Another offering is Peter J. Wacks' "The Little Airship That Could".I was pleased to be asked to participate in the very cool Fairypunk Stories project. Here’s a teaser from the version of Sleeping Beauty that I just sent off.
(From “Seven Clockwork Angels, All Dancing”)
If a clock has ticked, it must tock, and thus time moves along. And in every tick and tock, there’s a story. Sometimes more than one.
Once upon a tick and tock, there was a great Lord and Lady, who were Patrons of the Arts and Sciences. They endowed libraries and laboratories, and commissioned portraits and poems and marvelous machines that could pay chess or spin a silk thread so fine you could barely see it or build their own, even tinier machines that could make tinier machines in turn, and so on and so on, until they produced the head of a pin inhabited by seven clockwork angels, all dancing.
The Lord and Lady loved the works they commissioned, but they yearned to produce something of their own. One day it came to pass that the Lady announced to her Lord that they had collaborated very well indeed, and that she would soon produce an heir.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Twitter Basics and Best Practices for Writers
Why Talk About Twitter Basics and Best Practices?
Cat's first nonfiction book talks about how to set up and maintain an online presence -- without cutting into your writing time.
This year I switched the focus of my social media efforts to Twitter, because it seemed to me Facebook was an increasingly ineffectual way to reach fans. Because of that, I’ve been spending a lot more time looking at the people following me on there as well as thinking about Twitter, its philosophy, and its uses overall.
Why does a writer want to be on Twitter? The reason is more than just “sell books”. It’s often a way to network with existing fans (who will buy more books in the future), cultivate new fans, connect with peers and other industry professionals, to find out industry and writing news and yes, of course, to procrastinate in a thousand different ways.
I used to automatically follow people who followed me but nowadays I spend a few minutes to click through and look at their page and the tweets it contains. I’ve noticed that a lot of people are doing it “wrong,” or at least in a way that ends up detracting from their purpose. Most of these are easy fixes. Here’s some tips for setting up an account on there and as well as for maintaining a presence.
The Basics of Setting up a Twitter Account
If you have never experienced Twitter, it’s basically a way to post short messages. I suggest reading some of these basic tutorials on it. Once you’re ready, create your account, keeping the following things in mind.
A picture’s worth a thousand words. Include both a profile and a background picture. Please don’t just make it the default Twitter “egg”.
Give people a reason to follow you. Tell them who you are, but do it in an interesting way.
Give people a way to find out more. Include your website in your profile.
Remember that profiles include SEO keywords. Think about what sort of searches you want readers to be finding you by and include them (gracefully!) in your bio.
Don’t sell stuff via an overt link in your profile picture, background picture, or bio. It comes off as over-eager and clueless.
Make it look nice. Proofread!
Best Practices on Twitter for Writers
Part of successful social media is consistency. You have to do something on at least a monthly basis, and really probably a bit more often than that unless you’re determined to be as barebones as possible, in which case you might as well just renounce the world electronic and move to the woods to live off the grid. (IMO).
Don’t sell, sell, sell. If your stream is nothing but links to your book on Amazon, I’m not following you back. My rule of thumb is at least four non-selling Tweets to every selling one. Examples of nonselling? Promoting other people’s stuff, cat or child pictures, observations about life, interesting or enlightening quotes, links to articles that interested you, and snippets from your own #wip are all valid.
Don’t be negative. Don’t be jaded or whiney or bitter or angry or mean. Just don’t. Studies show people prefer a positive or cheerful Twitter stream.
Answer and acknowledge. When people RT, my habit is to thank them and also to add them to a special Twitter list. When I’m skimming through Twitter for things to amuse/entertain/idly chatter about/RT, I often look at that list because it’s people who’ve proven they want to build a Twitter relationship.
Be a little selective about your followers. On a daily basis I look to see who’s following me. No profile info? Nothing but book selling? No tweets at all? I don’t follow back. Periodically I run the justunfollow tool and clear my follower list of people I don’t know but am following while they’re not following me back.
It’s okay to repeat yourself (a little). Think that latest blog post was particularly noteworthy? Repeat the announcement the next day, and then again the following week. Build a list of such posts for a “best of” category on your site.
Automate SOME things. Don’t auto-message followers, for example. But do use a tool like Buffer to schedule tweets so you catch a variety of times, such as those repeated posts.
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for web-use. I hope you enjoy this installment, but you’ll have to read Beasts of Tabat to get the full significance. -Cat
“Arriving in Tabat: A Visitor’s Guide,” being Pamphlet #12 of the second series of A Visitor’s Guide to Tabat, Spinner Press, author unknown.
No traveler notices the same thing about the city of Tabat when they first see it. For one, it may be the sparkle of sunlight on the harbor and the way the great ship’s shadows glide beside them in the water. For another it may be the lines of the Great Tram and its companions, the vast iron baskets that, suspended from cables, carry passengers up and down the city’s terraces. Or the tiles that adorn most of the roof, a vague gray purple or green in color, made from clay from the marshes to the east of the city.
But how you enter the city will affect your view. You may come by ship, from the Old Continent or the Southern Isles, or even farther aboard, and your first view will be the city’s terraces, sloping down to the harbor’s protected bowl.
If you come from the opposite side, traveling down the Northstretch River and arriving at the river docs, you’ll see the terraces from above, marked with the silver lines of the trams and the green stripe of the Heart Garden cutting across them.
A few come on foot across the marshes on Tabat’s eastern edge, but they are haunted by water-horses and crocodiles, and dangerous for any who do not know the tricks of surviving there.
Of late, experiments with demon-powered dirigibles have provided a new vista to the city, although available only to those who hold the Duke’s favor. Who knows what new sights the city will present from that angle?
But no matter how it looks to you, know that you have come to Tabat, the most wonderful city in the world.
***
Love this world and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.
