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Snippet: Villa Encantada

Parking lot and vegetation
Yellow lines stretched across the parking lot, marking out the zones of the Great Game.
Excerpt from Villa Encantada (working title), an urban fantasy short story set in Villa Encantada, a condo complex on Lake Sammamish. For those familiar with “Eagle-haunted Lake Sammamish” or “Legends of the Gone,” it’s the same complex.

The doorbell rang as soon as Simone’s hands were covered with dirt from repotting primroses. That was how it always was lately. She wiped her hands on a dish towel, regretting the dark smears as soon as she saw them. The dish towel landed in the sink; she hurried to the door.

As abrupt and perfumed as a magazine advertisement thrust in her face, a broad-toothed woman in red polka-dots that shouldn’t be chic, but were, atop a teeter of matching red heels.

Presenting her hand in a direct overhand shake, “I’m Cherry Abramson, Unit #8.”

Simone wished she’d washed her hand instead of just wiping it, but she shook anyhow. Cherry’s face remained set in the same smile, but somehow Simone was sure the other woman had noted the half-moons of dirt underneath her fingernails, the scatter of dirty dishes visible in the sink, the cloth across them like a soggy wick.

She squared herself in the doorway. No way was she asking this woman in for coffee. She didn’t want that appraising blue eye noting the stack of boxes, the unfolded laundry heaped on the sofa, already marked with a cat-shaped divot.

“I’m still in the middle of unpacking,” she said.

“I saw you out on the balcony on my way over,” Cherry said. “Of course, you want to make sure they all have saucers or some other water catching dish underneath them,” she said. “Otherwise you’ll get marks and the Board will fine you.”

Her tone was edged with unfriendliness. It surprised Simone and she hovered in the doorway at a loss for words. Then Cherry’s smile re-shuttered her face. “I’m sure you will, but I’m on the Board and need to mention things like that.”

“Sure,” Simone said.

“I wanted to invite you to our next board meeting. We always need new voices in the community. You’re an owner, right? Not a renter?”

“That’s right,” Simone said. “Got a good price and it seemed like time to settle down.”

Cherry nodded in tight satisfaction. “That’s what I thought.” She looked at the hallway mirror past Simone’s shoulder. “Well, I see you’ve got plenty of work to do.” She turned and trotted down the stairs.

Simone felt the bounce of her steps. The two-story building was several decades old; you could always tell when someone was coming or going via the cement planks leading down to the courtyard between buildings.

“Bitch,” she said, half to herself as she closed the door. Turning, she stooped to pet the cat winding itself around her knees pretending not to be investigating the door’s opening.

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Last Week, This Week, All Around the Town

abstract image to represent the documents of  Tabat
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. Careful readers will find clues to some aspects of Beasts of Tabat in them.
As you may have noticed last week, we kicked off two months of interesting guest blog posts on this blog, which is part of the promotion for Beasts of Tabat, the novel I have coming out next month.

Last week, the guest posts were Kim Mainord with “Your Mileage May Vary”, Sandra M. Odell on fantasy podcasts, Ken Altabef on using Inuit mythology in his work, Rhonda Eudaly with “Writing is Only Glamourous Until This Face Appears,” and Raven Oak talked about “Linguistics in Fantasy — To Thee or Not to Thee”.

This week, we have John Johnston III musing on Fictional Characters, Pete Sutton will talk about succesffully crowdfunding an anthology, Jamie Mason will wax philosophical about Candadian zombies, Mercedes M. Yardley will discuss finding your literary voice, and to wrap up the week, J.T. Gill will tell you why reading fantasy makes you smarter. I’ll also be posting snippets from the sequel to Beasts of Tabat, which I’m working on right now, keeping you informed of any recent SFWA developments, and talking about point of view and being inside a character’s head. And finally — for online writing class news, either sign up for my mailing list at the bottom of this post, or keep checking this site.

What else is coming up in March and April? There’ll be some giveaways, including audio copies of my collection Eyes Like Sky and Coal and Moonlight, both hard and e-copies of my collections and the new novel, and some cool surprises. 🙂 You’ll also see “Documents of Tabat,” a number of small pieces of fiction, each of which ties into the book (they’re interstitial pieces from an earlier version of the novel), starting March 24 and continuing on weeks through April 21st. I’ll point you to the GoodReads giveaways when they come up, and at the end of the week, I’ll include a wrap-up of the various places I’ve guest posted and any places reviews or other mentions have occurred.

Some of you reading this have been with me since I first started writing stories set in this world; others are new to my words. Either way, I hope you’ll enjoy the novel that I’m finally getting the chance to lay before you, and I hope you’ll share some of the fun of the next couple of months.

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WIP: A Cavern Ripe With Dreams

Cover for A Seed on the Wind, painting by Mats Minnhagen
Tiny things floated through the air all around him. He stretched out his palm and kept it motionless long enough that one drifted to be trapped in his palm. A seed, a brown seed. Attached to one end a tuft of hairs, fine and feathery, to carry it along. Carefully he raised his hand, examined it more closely. So small. As it neared his eye, it became no longer brown, ridges and swirls marked its surface in grays and greens and reds that somehow blended together to create the impression of brown from just a few inches farther away.
I’m finishing up A Cavern Ripe with Dreams, the sequel to A Seed On the Wind. A version will undoubtedly go out to Patreon patrons before I start shopping the combined novellas around as a single entity.

This story owes a great deal to both William S. Burroughs’ Junky (indeed, the protagonist is named Bill in his honor) and Joe R. Lansdale’s Drive-In, a book I found immensely freeing and exhilarating in its sheer WTFery and bravura. If you’ve read A Querulous Flute of Bone, it’s the same world, that of the co-writing project The Fathomless Abyss.

From part of today’s writing:

Bill felt a rush of fear, but a kind that he had never experienced before, something like the fear you feel when someone tells you a frightening story that they believe is true. A terror that was convincing yet somehow dilute. A terror that was not his, somehow.

A fear that was enjoyable.

He realized that it was the creature. That he was feeling its emotions. That if he closed his eyes, he could still see the room like a ghostly overlay across the darkness behind his lids.

He wondered if it experienced the same phenomenon, this double life. He put his hand up and touched it with a fingertip, stroking along the coarse fur that was still damp with eggy fluid. It smelled like newly-split wood, rare and sharp. As he touched it, it shuddered but stayed still, like a woman whose innermost core had been touched, who feared and craved more. At the thought, he grew hard, and he felt it shudder again before it curled tighter around his neck.

He lay there with it around his neck, savoring the mental taste of it, dipping in and out of its perceptions. After a while, his bladder drove him into standing and using the chamber pot beneath his bed. As he pissed, he could feel the creature tasting his sensations in turn.

It made him curious. Settling back onto the bed, he took a syrette from the bedside table, already loaded with honeypain. He injected it in his wrist and lay back to feel the twofold sensation.

First it felt as though the back of his eyes had dissolved, only to be filled with a subtle warmth that flowed out from them, flowing through him until he was only a zone of temperature and sensation, as though he was warm water in a bath, only an outline. But always with that lurking presence perceiving him, keeping him whole. He had loved honeypain for its ability to take him outside himself, but now he realized that it was nothing compared to the creature.

He tried to think at it, to see if it would answer him, but all his thoughts were blurred by the honeypain. He could hear only his blood drumming in his veins, a hard and insistent beat that told him he was alive, as it had before, for sometimes when he was dipped deep in these reveries, he thought himself dead. Now he had that beat but more ““ the creature curled on his chest. Part of him but not part.

After a while he slept.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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