If you’ve got a favorite story that appeared online this year — yours or someone else’s — go nominate it!
(And if you’re wondering what stories of mine are eligible, they include Long Enough and Just So Long, Swallowing Ghosts, Pippa’s Smiles, Love, Resurrected, Bots d’Amor, Whose Face This Is, I Do Not Know, The Immortality Game, and Zeppelin Follies.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
Yesterday I withdrew a story from a market because we were starting to near the one year mark, and the couple of queries I’d made all got the usual “It’s in the queue, we’re swamped, just a little longer” reply. I don’t mind waiting a little longer, but I do mind when it gets used to keep you going for months.
So that’s cool, and no hard feelings over them having sat on it a while. I end up withdrawing a story for similar reasons once every couple of years. But here’s the reply I got regarding the withdrawal:
Thanks for the note. Your story is officially withdrawn from our reading queue. One thing you might want to consider in the future is that pro markets take a lot of time. So I’d tailor a story for a certain market and then move on while you wait. That’s what Bradbury and Matheson and all those guys do. Some pro markets such as Cemetery Dance take up to two years. So that’s why I say. But the credit one receives when they break pro is worth everything. I hope this helps you future endeavors. You can send along something else in the future when we reopen for subs in [identifying information redacted]. Just make sure it’s a different story as I don’t accept stories that have previously been withdrawn.
Some pro markets do take up to two years, but it’s darn few of them. Most of the professional magazines are professional; they get stuff back to you fast. Even without e-submissions, Gordon Van Gelder manages to wade through swamps of rejections and still return them in a timely manner. Sure, Tor.com is slow, but given that they pay five times as much as most, I’m willing to give them five times as much time in which to reply. Asimov’s, Analog, Lightspeed, Clarkesworld, Fantasy Magazine, Beneath Ceaseless Skies, and Strange Horizons all pay professional rates and yet manage what is apparently a highly unprofessional rapid reply rate.
We got 550-600 subs a month towards the end of my tenure with Fantasy, and I would have felt terrible making people wait over a month, let alone more. And I’m going to say, this particular rejection is a great argument for form rejections, because the patronizing tone here really put me off, plus this is TERRIBLE advice for a new writer. Write what you want to write, not what you think a magazine wants to see.
I dunno. Maybe the editor is working off a different definition of professional than I use.
...
Last week I talked about how blogging on Youtube can benefit writers, so I wanted to cover some of the Youtube basics necessary for a writer who wants to learn how to use it for self promotion. If you’re already technically savvy, much of this post will already be obvious to you, but the thinking about researching what others in the field are doing that’s mentioned at the end would still be a good practice.
First off, create a YouTube account. When picking your username, try to find something close to the one you use on your website. I use catrambo, which is the same username I use on Facebook, Twitter, and most other social networking sites. You want a name that your watchers can connect with your books, so they can find them later on.
YouTube has some social network functions. You can use your account to comment on or “like” other users’ videos and make lists of your favorite videos. You can subscribe to other people’s video streams in order to get notifications when they add new content. Buttons underneath videos allow you to share favorites with other social networks, including Facebook, Orkut, StumbleUpon, Twitter, Tumblr and many more. You can even set your account to publish updates to networks when you like a video or add it to a list as well as when you upload your own videos. Check here for some additional Youtube essentials.When you start uploading videos to your account (and the post on that is not yet written) , you’re creating your YouTube video channel, which others can subscribe to. You can customize your channel (click on your account name in the upper right hand corner and when a menu appears, select “My Channel”) by giving it a name, modifying the colors and choosing what information to display on your channel’s page, such as event dates, a list of YouTube friends, and who’s subscribed.
But before you start making videos, spend some time poking around and seeing what others in your field are posting to YouTube. You’ll see commentary on book covers, book trailers, book reviews, interviews, readings, news magazines, and more.
Such research will serve you in good stead when you can thinking about what sort of content you want to be using for your blogging on Youtube. But for now – go watch a video or five, all in the name of research.
...
