Another offering is Peter J. Wacks' "The Little Airship That Could".I was pleased to be asked to participate in the very cool Fairypunk Stories project. Here’s a teaser from the version of Sleeping Beauty that I just sent off.
(From “Seven Clockwork Angels, All Dancing”)
If a clock has ticked, it must tock, and thus time moves along. And in every tick and tock, there’s a story. Sometimes more than one.
Once upon a tick and tock, there was a great Lord and Lady, who were Patrons of the Arts and Sciences. They endowed libraries and laboratories, and commissioned portraits and poems and marvelous machines that could pay chess or spin a silk thread so fine you could barely see it or build their own, even tinier machines that could make tinier machines in turn, and so on and so on, until they produced the head of a pin inhabited by seven clockwork angels, all dancing.
The Lord and Lady loved the works they commissioned, but they yearned to produce something of their own. One day it came to pass that the Lady announced to her Lord that they had collaborated very well indeed, and that she would soon produce an heir.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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On Writing: Building Connections
Here's one of my newer connections, nephew Mason. Even though he's exhausted his father, he's still cuddling up while watching "Adventure Time" with the rest of us.I had a wonderful time talking to Shaun Duke and Jen Zink of the Skiffy and Fanty Show last week. The podcast is up here. If you enjoy it and use iTunes, show them a little love with a rating on there.
A reason the interview wa so enjoyable was that they asked really interesting, incisive questions about the stories in Near + Far, in that way a writer desires and dreads at the same time, where they’re seeing some of your psyche’s underpinnings shaping the stories that you create. I’ve been mulling over some of those questions since then, and was thinking about one on the bus home the other day.
They pointed to many of the stories being about the need for connection, with characters like the protagonist of “Angry Rose’s Lament” being addicted to a drug that makes him feel connected, the hero of “Therapy Buddha” projecting all his needs onto a toy, or Sean Marksman’s ultimate fate in “Seeking Nothing.” Going through other stories in my head, I see the theme of connection coming up in various forms throughout. I think that’s a basic human need, one born of monkey roots, an instinct to be with the other monkeys.
Connection’s been something I’ve sought throughout my life. I was a brainy and isolated child, and still am to some extent. NowadaysI work in a profession that requires stretches of isolation in order to produce. So I value my time spent with other people, and particularly writers and likeminded people. I know that I’m happiest when I’ve got a group of interesting and lovely friends doing wonderful things and setting the world afire, just as I know that without some of them I would be a much different person.
Still, it’s not something I’m alone in exploring, as a writer. Human connections — gone awry, gone swimmingly, mistaken or acute, agape or philia or eros — are what fiction is made of.
At a panel at this year’s Worldcon, a fellow panelist got quite huffy when I mentioned the idea that fiction teaches us about being human. He found the idea outmoded and far too 19th century. Perhaps the divergence lay in our conceptions of what the word “teach” means — and perhaps “demonstrates” or “discusses” would be a better verb there, but I don’t know. We’re all just flailing about trying to fit into our own particular monkey packs and we’re watching the other monkeys to see what they’re doing and what we’re supposed to be doing. Don’t we read fiction to find some of that information? Perhaps we don’t say to ourselves, “I will be like character X in Book Y,” but we do think about heroes. We try to be better human beings sometimes because we have their examples. Or perhaps to avoid whatever fictional fate they fell prey to.
So, yeah. Connections. In fiction, the connections between characters, the way they choose to interpret word or gesture or telepathic scream. In the absence of human (or perhaps, intelligent, rather than human) connection, they make imaginary ones, creating fiction within fiction. That’s one of the things I’m looking at in the book I’m currently working on, focusing on the connections between the main character and the beings around her. It’s let me plunge into her head in a way I haven’t before, and I’m enjoying the heck out of it, connecting with her.
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. Careful readers will find clues to some aspects of Beasts of Tabat in them.As you may have noticed last week, we kicked off two months of interesting guest blog posts on this blog, which is part of the promotion for Beasts of Tabat, the novel I have coming out next month.
Last week, the guest posts were Kim Mainord with “Your Mileage May Vary”, Sandra M. Odell on fantasy podcasts, Ken Altabef on using Inuit mythology in his work, Rhonda Eudaly with “Writing is Only Glamourous Until This Face Appears,” and Raven Oak talked about “Linguistics in Fantasy — To Thee or Not to Thee”.
This week, we have John Johnston III musing on Fictional Characters, Pete Sutton will talk about succesffully crowdfunding an anthology, Jamie Mason will wax philosophical about Candadian zombies, Mercedes M. Yardley will discuss finding your literary voice, and to wrap up the week, J.T. Gill will tell you why reading fantasy makes you smarter. I’ll also be posting snippets from the sequel to Beasts of Tabat, which I’m working on right now, keeping you informed of any recent SFWA developments, and talking about point of view and being inside a character’s head. And finally — for online writing class news, either sign up for my mailing list at the bottom of this post, or keep checking this site.
What else is coming up in March and April? There’ll be some giveaways, including audio copies of my collection Eyes Like Sky and Coal and Moonlight, both hard and e-copies of my collections and the new novel, and some cool surprises. 🙂 You’ll also see “Documents of Tabat,” a number of small pieces of fiction, each of which ties into the book (they’re interstitial pieces from an earlier version of the novel), starting March 24 and continuing on weeks through April 21st. I’ll point you to the GoodReads giveaways when they come up, and at the end of the week, I’ll include a wrap-up of the various places I’ve guest posted and any places reviews or other mentions have occurred.
Some of you reading this have been with me since I first started writing stories set in this world; others are new to my words. Either way, I hope you’ll enjoy the novel that I’m finally getting the chance to lay before you, and I hope you’ll share some of the fun of the next couple of months.
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