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Kindle version of Tales From the Fathomless...

Kindle version of Tales From the Fathomless Abyss is now up! And got a nice review.

Amazon.com: Tales From The Fathomless Abyss eBook: Mike Resnick, Jay Lake, Cat Rambo, Mel Odom, J.M. McDermott, Brad Torgersen, Philip Athans: Kindle Store

Amazon.com: Tales From The Fathomless Abyss eBook: Mike Resnick, Jay Lake, Cat Rambo, Mel Odom, J.M. McDermott, Brad Torgersen, Philip Athans: Kindle Store

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Class Notes From Writing Fantasy and Science Fiction

View of a Japanese Garden
Images speak differently than words. They speak in color and shapes, smells and movements that our writing can only hope to approximate.
We’re coming up on the end of the Writing Fantasy & Science Fiction class I teach at Bellevue College. Tonight’s the next to last session. In earlier sessions we’ve talked about the writing process, story parts and mechanics, delivering information, characters, description, and worldbuilding. A number of past blog posts have come out of those classes: 5 Things to Do in Your First 3 Paragraphs, Active Verbs, Foreshadowing and Establishing Conflict, Plotting and Re-plotting Stories, Three Strategies for Snaring the Senses, Three Things that End a Story Well, Using Random Tools Like Stumbleupon For Rewriting, and Why Titles Matter.

Here’s what we’re covering in this session and the next:

Tonight (Rewriting, Revising, and Polishing)

  • The difference between rewriting, revising, and polishing
  • Rewriting – ways to do it
  • Revising – things to look for
  • Polishing
  • Working at the sentence level
  • Placement of sentences
  • Breaking up paragraphs
  • Titles
  • Quoting song lyrics
  • Collaboration

Next Week (Publishing & Career Stuff)

  • Markets: researching them, submitting to them, querying them, foreign markets, reprints, audio.
  • Submissions: how to, tracking them, etiquette, types (flash to novel)
  • Agents: researching and querying them
  • Conventions: why go, what to do to make the most of them, top cons
  • Workshops: why do (or not), how to make the most of them, top ones
  • Blogging & websites: why, BRIEF discussion of mechanics
  • Publications to follow
  • Networking
  • SFWA and other professional organizations
  • Writing groups
  • Resources
  • Keeping yourself motivated

So here’s my question. I’ll be glancing back at this list when thinking about future blog posts and drawing from it as well as from what I’m experiencing in my own writing. What would -you- like to see?

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WIP Teaser: Her Windowed Eyes, Her Chambered Heart

Image of story notes
Example from a different story showing the first notes made when plotting out "Rappacini's Crow." Not every detail here got used, but the notes helped me keep fleshing out the idea until I was ready to write it.
Here’s a snippet from what I’ve been working on today. Peeps who attended the Plotting class yesterday (which was AWESOME) – this is the steampunk horror story that I showed you the initial notes for.

A frenzy of fretwork adorned the house’s facade, but it was splintery, paint peeling in long shaggy spirals that fuzzed the puzzled outlines. The left side drooped like the face of a stroke victim, windows staring blindly out, cataracted with the dusty remnants of curtains.

Marshall Artemus Smith thought that it would have given a human man the chills. He glanced back at Elspeth to see how she was taking, but her face was chiseled and resolute as a fireman’s axe.

“You all right?”

She swabbed at her forehead with a bare forearm, leaving streaks of dark wet dirt. “Thank your lucky stars you don’t feel the heat,” she rasped.

Hot indeed if enough to irritate her into mentioning that. He chose to ignore it.

The house sagged amid slumping cottonwoods, clusters of low-lying groves, their leaves indifferent ovals of green and pale brown. Three stories, and above that, two cupolas thrust upward into the sky, imploring, the left one tilted at an angle.

His spurs jingled as he clanked up the front steps. His eyes ratcheted over the scene for clues, but it was clear that their fugitive had entered by the front door, which hung a few inches ajar.

Wood creaked under Elspeth’s slower treads. “This was his mother’s house,” she said.

She’d gone over the files meticulously as always, then summed up the details for him as they’d ridden along. He ticked through them in his head.
“The scientist?”

“Angeline Pinkney, yes. She helped discover how to harness phlogiston. They had her working on the war effort till she was dying of rotlung. Then she retired out here and lasted another two years.”

Phlogiston, the most precious material in the world, capable of fueling marvelous machines like himself. He carried a scraping of it, small as a fingernail clipping, deep in his midsection. Once a year, it was replaced, but it was valuable enough that he’d had people try to kill him for it before.

So far none had succeeded.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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