Adventures in E-Publishing: First Book is Out!

Here’s the cover for A QUIET SHELTER THERE, edited by Gerri Leen, from Hadley Rille Books, which will include my flash piece, “The Fisher Queen.” Here’s the description of the anthology:

An estimated four million unwanted dogs and cats are euthanized every year in the United States. Throughout the country, animal shelters, humane societies, and other rescue groups are working to change this by helping homeless animals find forever homes, healing those that are sick or injured, providing training and socialization for those that need it, and working toward a future in which there are no more homeless pets. This anthology directly benefits one of those shelters, Friends of Homeless Animals, which has rescued and placed dogs and cats in the Washington D.C. metro area since 1973. In 2010, even with limited funding due to the downturn in the economy, FOHA found homes for 350 dogs and 150 cats, including hard-to-place FIV positive cats, and they routinely house over 100 dogs and 50 cats at their shelter in rural Northern Virginia. 70 percent of the profits for A Quiet Shelter There will be donated to FOHA–other shelters across the country will be able to buy the book at a discounted price if they want to use it for fundraising.

It’s for a good cause, and I’m happy to be included in the project.

Things keep moving along well and I thought I’d check in. My reward for winning a Nebula is that I’m using part of teaching plus Storybundle money to upgrade my workspace. I just put in the order for a fancy standing desk and stool, and am going to retire my faithful IKEA hack deck that I’ve been using the last six years or so.

This will be a much wider workspace, so it also means I can pick up a second monitor and have a lot more real estate when teaching/writing. I had that with my former set-up and it really made a difference when working. I’ve been holding off on this while waiting to move and finally figured I might as well go ahead, since it seems likely we’re here for the duration.

As to why I feel justified in rewarding myself, it’s productivity and nose to the grindstone! Here’s some testimony to 2020’s work in the form of my current writing/editing projects and where they stand:

The space opera series: The copy-edits for You Sexy Thing are in and the editor didn’t mind that I shifted around a couple of scenes in doing them. The listing is up! Still waiting to see what the cover looks like. The second book is currently at incoherent first draft status. Need to start pulling notes together for book three.

The Tabat quartet: Finishing up Exiles of Tabat ASAP is the current big project on deck. I also have some notes for the final book that I need to start putting in one place.

Baby Driver: Need to catch up on writing this. I have someone interested in publishing the final product, and I would also like to do it as a comic book, so I’ve got 3-4 pages of that script written.

Books hovering in the wings: a rewrite of the MG book, a literary horror stand-alone, a Tank Girl/Harley Quinn/Doctor Strange mash-up set in post-apocalyptic Seattle (stand-alone?); fleshing out an existing project that will be a literary SF novella.

Upcoming publications: Because It is Bitter (novella) in AND THE LAST TRUMP SHALL SOUND; Every Breath a Question, Every Heartbeat an Answer (novelette) in BENEATH CEASELESS SKIES; Crazy Beautiful (story) in THE MAGAZINE OF FANTASY & SCIENCE FICTION; Snowflakes (story) in LAST CITIES OF EARTH; Stand and Deliver (story, with Wayne Travis Rambo ) in DARK MATTER MAGAZINE ; I Decline (flash) in DAILY SCIENCE FICTION).

Current story projects: a space western short story in collaboration for an anthology request; a space opera short story for an anthology request; a near future caper novella; a near future SF story, the usual smattering of flash.

I also have an upcoming anthology project that I just finished looking over the contract for; look for slush reader calls and guidelines soon but don’t mail me until they’re posted!