Cover for Tales From The Fathomless Abyss, stories by Mike Resnick & Brad R. Torgersen, Jay Lake, Mel Odom, J.M. McDermott, Cat Rambo, and Philip Athans.I’m turning in something today that I’ve never tried before: a novella.
Back when I was first approached about the Fathomless Abyss, it involved an initial story and a later novella. Sure, I said, and whacked out a story for the first Fathomless Abyss book, TALES FROM THE FATHOMLESS ABYSS. It was “A Querulous Flute of Bone”, which I based on an O.Henry story, and which I think is one of my best stories to date. If you don’t believe me, spring for the 99 cent download and tell me if I’m wrong.
Then I started on the novella. The first thing I did was look up the length requirements. Wikipedia told me the official SFWA definition was 17500 to 40000 words. So just a long short story, right?
The problem with that was that…I write short. I excel at under 4000 words. So I turned again to a model. I’d been thinking about issues of addiction and so I decided I was going to write about that, and use William S. Burroughs’ JUNKY as my starting point. And I was going to throw in a touch of Lovecraft for spookiness and make the drug of my protagonist’s choice something a bit weird. And I wanted to reference some of the cool stuff the other Fathomless Abyss writers had added to the world.
I was telling a life story, from early days in an Abyssal village, through journeys to all sorts of points, culminating in some sort of…well, you know…climax. There was a chase for one thing, then another chase for what it turned into. I wanted to include something about the philosopher-king Nackle, whose teachings figured in “A Flute of Querulous Bone.” I wanted mushrooms and hallucinogenic wasp stings and pack llamas. I sketched out an outline and started writing. And I kept folding in stuff I wanted to include as I ran across it and then I reread Joe Lansdale’s THE COMPLETE DRIVE-IN and decided to not worry about being too weird and things all fell together…
And I became aware it was too long. Too, too, too long to finish on deadline. But I had the first half written and there was a good place midway to split the narrative, and so I said to Phil, “What if I do a pair of novellas, this first half, and then give you the second half for later release?”
So that’s what we have. I’m turning in A SEED ON THE WIND this time and A CAVERN RIPE WITH DREAMS will follow on its heels.
The novella is generally not as formally experimental as the long story and the novel can be, and it usually lacks the subplots, the multiple points of view, and the generic adaptability that are common in the novel. It is most often concerned with personal and emotional development rather than with the larger social sphere. The novella generally retains something of the unity of impression that is a hallmark of the short story, but it also contains more highly developed characterization and more luxuriant description.[7]
I know mine is focused on the development of a protagonist who I fear is somewhat unlovable. I’ve tried for interesting characterization and today I’m finishing up adding a layer of luxuriant description.
If you’ve come looking for advice on writing novellas, I’m not sure I have any. Perhaps you, the readers, can tell me what you think of them and what you’ve done when trying that form. I know Rachel Swirsky is a champ at writing them. What do you think – do you like novellas? What do or don’t you enjoy seeing in them? Can you think of anyone you think does them exceedingly well?
Don’t know nothin’ about writin’ no novellas, but I am certainly looking forward to reading yours. A touch of Lovecraft improves any dish. Also, thanks for mentioning Lansdale’s Drive-In stuff a while back. I downloaded The Complete Drive-In and liked it a lot, although damned if I know why. It shouldn’t work but it does.
I think DRIVE IN is an absolutely fabulous book for conveying that the writer can go anywhere they like in a book and they can be as gonzo and bizarre as they like. Try to describe it to someone and it doesn’t sound all that great (except for the Popcorn King), but it is just so wonderful and weird while at the same time you care deeply about the characters.
I’m trying to think of other books that do that, which would make a great blog post.
Dhalgren maybe. At least I cared about the characters and you can’t deny it’s pretty weird. Of course I haven’t read the book you’re talking about (yet) so I may be off base, but there you go.
Let me quote the esteemed Michael Dirda who said in the Washington Post:
“Short stories contrive to use a single incident to illuminate a whole life: They aim for a short, sharp shock. Novels, those fabulously loose and baggy monsters, frequently transcribe entire biographies, reveal cross sections of society or show us the interaction of several generations. They contain multitudes. In between lies that most beautiful of fiction’s forms, the novella or nouvelle. Here, the writer aims for the compression that produces both intensity and resonance. By focusing on just two or three characters, the short novel can achieve a kind of artistic perfection, elegant in form yet wide in implication. The closest analogue may be Aeschylean tragedy – two actors on an almost bare stage, ripped by the torments of the human heart.”
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Publication News - Two Volume Collection
This has been in the works for a bit, but I’d like to officially announce that Hydra House, run by Tod McCoy, will be putting out my two volume set of science fiction stories, NEAR and FAR. I’m excited about Samala Coffey, the artist who will be doing the covers and will have more on that once she and I have everything worked out.
Each volume will be 60-70 thousand words of stories, including some unpublished ones, and notes about them. The two books are split up into near future and far future stuff. Hence, the name. 🙂 Story order is still a work in progress.
Among the stories contained in NEAR will be:
10 New Metaphors for Cyberspace (Abyss & Apex); Fists Like Mountains (previously unpublished); Flicka (Subversions); Legends of the Gone (Talebones); Long Enough and Just So Long (Lightspeed); A Man and His Parasite (previously unpublished); The Mermaids Singing, Each To Each (Clarkesworld); Memories of Moments, Bright as Passing Stars (Talebones); Not Waving, Drowning (Redstone); Peaches of Immortality (appeared in Fantasy Magazine under the title “The Immortality Game); Raven (Twisted Cat Tales); RealFur (Serpentarius); Therapy Buddha (2020 Visions)
Among the stories contained in FAR will be:
Amid the Words of War (Lightspeed); Angry Rose’s Lament (Abyss & Apex); Bots d’Amor (Abyss & Apex); Kallakak’s Cousins (Asimov’s); Fire on the Water’s Heart (M*Brane); Five Ways to Fall in Love on Planet Porcelain (previously unpublished); Fungus, Soy, and Beans (previously unpublished); Grandmother (will appear in upcoming anthology); I Come From the Dark Universe (previously unpublished); Mother’s World (Aeon); Seeking Nothing (Daily Science Fiction); Space Elevator Music (previously unpublished); Surrogates (Clockwork Phoenix 3); TimeSnip (Basement Stories); Zeppelin Follies (Crossed Genres)
I’ve tried to be a bit of a completist about this, and include everything Sfnal that’s appeared so far. I think it ends up letting some stories resonate against each other, particularly the five in FAR that involve the same space station.
Upcoming: Building an Online Presence for Writers E-book
I’m putting together many of my notes from the Building an Online Presence for Writers class as well as the various blog posts I have done about online promotion and notes from the Near + Far book launch campaign in an e-book by the same name that I hope to release at the end of September or October, along with another e-book, Podcasting for Speculative Fiction Writers, written with Folly Blaine.
So far, it looks as though the Building an Online Presence book will be between 50 and 60 thousand words altogether, and include a number of screenshots. It’s aimed at both writers just beginning their careers and wanting to build their online presence as well as mid and later career writers who want to refine their online presence. Right now it’s a little under half-drafted, with about 27k laid out in the Scrivener project (which is GREAT for nonfiction works like this).
One of the things that I think will make it useful to writers is that I try to give you examples for the various concepts I talk about. I include all of the blog posts from the Near + Far book launch as well as screenshots showing the book’s presence on various social networking sites, and in each case provides some notes about SEO strategies, tags, images, All and other promotional considerations that affected the construction of the post. Getting a chance to see the campaign in action will be a valuable chance to see the concepts in action.
Topics that are covered include: building a fan base, the minimum web presence you should have as a writer, what to blog about, how to use social networks such as Facebook, G+, Pinterest, and Twitter to publicize your books, free tools that will help you maximize your online presence, maintaining your privacy, podcasting and videocasting, maintaining multiple identities on the Internet, how to write a press release for your book, how to take mobile devices into consideration when shaping your online presence, and how to measure your success at all of these in a way that will help you shape your Future strategy.
If you’re interested in signing up to be notified when the book comes out, please sign up here.
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5 Responses
Don’t know nothin’ about writin’ no novellas, but I am certainly looking forward to reading yours. A touch of Lovecraft improves any dish. Also, thanks for mentioning Lansdale’s Drive-In stuff a while back. I downloaded The Complete Drive-In and liked it a lot, although damned if I know why. It shouldn’t work but it does.
I think DRIVE IN is an absolutely fabulous book for conveying that the writer can go anywhere they like in a book and they can be as gonzo and bizarre as they like. Try to describe it to someone and it doesn’t sound all that great (except for the Popcorn King), but it is just so wonderful and weird while at the same time you care deeply about the characters.
I’m trying to think of other books that do that, which would make a great blog post.
Dhalgren maybe. At least I cared about the characters and you can’t deny it’s pretty weird. Of course I haven’t read the book you’re talking about (yet) so I may be off base, but there you go.
MKK
Let me quote the esteemed Michael Dirda who said in the Washington Post:
“Short stories contrive to use a single incident to illuminate a whole life: They aim for a short, sharp shock. Novels, those fabulously loose and baggy monsters, frequently transcribe entire biographies, reveal cross sections of society or show us the interaction of several generations. They contain multitudes. In between lies that most beautiful of fiction’s forms, the novella or nouvelle. Here, the writer aims for the compression that produces both intensity and resonance. By focusing on just two or three characters, the short novel can achieve a kind of artistic perfection, elegant in form yet wide in implication. The closest analogue may be Aeschylean tragedy – two actors on an almost bare stage, ripped by the torments of the human heart.”
Words to live by, my dear.
That’s awesome, Bud, I really like that!