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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
Sent out a story to an audio market.
More on Circus In the Bloodwarm Rain (novel): 574
Prairie Dog Town (working title)(story): 715 words. I’ve rounded the 3k mark on this, and think I’m in the home stretch. I want to finish it soon, so I have a few days to lay it aside and let it cool before I pick it up to polish as the next Patreon story.
Letters to My Father (story): 474 words, which finished it off, and sent it back to my charming collaborator/spouse.
Carpe Glitter (story): 457 words, still a long way to go.
Total wordcount: 2220. As always I may try to get in a little more tonight, but probably not.
New Spanish vocabulary: a la parilla (grilled), la acera (the sidewalk), el barro (the mud), el largato (the lizard), la libreria (the bookstore)
Today’s been gorgeous and sunny, though very hot. We walked to Taco Bar for lunch, and found the food both delicious and a pretty good bargain. Then past the super mercado for dinner supplies and the trudge back home.
As noted on Twitter, I’ve been reading The Wheel of Time series since embarking on this trip, and I’ve finally hit the Brandon Sanderson part. Between that and spending so much time in travel, I haven’t had much time to read anything else, but I did finish up the first two books of Jeff VanderMeer’s Southern Reach trilogy, Authority and Annihilation, which I highly recommend. The final volume, Acceptance, comes out September 2.
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But for writers, I think it’s very important to go outside it on a regular basis. For one thing, your characters are going to be outside their comfort zones, being challenged, tested, thwarted, more often than not, because one thing about comfort zones is that they can be pretty darn boring to read about. Who wants a character for which everything goes right? (This is, I will argue, why the Richie Rich comic books were pretty darn bland.) How can you write a character outside their comfort zone if you don’t know what it’s like?
And outside our comfort zone is where we learn new things, new skills, new things about ourselves. Here in Costa Rica, my Spanish skill is leaping upward in a way it wouldn’t at home, despite all my best resolutions about daily Duolingo workouts or buying books in Spanish from Amazon. And that in turn has prodded me to try some new things with it, like using one of my stories as a practice piece in translation.
This is why, when I talk to students about going into a workshop like Clarion West or Viable Paradise, I urge them to try to fail. Because you learn so much more from a story where you tried something new and failed than one where you did the same thing you always did. I wrote Zeppelin Follies while at Clarion West as my very first try at a screwball comedy, and I will confess that the first draft was a horrible mishmash of stuff. And boy did I learn a lot from that.
Fortunately, for the vast majority of writers, we like new things. New words, new vistas, new thoughts. And we find them outside that comfort zone, in a place that is frightening and exhilarating all at once. Whizzing along a zipline, diving into waters over our head, talking to strangers. If you doubt that you are brave enough to do such things, remember that you do something braver everyday by putting your writing out there for other people to look at.
Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.
Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.
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