Teaser: A Seed on the Wind

Almost a decade ago I was part of a terrific workshop run by Walter John Williams and Connie Willis in the Taos Ski Valley. It was a talented group, and the two week session was a happy blur of lots of writing, lots of critiquing, and lots and lots of shop talk, plus assorted movies and a lot of wine.

One of the participants mentioned that he planned to start a literary fantasy online magazine. Since he happened to like the stuff I was workshopping, I figured that would be a surefire sale. So as soon as he opened up the magazine, I fired off a submission.

And he rejected it, because he didn’t feel it had the right flavor for his magazine.

That’s one of the things I respect tremendously about that editor, who was of course, Scott Andrews. It was, in fact, not till the fourth or fifth submission that he took a story, which was a piece set in the same world in which the novel I’d workshopped at Taos, Tabat, in the form of “Love, Resurrected.” From day one, Scott had a strong vision for the magazine, and it’s been an inspiration to watch him implement it over the years.

Since then, I’ve sold a number of stories to Scott, and have always been terrifically happy with his edits. When the novel that I had workshopped at Taos finally came out, years later, I had a novelette set in the same world that he accepted, and he graciously worked with me in order to time its publication with the novel release date. Most recently, he published one of my Serendib stories as part of BCS’s Science Fantasy Month and as always the story emerged much the strong for his adept edits. A BCS acceptance “” which I know to never take for granted “” is always something I regard as one of a year’s accomplishments, overall.

I’ve also enjoyed reading stories by other people for the BCS podcast. Scott picks, at least in my opinion, pretty high-quality stuff, and it’s always a pleasure to read. In his meticulous attention to detail, he goes to lengths to make sure that all the pronunciations are exactly as the author intends, which is sometimes a difficult task in fantasy literature.

I always look forward to meeting up with Scott at conventions. I know that we’ll have long and thoughtful conversations that range all over the place, flavored by Scott’s gentle affability and sharp insight. I love BCS, because it is a splendid example of the sort of many-chambered edifice a truly talented person can build when they plunge themselves into a particular passion consistently over time. I wait to see what the coming years bring it. I cannot imagine it will be anything short of even more awesomeness as he continues to enrichen the fantasy landscape we all share.

#sfwapro

I had to go hunt for my proof copy of the book in order to be able to look up the art this time. Tod snagged all my extras in preparation for the reading this Friday, at the University Bookstore in Seattle, at 7 pm. I’ll be reading with three terrific writers: Alma Alexander, Corry L. Lee, and Roz Kaveny.

So! Here’s day three of the giveaway. Comment to win!

(left to right)

Image #1 goes with the story “Therapy Buddha,” which is about how much we project things onto objects and coincidences. It’s near future, another one of the eyed creatures, this one peering down, a little inquisitively, a little confusedly. It looks like part of an organic machine, like so many of Mark’s images.

Image #2 accompanies the story, “Close Your Eyes,” which originally appeared in Apex Digest. This is the one I have as a tattoo, from back before I moved to Seattle, given to me one night in a Durham tattoo parlor. I like it for its ability to be wing and eye and fish, all in one. Vicki used it with the Table of Contents as well.

Image #3 looks like a rocket ship and a Greek amphora at the same time, perhaps bubbling over with some sort of pine and summer scented wine. I selected it to go with “Peaches of Immortality” because it seemed to me it looked a little like the machine at the end of the story.

Image #4 is a detail of the larger image that goes with “The Mermaids Singing, Each to Each.” I’m glad Mark pulled it out like this for the jewelry, since it makes a lovely little piece. His work often has a tribal feel to it, and this looks like an orca to me.

Image #5 goes with “Legends of the Gone”. Sometimes Mark repeats images and this is a variant of one that I always see as a large flightless bird, standing looking at the viewer. (You may not see it. That’s okay.)