door slams outside.

“J.D. honey,” she says to me. “Go get your guitar and play that song for me. I believe I’m feeling more reconciled to it.”

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Recent Writing/Publishing Related Links, 4/11/2013

Elizabeth Cady Stanton (sitting) and Susan B. Anthony
One of my favorite pictures of Elizabeth Cady Stanton (sitting) and Susan B. Anthony, late in their lives.
On some other boards I frequent, the question of how to make a publication more diverse has been coming up. Here’s a couple of pieces related to that. The editors of Tin House and Granta discuss how they worked to make their publications more diverse. Anne Finch talks about similar editorial practices. For a breakdown of what the gender ratio was of book reviewers and books reviewed, see the 2012 VIDA count.

For yet another explanation of why this might matter, here’s Deborah Copaken Kogan talking about her experiences as a female writer. And for those confused about why talking about what a woman does is more important than what she looks, here’s this.

I’ve blogged elsewhere about the Night Shade Books convulsions. I wait to see what happens, as do a number of people with a lot more at stake.

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Dryad's Kiss

There once was a mage named Leaf, who studied at the College of Mages in the sea port of Tabat. He had been a simple village boy with a talent for gardening, who was found by a Scout of that College. Within its ivied walls, he learned, and excelled, and when it came time for him to choose between that world and the larger one, he stayed there, content, and became one of its instructors.

He loved learning and pursued it like a drunkard ardently chasing an ale mug. His chamber shelves dripped with books and notes, and whenever new knowledge came to the college, whether in the form of an old map or a bard’s tale, he was there.

In his peerlessness, he had only one flaw. He loved to give advice, on anything and everything, and the less he knew about the matter, the more he spoke.

In time, he came to be known as a great expert on Romance, although he’d kissed neither girl nor boy, preferring the pages of his books. This had been remarked on, for he was a beautiful man, with dark curls and smooth skin on which the shadow of his beard lay like the coming of dusk. But he had no interest in romance, preferring to spend his days reading or pursuing arcane and outlandish experiments, such as how to color a flame purple or most efficiently bargain with an undine.

Still, he would sit in the tavern of an evening and pontificate on the whys and wherefores of women to his comrades, who eagerly accepted his advice.

His counsel, for the most part, was well-intentioned. But one thing he repeated over and over to his audience. “You must begin,” he would pontificate, taking another sip of ale to create a dramatic pause. “As you intend to go on. Decide how you want the relationship to go from the start, and she’ll get used to it. Otherwise, you’ll find yourself wrapped around her finger and dancing to her tune.”

Of course he fell in love.

He went head over heels in the classic manner after glimpsing her in a crowd, a flash of green eyes, a tilted chin, and hair as brown as autumn leaves. He tried to follow her, but she slipped away in Minnow Square, and there he stood, bewildered, scanning the faces in the crowd.

He haunted the Square for a week before he despaired, and took to wandering the streets near it. The Square lies in the southern edge of town, and is inhabited by streets of ancient brick buildings, and of course, the Piskie Wood, where young folk go to hunt a brace of piskies, now and then. The Duke pays a bounty of two coppers a head for the creatures, and it’s a point of pride for many a youth to buy a round in the tavern with their hunt’s profits.

One night he thought he glimpsed her through the black wrought iron fence that surrounds the trees there. He spent the evening hunting her up and down its damp green aisles, listening hard and hearing only the soft hooting of the piskies or the occasional thwip of an arrow and then quick footfalls. At length he came out of the Wood and sat there on a bench by the gate.

It was a misty evening, filled with a fine drizzle, and after he had sat there for an hour or so, beads of water collecting on his cloak, he felt a presence behind him. It was like a cold shadow.

“Come sit, if you’ve a mind to,” he said sullenly. “Or go on standing . either way, I don’t care.”

After a moment, another girl came around the side of the bench. Tall and skinny, she was pale and the chill that came off her white skin told him that she was undead. But she was very beautiful, nonetheless, with eyes like blue ice, and hair like silver waves.

Neither of them spoke, and they sat there another hour, during which no-one passed. Finally a party of late-night hunters came stumbling out of the wood, smelling of spiced brandy, and each bearing a brace or two of piskies at their belts, the little corpses limp as birds.

One of them waved cheerfully as he passed the bench, and then the group was past, sputtering into laughter and quick whispers and then more laughter. Leaf leaned back and sighed.

“Am I not beautiful?” the undead girl said, speaking for the first time. Her voice was cold and slow, like water dripping underground.

“You are, but I am in love with someone else.”

“The brown-haired, green-eyed girl.” She sniffed in contempt.

He shifted his weight forward. “Do you know her?”

She shrugged, a faint motion beneath the dark-webbed silk of her cloak.

He persisted. “Do you know her name?”

She looked at him with eyes like mirrors, moonstones, clouded white with spiritual cataract, and said indifferently, “Her name is Winter’s Ivy, I suppose it best translates to.”

“What language is it in?”

Her lips curled scornfully, and she stood. “I’ll leave you to find that out.” She stared over his shoulder at the black limbs of the wood and said “You’re halfway there, it seems like, already.”

And then she was gone, as though she had never been there.

He went to bed.

#
In the morning, the cries of the gulls outside his window woke him. He put his head out and scanned the street. Lowering coins in a basket, he received a round of fresh bread in return, its surface ridden with a smear of sharp white soft cheese, and a skin of fresh water. He ate the food on his balcony, watching the street.

In the sporadic sunlight that flickered between the clouds, the memory of the ghost girl thinned and vanished. All he could see in his mind was a line of nut-brown curls.

Looking over his balcony as he chewed at a ferocious bite of bread, he half-choked on it as he spotted those curls outlined against the chilly cobblestones.

He spat out the bread and shouted “Hoy! Hoy!” down at the street. He pointed at her as she and a handful of other people stopped, looking upward.

“Don’t move,” he shouted. “Not until I get down to the street! Please, miss, don’t move.”

He flung on his magister’s robe on his way out the door and scrambled down the stairs to arrive breathless at her feet. Her face had dimples in the pale brown skin as she laughed at him.

“And what is all this about?” she asked.

“Please, madam, if you please, I would ask your name,” he said, trying to draw himself up, ignoring the fact that the words were punctuated with little pants.

She studied him. “My friends call me Ivy,” she said.

“May I count myself among them? My name is Leaf.”

“Very well,” she said. “Are you coming with me to carry packages?”

And he did, an entire morning spent following after her with a basket, filling it with papers of needles and two pots of rouge, and a pair of embroidered gloves.

“May I buy you lunch?” he said when the sound of the Duke’s great clock chiming the noon hour echoed across the city.

She glanced up. “The time!” she said. “Where does it go? I must say goodbye.”

“How will I see you again?” he asked.

She smiled at him. “If it’s meant to be, it will be,” she said. And stepping backward with her basket, she vanished into the crowd, as though swept away by a river’s current, a flash of sleeve and then nothing.

#
He ate his meal in morose silence in a corner of the tavern. As he pursued a chunk of fish with his spoon, one of his fellows from the College slid into the seat across from him.

“You look gloomy,” he said.

Leaf looked up and shrugged. He did not remember the man’s name, nor did he want company. He stared back down into the murky depths of his stew and felt the other man’s eyes upon him.

“You’re in love!” the nameless man exclaimed in astonishment and, despite himself, Leaf’s cheeks flushed with embarrassment.

“It’s about time,” the man said. “Now you will be more realistic with what you prescribe for others. .Begin as you intend to go on’, indeed.”

Nettled, Leaf exclaimed, “But it’s true! You must begin as you mean to proceed and not let yourself be wrapped around her finger.”

“Ha, and is that what you’ve been doing?”

“We haven’t gotten that far yet,” Leaf said stiffly. “But when we begin, be assured I’ll let her know who’s calling the tune.”

The other man only laughed.

#
The zombie girl was perched on his balcony, leaning on the railing. It would have been a more charming sight if she wasn’t in the process of devouring an unwary pigeon. She wiped at her cheeks, feathers tumbling from her cloak and away into the wind at the gesture.

“What is your name?” she said, speaking into the breeze as it wove her hair into silver netting.

“Leaf. And yours?”

“Zuelada. She’ll be no good for you.”

“How do you know?”

“I know her,” she said. She regarded him with her uncanny silver gaze. Overhead clouds scudded across the moon like wisps of torn lace. “I would treat you better, much better. Trust me?”

He couldn’t help himself; he laughed, and one of the cloud shadows moved across her face.

“You don’t understand,” he said. “I am a magister of the College of Mages, and trusting in the word of an unsummoned undead . no matter how beautiful or charming . would be seen as very foolish indeed.”

She smiled. “Beautiful and charming?”

But thoughts of the brown-haired girl kept him from following up the flirtation, and they stood for a handful of minutes in uncomfortable silence.

She sighed and stepped backward and away from him, and was gone again.

#
He was walking along the street, carrying an armful of books he meant to trade at the bookseller’s, when Ivy slipped her slim hand through his elbow and bobbed at his side, smiling.

“It must be meant to be,” she said mysteriously.

He felt a giddy surge of delight as he smiled back at her.

“It must be,” he said.

#
All that the ghost girl said on the third occasion was “I’ve told you she’ll be no good for you” before vanishing.

The next morning he followed Ivy into the Piskie Wood, giddy and giggling as any besotted adolescent. She slipped between the trees, and her hair blended with the bark, there in the shadowy silence. Overhead a piskie hooted mournfully. She paused, gazing up a trunk, and held a hand up, signaling him to motionlessness. He stood watching as the small brown humanoid crept down the trunk towards her hand, rubbing its face against her skin like a cat yearning to be petted.

As she stayed still, it emboldened, and insinuated itself along her arm, plucking at the fabric of her sleeve. It grimaced, sniffing the air as it looked at him, and he glimpsed its sharp, ivory teeth only an inch away from the tremor of her neck.

His breath caught at that, and the thing hopped back to the tree.

“I’m sorry,” he said. “I startled it.”

She waited, looking up, but the piskie had vanished.

“No matter,” she said. Moonlight touched her hair to silver. She took his hand and tugged at it. “Come this was, where the clearing is.”

They entered the clearing in the center of the wood. Gnarled trees, a medley of oak and thorn and graying apple, surrounded it, along with a thicket of wild roses, a few petals glazed with ice.

She led him to a vacant spot in the line of trees.

“Here,” she said. “I’ve chosen it for you.”

“What do you mean?”

She gazed at him with that faint, enigmatic smile. “Do you love me?”

“More than anything else in the world,” he said.

“Even your College?”

“Of course,” he said, looking at her slender, heart-shaped face.

“Then we might as well begin as we intend to go on,” she said to him as his roots began to spread into the ground and winter’s chill touch fell on his heart. “You’ll get used to it after the initial shock.”

His arms lifted, arching painfully.

“You’ll get used to it with time,” she said. From the edge of the clearing, he could see the zombie girl watching, and he tried to shout out something but could not speak as Ivy wrapped her frosty leaves around him and carried him away into stillness.

(This story originally appeared in the summer 2005 issue of Gryphonwood. It is a Tabat story.)

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