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Class Notes from Writing Fantasy and Science Fiction Stories - Week One

San Francisco Santas
Keep an eye on the world around you and see what stories present themselves.
As I said in class, I’ll be posting notes after each Wednesday session, which all three classes can use to ask questions about or comment on what we covered. I encourage the students to hop into the discussion here, but it’s also open to the public.

We started by talking about what makes a story and the idea of character(s) involved in a conflict with rising tension that moves to a resolution at the end. It’s a pretty classic model and Vonnegut says some useful things about it here. Everyone brought a two line description of the story they’d like to write, and we listened to those and talked about which would work as is for stories and which need some narrowing down.

In discussing how we know when a story will be good, we looked at the first few paragraphs of stories by Carol Emshwiller, Joe Hill, and Kurt Vonnegut. I asked you to, in the coming week, look particularly at how people begin stories, and for Week 2, people will be bringing in a story beginning by someone else that knocks their socks. I mentioned that there’s plenty of online magazines to find speculative fiction in and here’s a brief starter list for you (feel free to add recommendations in the comments): Abyss & Apex, Beneath Ceaseless Skies, Clarkesworld, Daily Science Fiction, Lightspeed, Strange Horizons, and Tor.com. One of the things I mentioned is that reading other people’s short fiction, particularly good stuff, is important: you’ll find more story ideas coming to you, you’ll learn new tricks from them, and you’ll become familiar with the markets you hope to sell to.

We also spent some time on writing process and the idea of timed writings, as taken from Natalie Goldberg’s Writing Down the Bones and did some in class. Feel free to post yours here if you like it. I urged you to spend some time this week thinking about your writing process and perhaps trying to change it up a little: writing by hand instead of the keyboard, or in a place you don’t normally write.

6 Responses

  1. >>I mentioned that there’s plenty of online magazines to find speculative fiction in and here’s a brief starter list for you (feel free to add recommendations in the comments):

    One thing I found pretty helpful are the Hugo nominated stories featured in audio over at Escapepod.org. Save the .mp3’s to your player of choice and listen on your way to work / school / date / etc. Another great audio fiction site is of course is The Drabblecast at http://www.drabblecast.org. They have some fantastic features.

    If you want to be mega-cool, try transcribing some of your favorite stories to screen or paper. Peace & love.

    1. I absolutely agree with that – one of the things I keep is a notebook where I copy out passages from stories and novels that I really love. It’s part of how I try to figure out how the author’s achieving the effect (and how I might use it.)

  2. Timed writing was great. I can’t believe I haven’t tried that before. I went through one of my collections last night and read the first three paragraphs of each story and was surprised to see how well they fit the pattern you discussed. I’ll do a few line edits on one of my short stories tonight and get it sent over to you. I’m really enjoying the class!

    1. Awesome! Thank you for volunteering for the first workshop.

      And yeah, once you catch onto that first three paragraph thing, you realize how much the good stories are packing in there.

  3. I just e-mailed you my story for the workshop.

    I really enjoyed the class last night! The timed writing was fantastic.

  4. Thanks! I missed the part where you talked about the first three paragraphs and what they do. Is there any way I can get caught up to speed on that?

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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99 Statues, Part Two

Picture of a bed
Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace's metabolism, would inevitably throw most of them off during the night, onto Nicholas.
(Another excerpt from the story I’m currently working on.)

Nicholas woke slowly. It was chilly in the room, and when he shifted his body between the clinging flannel sheets, he could encounter zones of warmth and cool. Two down comforters were draped over them as well; Nicholas could not sleep without their weight on him, while Feniker, who seemed to burn with a furnace’s metabolism, would inevitably throw most of them off during the night, onto Nicholas.

He could hear Feniker’s soft breathing, a burry almost snore, a sound so uniquely Fen that it tugged a smile onto Nicholas’s lips, knowing what his lover’s face looked like when sleep-slackened, how it must look right now. He had drawn the drapes across the windows; the hotel’s front looked out onto the plaza, but Nicholas had opted for one of the less ostentatious back chambers which he secretly thought more pleasant, overlooking the back gardens, which were the more handsome vista, even when leaf-deprived and blackened by the cold, due to the green cedars that ringed it round.


The hotel was stirring. Soon enough his breakfast, with plenty left over for Feniker, would arrive and be deposited outside the door with a discreet knock. The hotel’s own brand of fish tea, with an odd peppery brackishness. He still wasn’t sure whether or not he liked its aftertaste, even after living in the hotel for almost two months now. He had lived with his father before then, but fire had taken their mansion, and both had taken themselves to alternate lodgings. He had chosen this hotel, which he could afford on his lavish allowance, for the way it managed to combine proximity to the student quarter with luxury.

He rolled on his side and found Feniker watching him, no longer snoring, blue eyes bright in the morning light, almost luminous.

“Good morning, sunshine,” Nicholas said. He leaned over to give Fen a kiss. Fen’s fingers tangled in his hair, drew him down to meet lips.

“What’s on your agenda for today?” Fen said.

“I am meeting with my father to go over the plans for the new factory in Cloudmarch,” Nicholas said.

“Will you be visiting it? The expedition is going through Cloudmarch. You could come out with us, say goodbye there, do whatever you needed to do with the new factory.”

“I would serve my father ill as a factory manager,” Nicholas said. “I’m not good with such things.”

“You have a mind keen enough to keep up with anyone in their classes,” Feniker said. “If you chose to exert yourself. Instead you pretend yourself slower than you are, and use it as excuse to while away your days drinking fish tea and playing cards.” He pushed himself off the bed and strode across the chamber, naked, to reclaim his clothing from the bench below the window.

Nicholas gathered the covers around himself, reluctant to lose their warmth, even in pursuit of what the kiss had promised. “What of you, what does the Duke’s secretary do today?”

Fen shrugged and drew on his trousers, sat down to pull on his boots. Behind him the window panes were laced with frost, a pattern like the ghost effluvium a professor had demonstrated at the last University lecture Nicholas had attended.

Thinking of that, he protested, “I do go to some lectures after all, and meet with Professor Wirewit to work on my paper.”

“Meetings that are few and far between,” Fen said. He caught himself. “Look, I don’t mean to nag you.”

“Will you come tonight and see a play with me?” Nicholas asked.

“I will have papers to transcribe,” Fen said. “I have been burning the candle at both ends, and I must decide where I should be spending my time. I do not mean to imply that it should not be with you, only that I would rather spend time enjoying your company, than sitting together staring down at a stage while the audience gossips so loud that we cannot hear half the lines.”

The reasonable tone, the exaggerated patience in his voice made Nicholas want to smack him.

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From a WIP with the Working Title "Grandmother"

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From "Robur the Conquerer" by Jules Verne.
This is going to be a longer, 8-10k word space opera piece that I got asked to do.

Most people called her Phoenix. Her former crew used “Captain” before that and “Sir” afterward. Her hair was silver – not white, but genuine, metallic silver, a long fall against her pale blue skin, the color of a shadow on a piece of willow ware, that made her seems ageless despite the century that lay upon her, and all those decades of pirating.

They said she had been the best slideboard rider of her time, and perhaps the best battleship pilot of all time, back before her parents and lover were killed and she turned rogue.

They said she had done terrible things in her pirate days.


They said she’d been ruthless in her rise to power, moving up the chain from god knows where, an origin she’d never, ever spoken of to anyone, not even her own daughter. She’d killed some captains, slept with others, called in favors and maneuvered and betrayed and seized power with a brutal efficiency that still underlay what now seemed a calm and orderly, rules-bound government.

They said she had killed hundreds, perhaps thousands, or people — sometimes at a distance, sometimes up close, with knife or fist. They said she’d killed a crew member when the shuttle she was in needed its mass reduced and the man hadn’t even argued, just nodded and stepped into the airlock, never said a word as the door closed and the lock cycled, just stared in at his captain as she stared back.

They said time had mellowed her.

They said working with Mukopadhyay, even though he was crazy as a spiral comet, had mellowed her.

They said helping colonize a whole planet, setting up its government, the rich and intricate system that now encompassed the whole solar system called Shiva, had mellowed her.

Not to mention motherhood, they said, a change which no woman escapes going through during pregnancy. It alters the hormones in your system. Softens you. Makes you less rash, less harsh. Takes away even the sharpest edge, not to mention the hormonal craziness, which some women never recover from, after all.

Sure, changes you in a good way, they were quick to say.

But softer, definitely softer.

She’d never do those sorts of things now.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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