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Recent News and Changes from Chez Rambo

I’m very pleased to announce that Tor has acquired my recent space fantasy (maybe?), as part of a three book deal, and I’ll be working with Christopher Morgan there. While I’ve had a lot of short stories published traditionally, this is the first novel to go through that, and I’m looking forward to seeing what the process is like. What is the book about? Well, I’m actually not sure of the genre but have been describing it as a banter-driven space military fantasy in which a group of ex-military turned restauranteurs get an unexpected package, just as things start exploding. I’m 40k words into the sequel.

I’m so pleased by this and blissed out to the point where I’ve been grinning all week. The book was written last October/November as part of a change in my writing routine, and if that routine pays off this well, you better believe I’m going to stick to it. So — up at 5:30 AM and off to the gym, then only writing through 11 AM. I love these characters, who are a lot of fun, and they’ve informed me they’ve got plenty of story to tell.

This does change a few things: I will not be taking new coaching clients, and the only editing projects I will be doing are ones where I really want to be doing the edit. I will still be delighted to write stories for anthologies as well as sending stuff out — I’ve been finishing up a couple of stories this week. I’m also going to be stricter about no internet till 11 AM and will be a lot more hardass about not scheduling calls or other stuff during that time.

I will still be teaching and running the Rambo Academy for Wayward Writers — I get so much inspiration from those classes that I would be sad not to do them and I do want to eventually have on-demand versions of all of my classes up there. After 2019 is over, though, I may start claiming a few more weekends for my own.

For those worried about the plight of Bella, Teo, Adelina, Sebastiano and the other Tabatians, I remain committed to being a hybrid author and I do intend to finish up the Tabat Quartet. =) If you want Tabat snippets and other creative pieces, please consider supporting my Patreon. Or encourage small press efforts by picking up one of my collections (Altered America (steampunk), Near + Far (SF), or Neither Here Nor There (fantasy)) or the Tabat novels from Wordfire Press! Otherwise, you might like to try the recent anthology that I edited, If This Goes On, from Parvus Press. Curious about how all this writing happened? Pick up my nonfiction book, Moving From Idea to Finished Draft.

I’m done with the SFWA presidency as of July 1. Those of you who remember back before that time will recall how alarmingly productive I could be when I set my mind to it. You have no idea how much is coming. =)

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An Armload of Fur and Leaves

In the last year or so, I found a genre that hadn’t previously been on my radar, but which I really enjoy: furry fiction. Kyell Gold had put up his novel Black Angel on the SFWA member forums, where members post their fiction so other members have access to it when reading for awards, and I enjoyed it tremendously. The novel, which is part of a trilogy about three friends, each haunted in their own way, showed me the emotional depth furry fiction is capable of and got me hooked. Accordingly, when I started reviewing for Green Man Review, I put out a Twitter call and have been working my way through the offerings from several presses.

Notable among the piles are the multiplicity by T. Kingfisher, aka Ursula Vernon, and two appear in this armload. Clockwork Boys, Clocktaur War Book One (Argyll Productions, 2017) is the promising start to a fantasy trilogy featuring a lovely understated romance between a female forger and a paladin, while Summer in Orcus (Sofawolf Press, cover and interior art by Lauren Henderson) is aimed at younger readers and will undoubtedly become one of those magical books many kids will return to again and again, until Vernon is worshipped by generations and prepared to conquer the world. Honestly, I will read anything Kingfisher/Vernon writes, and highly recommend following her on Twitter, where she is @UrsulaV.

Huntress by Renee Carter Hall (Furplanet), which originally appeared in 2015, and whose title novella was nominated in the 2014 Ursa Major Awards and Cóyotl Awards, is a collection of novella plus several shorter stories. I’d love more in this fascinating and thought-provoking world, particularly following the novella’s heroine, the young lioness Leya, and the sisterhood of the huntresses, the karanja.

Always Gray in Winter by Mark J. Engels (Thurston Howell Publications, October, 2017) demonstrates one of the difficulties with furry fiction, which is the reader’s uncertainty where to site the fact of furry characters, primarily whether to take them as a given or have some underlying science to it, such as bio-modified creatures. Here Pawly is a were-cat, but the unfamiliar reader is forced to spend so much time figuring out whether this is something people take for normal or not that the story sometimes gets confusing, and with multiple POV shifts, the reader keeps having to re-orient themself. It’s tight, sparse military SF that readers familiar with the conventions of the genre will find compelling, entertaining, and quickly paced; newer readers may find themselves floundering a bit.

The Furry Future, edited by Fred Patten (Furplanet, 2015) is a solid and entertaining anthology that showcases how widely ranging the stories that use the rationale behind the existence of anthropomorphic beings as part of the narrative can be. Authors in the collection include Michael H. Payne, Watts Martin, J. F. R. Coates, Nathanael Gass, Samuel C. Conway, Bryan Feir, Yannarra Cheena, MikasiWolf, Tony Greyfox, Alice “Huskyteer” Dryden, NightEyes DaySpring, Ocean Tigrox, Mary E. Lowd, Dwale, M. C. A. Hogarth, T. S. McNally, Ronald W. Klemp, Fred Patten, and David Hopkins with illustrations by Roz Gibson and cover art by Teagan Gavet. This book is one that scholars writing about furry fiction will want to be including on their reading lists for reasons including its focus, its authors, the snapshot of the current furry fiction scene that it provides, and the variety of approaches to anthropomorphic body modification.

Along with the furry fiction, I wanted to point to an indie humorous horror collection that is one of the most specifically themed I have yet encountered, Ill Met by Moonlight by Gretchen Rix (Rix Cafe Texican, 2016), which features evil macadamia nut trees, including “Macadamias on the Move,” “Ill Met by Moonlight,” and “The Santa Tree” in a lovely sample of how idiosyncratic a sub-sub-niche can get. The production values of this slim little book show what a nice job an indie can do with a book and include a black and white illustration for each story.

You can read this review at http://thegreenmanreview.com/books/armload-of-fur-and-leaves/

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Random Lists of January

Image that says 1) Tweet 2) ??? 3) Profit
Still working on 2015’s business plan
Things I have made so far this year:
Some words
A lot of ebooks
A loaf of bread
Quite a bit of yogurt
Danish pastry dough
Flaxseed crackers
Ricotta cheese
Cashew cheese
Several pots of coffee (seven to be be precise)

What I have written:
One blog post
One freelance piece
Several pieces of flash
Part of what looks like it might be a superhero novel

What I have read:
Lots of Internet articles
The Hundred Thousand Kingdoms by N.K. Jemisin (reread)
The Broken Kingdoms by N.K. Jemisin
The Kingdoms of the Gods by N.K. Jemisin

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You Should Read This: A Biography of the English Language by C.M. Millward

The cover of A Biography of the English Language by C.M. Millward, recommended by speculative fiction writer Cat Rambo
Our language is nuanced with a thousand historical references, even when we think it at its most innocent.
What:There’s a t-shirt that reads “English is a language that lurks in dark alleys, beats up other languages and rifles through their pockets for spare vocabulary.” In A Biography of the English Language, Millward presents some of this complicated history of the English language, first talking about what a language is, along with basics of phonology and writing before moving into Indo-European, Old English (the sage of the arrival of the English, the Christianization of England, and various Viking invasions), Middle English, Early Modern English, and then the array of recent forces shaping our language: the printing press, the industrial revolution, colonization, the codification of grammar, and more. It finishes up with present day English, at least as present day as a book written in 1989 can be. I should note that, looking at Amazon, the book is expensive as heck. I suspect any thorough history of the English language will do as well, but this book is VERY thorough. I bet it’s also available through libraries.

Who:Read this if you are a writer who likes to know what’s built into the words you’re using, what they say about their circumstances as well as what resonances they add for the knowledgeable. Read it if you love the minutiae of language, all the little “who would have thought” and “Although unlikely” facts that get seeded into long and drifty conversations, like the fact that Indo-European had three numbers: singular, plural, and dual.

Why: Read this so you can use words both more efficiently and more artfully. SO you know how the literary tradition you are working for and against, bound inextricably within, has been affected by linguistic change and created its own pressures to change in turn.

When: Read this when going among bores, for it will arm you with facts with which any recitation of X-Files plots or sports trivia can be met. Read this when you want something a little academic, with that cleansing flavor of self-improvement that the scrub of dry details can bring. Read it when you’re cramming for a test that involves volcabulary.

Where and how: Read this sporadically, tucking facts away, or with a notebook in hand. Read it for a class that takes you through centuries of linguistic change, showing you how history is tucked into every Vocabulary lesson.

#sfwapro

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Getting Ready for 2014: One Method of Decluttering

Picture of a teapot shaped like a dead clown.
I have a photo of this fabulous object, a clown teapot with cups shaped like clown heads, each with xes for eyes, as though the principal clown had slain all his enemies and taken their severed heads in the process. Therefore it's okay I didn't buy it. Someone else gets all the joy.
We’ve (as in two humans, two cats, a briefly lived betta, and assorted temporary insects) lived in this space since 2001. While I’ve decluttered and cleaned before, cruft inevitably creeps in. An odd little ball colored red, white, and blue. Countless keys. Sharpies in a rainbow of colors. Twists and ties and clips. Twenty years after my D&D days, there’s still a few polyhedrals rolling around.

Many things have memories attached, and discarding the object sometimes feels like discarding the memory. The paperweight I bought in Prague while traveling to train Eastern Europeans about network security software. A tin butterfly from our time in Mexico when I was a child. The sequinned baby shoes I use as a prop in the flash class. I feel as though if I put them aside I may lose the thing that triggers the memory.

While I’m not ditching everything, a lot of these are getting digitized. I take a few pictures with my camera and stick it aside. Here’s an example of a book I’ve been carrying around since high days. My paternal grandmother got it for me when I expressed an interest in folk tales and folk songs. I drew on it heavily when writing songs for Armageddon, sometimes adapting songs outright, otherwise creating ones patterned after the originals.

It’s a hefty doorstop of a book. I suspect I’ll be able to find this knowledge, or comparable stuff, on the net whenever I need to. But at the same time, the object holds memories: sitting in my room in high school, reading through it, while the rain drummed on the roof and the locust tree outside my window tapped its long fingers on the glass, for one. Performing songs based on it as my bard on Armageddon, purple-haired, seemingly bemused but secretly sharp, Karaluvian Fale. I take more than just a photo of the dustjacket: one of the inside so I can see the font, another of an illustration, one of an enigmatic and very scrawly note. Enough that I’ll be able to evoke it, access those memories again if I want to.

What’s the best way to preserve these images? I haven’t gotten that far yet. For now I’m saving and tagging, and trying to shrink down the mass of physical stuff attached to my life.

Love the Easter Bunny and want to find out what happens next? Support Cat on Patreon in order to have a say in what she writes next, as well as getting other snippets, insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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Getting Ready for 2014: On Going Through My Books

Picture of books stacked in a hallway
Here's some of the books, stacked in the hallway and waiting to be sorted through. It's a fairly representative sampling. Redlaw was picked up at a con; it's a good thriller reminiscent of Paul Cornell's London Calling. Nicola Griffith's Slow River is a book I hate to part with and I know there's a good chance I might reread it at some point but for now...out it goes. There's some issues of the Magazine of F&SF, and Lawrence Durrell's Clea, which was part of "I will improve myself as a writer" reading.
One of the things 2014 is bringing is all sorts of interesting and awesome changes, but part of that is a need to trim down drastically. So I’ve been going through my books getting ready to sell a lot of them. Many are from teen years, college, or grad school. Others are gathered at cons, sometimes with stories attached. Some sparked stories, or were gifts from, or were written by people I respect and admire and sometimes love. Some are signed. Some have notes jotted in them. Some are books that changed my life.

So far I’ve winnowed 700 or 800 books from the collection and there’s still a lot left. Not to mention there’s a storage locker holding at least another 1000. Argh.

But rather than dump them all at Value Village, I’m taking these last days to sort through them. Because some of these books are old, old friends. So I’m checking them on Amazon (and finding a few worth unexpectedly more, which is nice) and listing all the ones for sale in a spreadsheet, with a few notes and a price. A few I’m putting aside to give to specific people. There’s two boxes laid aside already for my godchildren.

My plan with the ones for sale is to give my two best friends, my brother, and my mom first crack to see if there’s any they want. (Or any that are actually already theirs, in mom’s case, since the boundary between my mom’s books and mine has been pretty fluid from time to time.)

After that, time to see if I can get a little filthy lucre for them. I’ll offer to share the spreadsheet with my writing group, students, other friends, and anyone else interested. (Drop a line here if you are.) Lots of fiction, particularly short stories, a lot of Women’s Studies texts, assorted odd bits and interesting historical stuff. The usual round of books about writing.

I’ll be blogging about some of the books as I hit them. After this comes a similar pass at all the knick-knackery I have accumulated. Not looking forward to that too much, but there’s also a good feeling, a wind-through-one’s-soul feeling that comes with shedding stuff.

I’ll keep you posted.

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If you're test driving your new Kindle,...

If you're test driving your new Kindle, here's a collection you could try on it….I'm just saying.

Amazon.com: Eyes Like Sky And Coal And Moonlight eBook: Cat Rambo, Lawrence Schoen, Michael Livingston: Kindle Store

Amazon.com: Eyes Like Sky And Coal And Moonlight eBook: Cat Rambo, Lawrence Schoen, Michael Livingston: Kindle Store

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Fuzzy Worship

I’m headed into the city this evening to hear John Scalzi read from Fuzzy Nation. I’ve loved the Little Fuzzy books (and I’ll note that there’s a bunch of his stuff free for e-readers) since discovering them as a teenager and found a book club edition of the first two this weekend at the thrift store. I’d forgotten what a tear jerker the first one is, and the anti-corporate message seems even more timely than usual. I haven’t read Fuzzy Nation yet, but I’m picking it up today and looking forward to it. I’m also fascinated by the idea that Scalzi’s written fan fiction – it opens up some interesting questions about that debate.

I recommend the first book for people working on learning how to create emotional depth, which a couple of writers have mentioned to me lately. Any book that has me welling up with tears is doing its job right in that regard. I’m taking my Writing F&SF class to this reading so they can be inspired by seeing a writer in action – maybe Scalzi will get them to cry (in a good way).

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Pages Breathing Fire: 10 Books About Dragons

Dragons, dragons, dragons – so many writers have written about them in one form or another. Here’s ten books featuring dragons for fellow lovers of the form.

  1. R.A. MacAvoy’s Tea With the Black Dragon (Kindle version) features urban fantasy and an ancient Buddhist dragon in search of spiritual teaching. Two of my favorite characters of all time occur in the form of the dragon and his teacher, Martha. There’s a sequel, Twisting the Rope (Kindle version) but it doesn’t quite live up to the magic of the first book.
  2. James Maxey’s trilogy, Bitterwood (Kindle version), Dragonforge (Kindle version) and Dragonseed (Kindle version),. This unique take on dragons has characters engaging enough to make you want to follow them forever.
  3. Tooth and Claw (Kindle version) by Jo Walton, is an awesome novel of manners featuring dragons. Smart and funny.
  4. Naomi Novik has taken dragons and mashed them up with Horatio Hornblower in her Temeraire series: In His Majesty’s Service (Kindle version), His Majesty’s Dragon (Kindle version), Throne of Jade (Kindle version), Black Powder War (Kindle version), Empire of Ivory (Kindle version), Victory of Eagles (Kindle version), and Tongues of Serpents (Kindle version).
  5. I first encountered Gordon R. Dickson’s The Dragon and the George (out of print and no Kindle version) in high school. This story of life from a dragon’s point of view is a solid fantasy read and one of the classics.
  6. No list like this would be complete without Anne McCaffrey’s Pern novels, which feature not just dragons but miniature ones in the form of fire lizards. My favorite of the books remain the Harper Hall trilogy, Dragonsong (no Kindle version), Dragonsinger (no Kindle version), and Dragondrums (no Kindle version).
  7. Another classic is J.R.R. Tolkein’s The Hobbit (Kindle version), in which the dragon Smaug plays a crucial role.
  8. A stuffed dragon is one of the entrancing side characters of Charmed Life (only available in Kindle version) by Diane Wynne Jones. All of Jones’ Chrestomanci books (or anything by her, really) are worth picking up.
  9. Michael Swanwick’s The Iron Dragon’s Daughter (no Kindle version) and The Dragons of Babel (Kindle version) feature gritty industrial dragons in one of the greatest fantasy settings of all time, full of danger and delight.
  10. Last but certainly not least, many of us are looking forward to George R.R. Martin’s Dances with Dragons (no Kindle version listed yet).

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Get Fiction in Your Mailbox Each Month

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Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson
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