(Feeling good and energized after WorldCon, ready to finish up a piece that’s been floating around in my head for a while. Story elements include Hawaiian shirts, a retirement community called Friendly Village, an old love affair, a smart-alecky fortune teller, rabbits, and centaurs. Here’s the current beginning.)
Old fabric holds smells better than the kinds come about in the most recent decade. The new stuff is all chemicals, rubbing the roof of your mouth like steel wool if you sniff too hard, can bite like a spell’s sting. Older silks, cottons hold household odors: cedar or cinnamon, tumeric and garlic, perfumes you can no longer find like L’Origan or Quelques Fleurs, camphorated moth balls or talcum powder. Rarely, the whiff of a person, a smell lingering long after every scrap of their DNA has vanished.
Most often just the lilac assault left by a hasty dry-clean. But the other times make it worth it.
I pulled the green XL circle aside with my thumb and kept going widdershins, into the Ls. So far the Value Village’s rack had yielded only two possibilities: an XXL black with a subtle bamboo-patterned weave, cream-colored dragons curled and coiled like sunridden clouds and an XL crimson rayon whose flame-pattern suited it to throw-away magic, a protective cloak perfect for what I was after: a trip through hostile territory with no one to watch my back.
It was a pretty day outside, the last days before summer would slant to the other side of the clock and the days begin shrinking into the grey days of fall. A day for turning up the radio and blasting “Dani California” until the sound came up through your bones.
My shirt was umbrellas, parasols really, pinwheeled against cerulean sky and white cumulus clouds. Protection, and even though it was newer and untested, I trusted it to ward off anything, magic protective gloves, more supple than lead-lined canvas but surely at least that solid.
The spell struck up from a black background, red serpents, scales lined with scallops as blue as the sky outside. Slashing bites along the outside of my left hand, locking on, tails sticking straight out as they attached themselves.
I lurched sideways.
The floor crashed up into my face, thunked against my forehead in painful collision.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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For Writers: How to Blog Without Really Trying But Still Managing Not to Be Half-Assed About It
This cat isn’t blogging. Should they be?I’m teaching my Creating an Online Presence Class this weekend and also going through a madcap rush to update the accompanying book. The class and book are aimed at helping people tame the bewildering timesink of social media, website, pocasts, search engines, and other facets of online existence for writers. One of the things I try to teach how to use online time efficiently, because writing and editing time is precious and time spent doing other things is time you’re not writing or editing. So here’s some things about blogging.
Is A Blog Mandatory?
No. But it’s advisable. You do want readers to be able to find you online and, more importantly, to find your work. You do want a website (and a mailing list, but that’s another post), but your website can be a static presence, something you put up and don’t update very often. In fact, if you have very minimal time to invest or otherwise want to limit your online presence to the bare bones, don’t include a blog. Few things look sadder than a blog with a single entry from five years ago, usually about trying to make oneself blog.
Something You Can Always Blog About
One reason to blog on your website is that it means the website is being updated frequently, which makes the site more likely to turn up on search engine results. So here’s two ways you can generate a weekly post. The first depends on having a social media presence; the second does not.
Social Media version: If you’re posting links and observations on social media, you can collect the best of those into a post. They don’t have to be related to writing; you’re allowed to have other interests. Five to ten links with one or two sentence explanations as to why you picked them. There you go. Shazam, you have a post.
Non Social Media version: Every week, pick an interesting chunk (I suggest 300-700 words) from what you’ve worked on the past week and post it.
Your own writing is something you can speak about with authority. Pull out a passage that you’re particularly proud of, or that you definitely want input on. Pick an interesting moment or intriguing scene.If you want to be thorough with that second approach, you can place it in context for readers. Here’s some possible questions to answer.
What is the project, the genre, the inspiration?
Are those the final character/setting names or placeholders?
What’s the title and how does it relate to the story?
What’s the setting based on? What are you trying to accomplish in this bit?
What are you particularly fond of?
What do you definitely plan to go back and fix in the revision?
What aren’t you sure about?
What do you intend to do with the piece when you finish?
What would you compare the piece to, either in your own work or that of others?
What do you want readers to get out of the piece?
Certainly there are ways to get the most bang for the effort out of these posts: include an image, have a good tagging system, make the most of keywords. But those are advanced techniques, and unnecessary to this basic effort.
If You Only Hate Writing about Writing
As I mentioned above, you do not have to blog about writing. In fact, the world is full of posts about avoiding adverbs, and you probably do not have anything to say on the subject that has not already been said. So blog about something else.
Blog about your adventures in learning how to pickle vegetables or speak Mandarin. Document some longterm project like your garden remodel or the bookstore your partner is opening. In a pinch, you can always fall back on writing about the books you’re reading. The most interesting and effective blogs out there don’t just show you the writer’s writing, but something about them as a person.
Always Be Closing is NOT a Good Axiom for Writers
While all writers need to think about how to help readers find their work, if they are too pushy about forcing them to it, those readers will balk and go no further. Don’t make your website all about sell sell sell. Don’t make it your social media focus nor what you blog about over and over again. You will be wasting your time and driving away fans.
That’s why showing readers scraps from your writing is effective. You are giving them something that is (hopefully) genuinely interesting here and now. If they like it, they may look for it later on when it comes out. Let your writing and its quality do the work of selling for you and don’t worry about the set of steak knives. Just write.
(As I’m transferring material over from the old configuration of the site to the new one, I’ll be reprinting a number of stories and articles. “Bigfoot” was written while studying at Johns Hopkins. My spouse at the time and I didn’t have a TV and spent a lot of time in the evening reading aloud to each other. This story owes a great deal to a few weeks spent with Tom Sawyer and Huckleberry Finn, the products of Mark Twain, whose works I love.)
Bigfoot twists around in the poolside lounge chair and admires her hairy ankle and the gold choker masquerading as an anklet there. The California sun feels hot and heavy on her shoulders. She thinks of Nair. What would light feel like on those shoulders where long coarse hair has always kept the sun’s touch away? Would the skin sear and blister? Maybe she’d try shaving a small patch; she could buy some sun block at the K-Mart.
“Tell me again how you came here,” the reporter says.
“Hopped a bus, honey. Wrapped myself in an old blanket and pretended to be ill. They wouldn’t have stopped for no bearded lady any other way.”
The reporter nods. She’s a hardened professional, but Bigfoot’s beard startled her the first time she saw it. It must be four feet long and Bigfoot’s braided it, woven in bubblegum charms, and tied it off with golden ribbons. It lies on her chest like a pet python.
The reporter’s not entirely happy. Her editor sent her to cover Bigfoot, promised a two page spread if the article was juicy enough. But it’s not. Bigfoot doesn’t have any scandals in her background, no rendezvous with John F. Kennedy, no secret love triangle with Liz and Dick, no unborn illegitimate children, no meetings in motel rooms with fundamentalist preachers, and no Hustler centerfold (although there have been offers). All the skeletons in her closet are plain unvarnished bones.
It’s not that she’s not colorful. But she’s too darn hard to contain in a single line. She’s larger than life and much bigger than a breadbox. Every time the reporter tries to think of a lead, here comes Bigfoot, all knees and elbows, bending the sentence out of whack and choking it up with that hair of hers.
Bigfoot grins as the reporter pauses and takes a sip of her pina colada.
“This house, this pool,” the reporter says, waving an arm clothed in creamy linen at the short cropped green grass, the white tiles, the three stories and five and a half baths. “How did you get all this?”
“This stuff? Oh, here and there. I always wanted a place like this one. You folks have it so easy here. No idea what the woods are like? They’re a jungle, a life that’s short, nasty and full of brutality. Always looking for something to eat, mushrooms, tree bark, small furry animals, you know. And you can’t light a fire because they’ll see you.”
“Who will see you?”
“The park rangers. They don’t approve of missing links. They say we bring down the overall tone of the park. I always tell them, look around, it’s not us that pitched these non-biodegradable styrofoam cups and beer cans all over the place. If you’re looking for someone who brings down the general tone of the park, I say, you’re not looking at the right species.”
“What are your plans for the future?”
“I’m doing Carson this week and ‘Wheel of Fortune’ the next. I’m going to give that Vanna woman a run for the money. Once they see me in an evening gown, she won’t have a chance. Why, she doesn’t have any more hair than one of those Barbie dolls. Just on her head, and even then not in all the right places.”
“Do you have any name other than Bigfoot?” the reporter asks, scratching away on her pad. She’s pretty hairless herself, but appealing in a skinny sort of way.
“You asking me for my name on a first date, honey?” Bigfoot says, and gives her a bawdy stare. The reporter flushes, and Bigfoot roars with laughter, then apologizes.
“Sorry, I forgot how you folks are.”
The reporter, whose name is Marjorie, goes out with Bigfoot to a bar. They drink 35 life insurance salesmen under the table, and then Bigfoot stands on top of the bar counter and starts to shout:
“Whoop! I’m Bigfoot! I’ve wrassled woolly mammoths left over from the ice age and tamed them until they gave down sixteen hundred gallons of mammoth milk! I’ve hollowed out giant redwood stumps with my teeth to use as a cradle for my daughter, and spit out the splinters to make a rocking chair! I’ve walked over mountains taller than a man could think and I’ve swum seas deeper than sorrow! Whoop! Whoop! I can out-drink, out-boast and out- love any person in this bar, and I’ve got the scars to prove it!”
The bartender tries to wrestle Bigfoot to the floor, but she holds him off with one hairy knuckled hand and keeps on shouting:
“Whoop! Whoop! I’m Bigfoot! I sing so loud that the birds give up and go south for the winter and then don’t come back for three years! I can walk so light you’d swear I was never going to get there and I can stamp so heavy you’d think I was never going to leave! I spin my clothes out of things so fine you can’t see them, flea’s wings and the tears of water and the shadows of fog and I’m so splendid in those clothes that the autumn leaves fall right off the trees when they see me! Step up and try to match me, folks! I’m Bigfoot!”
“You’re embarassing me,” the reporter says.
After the bartender succeeds in throwing the two of them out, Bigfoot stands on the sidewalk and screams and rants and hoots and hollers.
“You’re acting inappropriately,” Marjorie says this time and Bigfoot says, “So what?”
Marjorie wakes up in Bigfoot’s bed and doesn’t really quite know how she got there.
But the warm bed is replete with the fragrance of leaves and warm summer grass. Bigfoot’s hair coils around her, a little scratchy, and the beard lies over her breasts as though the snake had fallen asleep.
After Bigfoot’s made her first few media appearances, things start arriving for her at the house. White roses and daffodils, Godiva chocolates and a couple of diamond rings. She ties the rings into her beard and shows Marjorie how to sprinkle sugar on the roses and eat their petals.
But there’s too many roses for two women to eat. They fill the house, and stick out the windows, lie like snowdrifts on the lawn. News reports come in.
Ten thousand women have thrown away their Epiladies and stopped shaving their legs in honor of Bigfoot. Vanna White lets her armpit hair grow and the razor industry’s up in arms over this dangerous trend. Ten thousand other women shave their heads to protest Bigfoot’s dangerous example. The politics of letting one’s body hair grow is discussed on Oprah.
A man with short gray hair says Bigfoot is a crime against nature.
“What do you mean by that?” Oprah asks.
“She’s neither man nor beast,” he says.
“He’s got that right,” Bigfoot tells Marjorie, and pushes the power button. The light on the screen, Oprah’s face, the man’s face, the commercials for depilatories and douches and feminine deodorant all shrink into a dot of brightness which disappears.
More jewels arrive, and Bigfoot throws them into the pool so she can watch them sparkle.
Marjorie is of a divided opinion on all the controversy. She goes into the bathroom, takes out a Lady Schick disposable razor and shaves her right leg and armpit. As long as she’s at it, she trims the pubic hair on her right side, tweezes her right eyebrow and evens up her bangs a little. She stands in front of the mirror naked and looks at herself. It doesn’t seem to her as though there’s a lot of difference. But she knows in two days there’s going to be a lot of uncomfortable, itchy, red pimpled stubble.
Bigfoot howls with laughter when she sees her.
“Poor little thing,” she gasps. “You look like you don’t know whether you’re coming or going.”
Marjorie gets irritated. “You don’t need to feel so superior,” she shouts. “There’s pros and cons. Don’t think I didn’t notice the other day when you got your beard stuck in your zipper! Or when you spilled spaghetti sauce all over it! You come here from the wilderness and think you’ve got the solutions to everybody’s problems!”
Bigfoot smiles.
Marjorie continues. “Well, you don’t, Miss Neo-Thoreau! It’s not that simple!” Her face is red, and her throat is open and loud and screaming out the words like she never has before in her entire life. Bigfoot smiles even more as Marjorie screams and rants, hoots and hollers.
Marjorie can’t stand it any longer. “What are you smiling at?” she yells.
“You’re acting inappropriately.”
That night, the sex is the best they’ve ever had, inappropriate or not, and Marjorie learns to do some whooping of her own. In the morning, she opens her eyes and sees Bigfoot packing.
“Where are you going?’ she asks.
“Going to do some more traveling, hon. This is my vacation, after all. I got mountains to climb, clouds to catch, hearts to set aflame.”
She slips out the door. After a few minutes, Marjorie hears her start to whoop as she goes down the street.
“Whoop! I’m Bigfoot! You’ll never forget me and you won’t ever want to! My fur’s so fine that minks weep with envy and I smell so good I make roses blush. I know five hundred and thirty ways of making love standing up and I’ve forgotten more ways of doing it sitting down than you’ll ever know! Whoop! I’m Bigfoot!”
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