I really like this flash piece. It’s lovely and sweet. “Beholder” by Sarah Grey on Flash Fiction Online.
Another flash piece, this time from the inimitable Folly Blaine, Scattered.
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I really like this flash piece. It’s lovely and sweet. “Beholder” by Sarah Grey on Flash Fiction Online.
Another flash piece, this time from the inimitable Folly Blaine, Scattered.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
I just sent my scheduler in to Bellevue College last week – I’ll be teaching the Writing Fantasy & Science Fiction class again this spring as well as the Blogging 101 class. I’ll post the dates for that when I have them in hand.
With both classes, I’ve gone through my notes, getting them together. With the blogging class I’ve been using a new online tool I saw mentioned during the great “Yahoo is getting rid of Delicious!” flak, Trailmeme.
WIth Trailmeme, the central metaphor is “trails” of links, which you can annotate. So I’ve used the outline from my Blogging class to collect my Delicious links on the topic. Here is the Blogging 101 “trail”. A cool feature of Trailmeme is the ability to discuss links – please feel free to make suggestions and/or forward the link to the trail along to people who might find it useful. I know a lot of those links are ones I’ve frequently referred to and often continue to use.
One of the reasons I’ve gone to that trouble is that I’m pushing a couple of consulting services next year, and one of them is a critique of your blog or website talking about its current structure and organization, its search ranking and strategy, how you might use it more effectively, how you might be using social networks, and directions you might want to take it in, based on what a student gets out of that class. For $100, you get a 500 word write-up. If you want to go more in-depth, contact me and I’ll give you an estimate.
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The book will be available at Emerald City Comicon — find me there at one of my panels, or stop by the Wordfire Press table, which is where I’ll be hanging out when not stalking John Barrowman.
Those panels will be:
Friday, March 27: Fueling Creativity: Sci-Fi and Fantasy Authors on Ideas
Room: Hall B (WSCC 602-603)
Time: 3:30PM – 4:20PM
Moderator: David Hulton
Guest(s): Cat Rambo, Greg Bear, Ramez Naam, Jason M. Hough, Myke Cole
Authors often dread the interview question “where did you get the idea for this book?” because the answer is never simple. There’s rarely a single moment where an entire plot or world comes to mind. This panel is an exploration of why that’s such a difficult question to answer. Our panel of novelists will discuss the many ways they find inspiration for their work. In addition, they’ll talk about the wonderful and often strange ways an idea will find its way into a novel.
Sunday, March 29: Infinite Diversity in Infinite Combinations
Room: Hall B (WSCC 602-603)
Time: 10:30AM – 11:20AM
Moderator: Anna Alexander
Guest(s): Cat Rambo, Garth Reasby
Diversity in entertainment is both vital and challenging. This panel of novelists will cover how to effectively write compelling characters who are different than you and how to deal with critics of who you are versus your work. Panelists include Anna Alexander, Jamie Ford, Cat Rambo, Aaron Duran, J.R. Terrel, Garth Reasby, and Sarah Remy.
I’ll also be appearing at ICFA March 18-22, and will be leading an informational meeting about SFWA there.
Plenty of stuff is lined up for the blog over the next two months, including:
I will not be teaching or taking on any new editing projects in March; I will be mailing out soon about April and May classes.
#sfwapro
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(science fiction, short story) Because mermaids lay eggs, hundreds at a time, at least that kind did. And the natural-born ones, they didn’t have human minds guiding them. They were like sharks—they ate, they killed, they ate. Most of the original human mermaids had gotten out when they found out that the seas were full of chemicals, or that instead of whale songs down there, they heard submarine sonar and boat signals. When the last few found out that they were spawning whether they liked it or not, they got out too. Supposedly one or two stayed, and now they live in the sea with their children, twice as mean as any of them.
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