I’m headed into the city this evening to hear John Scalzi read from Fuzzy Nation. I’ve loved the Little Fuzzy books (and I’ll note that there’s a bunch of his stuff free for e-readers) since discovering them as a teenager and found a book club edition of the first two this weekend at the thrift store. I’d forgotten what a tear jerker the first one is, and the anti-corporate message seems even more timely than usual. I haven’t read Fuzzy Nation yet, but I’m picking it up today and looking forward to it. I’m also fascinated by the idea that Scalzi’s written fan fiction – it opens up some interesting questions about that debate.
I recommend the first book for people working on learning how to create emotional depth, which a couple of writers have mentioned to me lately. Any book that has me welling up with tears is doing its job right in that regard. I’m taking my Writing F&SF class to this reading so they can be inspired by seeing a writer in action – maybe Scalzi will get them to cry (in a good way).
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
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Fantasy Books I Love: P.C. Hodgell's Kencryath Series
A bajillion years ago, when you could send the Science Fiction Book Club $.11 and get 11 books back, I signed up, receiving a fabulous armful particularly valuable back in the days when the Internet was just kicking off.
One of the 11 was P.C. Hodgell’s fantasy novel, Godstalk. I recently reread it when I found it and its sequel were available in the form of a single e-book, The God Stalker Chronicles.
I loved that book for its density of innovation as well as its creation of Tai-tastigon, a city is vividly alive as any other in speculative fiction, as evocative as Ambergris or Gormenghast, as alluring and perilous as Fritz Leiber’s Lankhmar, as historied as Minas Tirith or fictional London or any of the cities George R.R. Martin evokes so well.
And I loved it for its heroine, Jamethiel. She comes to the reader as a semi-amnesiac, unsure of exactly what lies in her past and bearing, as such heroes and heroines often too, a magical object. Or agical objects. Those objects shaped my naming convention for magical objects and remain as lovely as when I first encountered them: the Ivory Knife, the Book Bound in Pale Leather and the Serpent Skin Cloak.
Their bearer enters the city of Tai-tastigon and swiftly is embroiled in the doings of several groups of characters, including the staff of a local tavern, the Thieves Guild, assorted priests and gods/goddesses, the rooftop-dwelling Cloudies, and assorted bandits, allies, and felines, all of whom turn out to be more connected and in more mysterious ways than one would expect. I am an inveterate re-reader. More so in the days when I didn’t have the ability to download just about anything from the Internet, but even so still a habit I indulge in. Godstalk stood up to multiple rereads over the decades and shaped my expectations for fantasy novels ever since. It set a pretty high bar.
I loved Godstalk to death and managed to find its sequel Dark of the Moon much later. It always frustrated me not be able to find others in the series. Therefore I was overjoyed to find out that that not only were there more in the series but that they were available in electronic form. I’m halfway through the third book, Seeker’s Bane, and looking forward to the next three.
One of the things that makes returning to the book so satisfying is the heroine Jamie. Her flaws as well as her strengths are written deeply, shaping her actions inevitably and eloquently. The author takes us deep into Jamie’s head, letting us watch her development as well as her struggle with her complicated existence.
The main source of Jamie’s struggle is her adherence to the Kencyr code of honor, a trait that makes her a hero in the classic sense, someone to look up to and emulate, and which often talks directly about the nature of honor. Here’s a passage I just hit in Seeker’s Bane:
Trust honor, Immalai had said.
yes. For her, balanced on the knife’s edge, honor was more than life, its loss infinitely worse than death. And part of honor was taking responsibility for one’s actions and choices, over and over, as long as one acted or chose.
Jamie is complex and compelling. Her twin brother, Tori, begins to share the viewpoint in the second book and is interesting in his own right, but Jamie is rightly the core of the series. As I’m reading through the series, it’s a pleasure as a reader to watch her history unfold even as her personality is sharpened and shaped. As a writer, it’s a terrific lesson on the effectiveness of going deep into a character’s head.
Fantasy books and series that share this depth of character development:
You Should Read This: Flowers for Algernon by Daniel Keyes
Charlie is one of the great characters of SF and the story resonates with his voice. If you're interested in finding out more about how to write great dialogue, check out my Speaking in Another's Voice: Dialogue online class tonight, 7-8 PM PST. Cost is $29.99 ($19.99 for former and current students) For more details, click on "Take an Online Class with Cat" at the top of this page.Flowers for Algernon was originally a short story by Daniel Keyes that appeared in 1959 in the Magazine of Fantasy & Science Fiction and won the Hugo Award the following year. Seven years after the story’s publication, it appeared in novel form under the same name, and shared that year’s Nebula Award with Samuel R. Delany’s Babel-17.
What: The story is told by Charlie Gordon and involves intelligence experiments being done on both Gordon and the title character Algernon, who is a white mouse.
Who: Anyone who wants to be decently well read in science fiction should read this book. It’s a classic, and one referenced and discussed elsewhere. One of my favorite stories by Susan Palwick, the title story in The Fate of Mice, is told from Algernon’s POV.
Why: Read it because you will want to know Charlie, to hear him tell his story, and to see a master use the device of an unreliable narrator in a way that takes your heart and breaks it over the book’s knee. Read it to discover a story that has survived the test of time and will, I strongly believe, continue to do so.
When: Read this when you’re thinking about things like how a character gets the reader on their side, as well as how what a character doesn’t say is sometimes as telling as what they do. Read this when you are ready to sit down and read it in one full sitting, preferably, which is doable for faster readers since it’s a slender book.
Where and how: Read it where you won’t mind weeping; public spaces (like airplanes) are unsuitable because you will have to have a heart as hard as winter to not tear up some. This is, in fact, one of the best examples of a fabulous tearjerker of a story that I know.
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