Another offering is Peter J. Wacks' "The Little Airship That Could".I was pleased to be asked to participate in the very cool Fairypunk Stories project. Here’s a teaser from the version of Sleeping Beauty that I just sent off.
(From “Seven Clockwork Angels, All Dancing”)
If a clock has ticked, it must tock, and thus time moves along. And in every tick and tock, there’s a story. Sometimes more than one.
Once upon a tick and tock, there was a great Lord and Lady, who were Patrons of the Arts and Sciences. They endowed libraries and laboratories, and commissioned portraits and poems and marvelous machines that could pay chess or spin a silk thread so fine you could barely see it or build their own, even tinier machines that could make tinier machines in turn, and so on and so on, until they produced the head of a pin inhabited by seven clockwork angels, all dancing.
The Lord and Lady loved the works they commissioned, but they yearned to produce something of their own. One day it came to pass that the Lady announced to her Lord that they had collaborated very well indeed, and that she would soon produce an heir.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Teaser: Final Excerpt from The Crow's Murder
I finished a first draft of a new story, tentatively entitled The Crow’s Murder, today. It clocked in at 8300 words, which is technically a novelette, but I’ll probably trim enough to bring it down to official short story length, 7,500. I’m pleased with it, but there’s an angle that may let to WTFery on my writing group’s part when I run it past them. One thing I’ve done over the course of the past few days is track the progress of the story by taking pictures of early notes and saving snapshots of it from day to day. I’ll be using that in the Writing Fantasy and Science Fiction class and then looking at the story again when we get to the section on rewriting and revising.
So here it is. I hope it tantalizes you to read the rest!
I wheel the Colonel out into the day. He can walk, but prefers the dignity and slowness of the chair, in spite of its awkwardness, to having to struggle for every step. Dr. Larch will not let him have his artificial leg except when there are visitors. Otherwise it stays in the cabinet in the supplies room, along with all the rest, locked up so the patients can’t break or wear them down.
It’s just as well. Two days ago, when he surrendered it to me after a visit from his niece, the Col. said, “I knew every man of the three who owned this before me.” He slapped the brass surface. “And some fella will get it after me. Maybe someone I know, maybe someone I don’t. Do you think that ghosts linger around the objects they leave behind, the ones that accompanied them day by day? Because if so, I wouldn’t be surprised if there weren’t three ghosts riding this one.”
I didn’t answer and he didn’t expect me to. He knows my vocal cords were seared away in the same war that’s stole his leg, the same war that’s furnished most of the inhabitants of this asylum. Broken soldiers, minds and bodies ground-up by its terrible machines.
It used to be an injury was enough to get you out. Now if they can, they turn you into a clank, half human, half machine, and send you back to the lines. Nowadays we receive only the men who cannot be repaired, and here they sit or lie in their beds, waiting to die a slower death than the war would have given them, waited on by orderlies like me, other broken men who can function enough to pretend to work.
If you want to read the rest of the story, you can get it, along with at least six other stories, at the end of July by signing up to sponsor me in the Clarion West Write-a-thon. Even a small donation entitles you to the stories, so please do sign up!
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. Careful readers will find clues to some aspects of Beasts of Tabat in them.As you may have noticed last week, we kicked off two months of interesting guest blog posts on this blog, which is part of the promotion for Beasts of Tabat, the novel I have coming out next month.
Last week, the guest posts were Kim Mainord with “Your Mileage May Vary”, Sandra M. Odell on fantasy podcasts, Ken Altabef on using Inuit mythology in his work, Rhonda Eudaly with “Writing is Only Glamourous Until This Face Appears,” and Raven Oak talked about “Linguistics in Fantasy — To Thee or Not to Thee”.
This week, we have John Johnston III musing on Fictional Characters, Pete Sutton will talk about succesffully crowdfunding an anthology, Jamie Mason will wax philosophical about Candadian zombies, Mercedes M. Yardley will discuss finding your literary voice, and to wrap up the week, J.T. Gill will tell you why reading fantasy makes you smarter. I’ll also be posting snippets from the sequel to Beasts of Tabat, which I’m working on right now, keeping you informed of any recent SFWA developments, and talking about point of view and being inside a character’s head. And finally — for online writing class news, either sign up for my mailing list at the bottom of this post, or keep checking this site.
What else is coming up in March and April? There’ll be some giveaways, including audio copies of my collection Eyes Like Sky and Coal and Moonlight, both hard and e-copies of my collections and the new novel, and some cool surprises. 🙂 You’ll also see “Documents of Tabat,” a number of small pieces of fiction, each of which ties into the book (they’re interstitial pieces from an earlier version of the novel), starting March 24 and continuing on weeks through April 21st. I’ll point you to the GoodReads giveaways when they come up, and at the end of the week, I’ll include a wrap-up of the various places I’ve guest posted and any places reviews or other mentions have occurred.
Some of you reading this have been with me since I first started writing stories set in this world; others are new to my words. Either way, I hope you’ll enjoy the novel that I’m finally getting the chance to lay before you, and I hope you’ll share some of the fun of the next couple of months.
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