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What I'm Teaching At Bellevue College, Summer 2011

Image of a spring garden
It must be spring: the swallows have returned and the parking lot at QFC has drifts of fruit blossom petals, blowing across the pavement. I took this shot out at the Marymoor P-Patch garden, where all the gardens are getting ready for the growing season.
I’m trying a one day workshop called Sudden Fiction. Here’s the description:

Flash fiction, short-short stories under 1000 words, present stories in microcosm, slices of life that illuminate and change us. In this writing class, students will use writing prompts and word games to create 3-4 pieces of flash fiction, as well as learning what magazines specialize in flash fiction and how to submit their efforts to them.

I’ll be drawing on the experience of a workshop I taught for Johns Hopkins Continuing Studies a while back. That class ran six sessions, if I’m remembering correctly, and we had an amazing time.

I’ll also be teaching the Blogging and Social Networking 101 class. It runs two classes, the first of which is used to talk about setting up a blog, establishing your online presence, personal branding and the second of which is devoted to social networks, Google Analytics, and other Internet tools.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Clarion West Write-a-thon Goals

Picture of the advance reading copy of Cat Rambo's Near+Far
I won the Leilani doll in the Locus Awards raffle, and the lei is also a souvenir of that delightful occasion. But the coolest thing received there was the Arc of NEAR+FAR!!
It’s the start of another Clarion West season. As always, it was marked by the Locus Awards, which were a ton of fun and extra cool because they were my first chance to see the ARC (advance reading copy) of the book coming out this September. I’ve been to the house and met most of the students — they all have that glazed, not-sure-what-to-expect look in their eyes. And the Clarion West Write-a-thon is starting. This’ll be the 6th or 7th time I’ve participated in it, I think.

This year I’m using it to spur effort on the urban fantasy novel I’ve been working on, THE EASTER BUNNY MUST DIE! At Rio Hondo, they suggested a new way to begin it, so I’ve got to write that chapter, tweak the existing ones so they fall in line nicely after that, and then take up where I left off, in a grumpy healer’s cavern, confronting the Marlboro Man. Nuff said?

So I must tell you, that should you wish to support me in the Write-a-thon, even if it’s just a buck, you’ll be receiving snippets in the mail that will not be made available to the public – perhaps ever, perhaps not until the book is done. I hope you’ll support me (or perhaps some other fine writer working on Write-a-thon goals) this summer.

Love the Easter Bunny and want to find out what happens next? Support Cat on Patreon in order to have a say in what she writes next, as well as getting other snippets, insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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On Writing: Building Connections

Picture of father and son
Here's one of my newer connections, nephew Mason. Even though he's exhausted his father, he's still cuddling up while watching "Adventure Time" with the rest of us.
I had a wonderful time talking to Shaun Duke and Jen Zink of the Skiffy and Fanty Show last week. The podcast is up here. If you enjoy it and use iTunes, show them a little love with a rating on there.

A reason the interview wa so enjoyable was that they asked really interesting, incisive questions about the stories in Near + Far, in that way a writer desires and dreads at the same time, where they’re seeing some of your psyche’s underpinnings shaping the stories that you create. I’ve been mulling over some of those questions since then, and was thinking about one on the bus home the other day.

They pointed to many of the stories being about the need for connection, with characters like the protagonist of “Angry Rose’s Lament” being addicted to a drug that makes him feel connected, the hero of “Therapy Buddha” projecting all his needs onto a toy, or Sean Marksman’s ultimate fate in “Seeking Nothing.” Going through other stories in my head, I see the theme of connection coming up in various forms throughout. I think that’s a basic human need, one born of monkey roots, an instinct to be with the other monkeys.


Connection’s been something I’ve sought throughout my life. I was a brainy and isolated child, and still am to some extent. NowadaysI work in a profession that requires stretches of isolation in order to produce. So I value my time spent with other people, and particularly writers and likeminded people. I know that I’m happiest when I’ve got a group of interesting and lovely friends doing wonderful things and setting the world afire, just as I know that without some of them I would be a much different person.

Still, it’s not something I’m alone in exploring, as a writer. Human connections — gone awry, gone swimmingly, mistaken or acute, agape or philia or eros — are what fiction is made of.

At a panel at this year’s Worldcon, a fellow panelist got quite huffy when I mentioned the idea that fiction teaches us about being human. He found the idea outmoded and far too 19th century. Perhaps the divergence lay in our conceptions of what the word “teach” means — and perhaps “demonstrates” or “discusses” would be a better verb there, but I don’t know. We’re all just flailing about trying to fit into our own particular monkey packs and we’re watching the other monkeys to see what they’re doing and what we’re supposed to be doing. Don’t we read fiction to find some of that information? Perhaps we don’t say to ourselves, “I will be like character X in Book Y,” but we do think about heroes. We try to be better human beings sometimes because we have their examples. Or perhaps to avoid whatever fictional fate they fell prey to.

So, yeah. Connections. In fiction, the connections between characters, the way they choose to interpret word or gesture or telepathic scream. In the absence of human (or perhaps, intelligent, rather than human) connection, they make imaginary ones, creating fiction within fiction. That’s one of the things I’m looking at in the book I’m currently working on, focusing on the connections between the main character and the beings around her. It’s let me plunge into her head in a way I haven’t before, and I’m enjoying the heck out of it, connecting with her.

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