Five Ways
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Anatomy of a Patreon Campaign: Thoughts on Reworking Mine

wonderwomanOne of the very last goals for this month that hasn’t been crossed off the whiteboard yet is “rework Patreon campaign.” It’s a project I’ve been circling for a while, because I’m aware that if I don’t plan carefully, I am quite capable of both overextending myself and making promises I can’t deliver on. I thought I’d show the thought process as I worked through and rearranged, the rationale behind the changes, and some of what I’ve learned from working with Patreon so far.

I started the campaign two years ago because I wanted a place to push some of the stories I was writing. In that regard, it’s been reasonably successful, and looking back, I’ve published two dozen stories that way, ranging in length from flash to novelette. Some have been publicly available, like Aardvark Says Moo, Seven Clockwork Angels, and Web of Blood and Iron, while others were limited to Patreon patrons only.

One of the interesting wrinkles that has developed is the question of stories posted only for patrons. Some magazines regard them as already published; some don’t. To my mind, the smallness of the audience makes that a no, but I clearly have a horse in that race.

I speak there not just as a writer but as SFWA President. Being able to sell that story twice nudges the finances up to the point where making a living off stories might actually be viable, depending on the cost-of-living of wherever the writer resides. And it was possible to make a living off short stories, back in the 20th century, but magazine pay rates have not kept pace with inflation, to the point where (imo) it is no longer a viable option unless you’re willing to live very stringently indeed.

Looking back over the past century, that seems indicative of a trend where increasingly money has been shifted away from the creators and moved to the businesses based on the content they create. For example, at the pay rate of .01 per word that Weird Tales had in 1926; in 2017 that’s 13 cents worth of buying power. The SFWA pro rate started at 3 cents a word; if the rate from the 60s had kept up with inflation, the current pro rate would be 25 cents a word, but it’s currently six cents — and that high only because recently the board has pushed to raise it. (My math is based on this inflation calculator, which seems to back up other calculations I’ve looked at.)

At any rate, since I seem to be rambling in the wrong direction, let me swerve back to Patreon. Putting up stories has been mildly successful, but I haven’t been as good about delivering stuff to patrons as I should have been. Part of the revamp involves a mass letter to current patrons that helps catch up on that, offering the upper level ones e-books to make up for the ones I’d intended to do and send out every six months.

To start the rework, I decide I’ll begin with revamping the reward levels, based on looking at what another successful Patreon creator, M.C.A. Hogarth is doing. Maggie is a friend, and more than that, she’s a smart cookie, who’s even written a book on running successful Kickstarter campaigns. Her rewards are based on a monthly pledge, with $1 level getting some posts, $5 all posts, $10 that plus access to a monthly chat and ongoing chat channel, and one $100 user sponsoring a special piece of content for all patrons, and getting to choose what it is.

I know from experience that looking at what’s working for someone and shamelessly modeling your effort on theirs is not a bad approach, so my next step is thinking about what I can and can’t deliver on a monthly basis and looking to see what parts of Maggie’s framework I can hang those on. Here I need to be both realistic and kind to myself.

So a good place to start is — what am I already doing that I might be drawing on? Can I rearrange some efforts in a more efficient way?

What I do on a daily basis:

  • Write. Well, that’s the plan, and actually any commitment that helps me make my 2k words goal is helpful. So excerpts from what I’ve written is a no-brainer. I can still schedule these in advance for days when I’m traveling somewhere or otherwise don’t have reliable net access.
  • Teach or work on teaching. I run the Rambo Academy for Wayward Writers, both developing my own content and working with co-teachers like Ann Leckie, Rachel Swirsky, and Juliette Wade on their courses. Right now I’ve got some others in the works. So I’ve usually got a number of writing tips, prompts, and exercises, including illustrated quotes that I use for the classes.
  • Do SFWA stuff. It’d be wrong to monetize this, though, in my opinion, so I’ll keep talk about that to social media and my blog.
  • Use social media, including Facebook, Instagram, and Twitter. The nice thing about that is that I can comb back through a social media stream and come up with links to combine in a list for people.
  • Daily life stuff, including a lot of cooking, which is one of my passions. Pictures of what I’m cooking and recipes seems like a no-brainer.
  • Read a lot, about 3/4 of the time F&SF. I’m one of those folks who tend to be more about praising the stuff I like than decrying the stuff I don’t, so perhaps reading suggestions will be welcome.

What I do on a weekly or monthly basis:

  • Send out my newsletter.
  • Write blog posts.
  • Create art: some drawings, but often linoleum prints or a collage.

Maggie has a split between the $1 and $5 users, involving extra content. Let’s say I do a post for everyone, comprised of a snippet from recent writing, 2-3 times each week. That gives me a pretty substantial value (IMO) for them, plus I’ll put the two stories in there, rather than making the pledge per story. They’ll also get the coupons for Rambo Academy classes that I send out to my newsletter subscribers, which range from 25-90% off. Hmm. That seems like a good deal for the $1 patrons, so I’ll leave it at that.

Do I want to add $2 supports as well as $5? I actually think I do. How about a writing tip or prompt for each weekday as well? In adding this, I’m thinking about how much prep is involved, but here I think I can pull from my teaching, so the main work is creating the post itself.

What I can add for the $5 supporters? How about a weekly wrap-up each Sunday of what I’ve read that week, along with a recipe? I’m not sure, but let’s give it a try, I decide. One of the nice things about Patreon is that you can tinker with stuff on the fly, so I will make a note on my calendar to look and see how well this is working three months down the line. If I end up doing any of the cooking videos that I’ve been contemplating but haven’t had the time to work on yet, this might be a good place for them. I keep thinking about that one and change my mind, deciding I’ll add a different kind of video, one people have requested, and which won’t be hard to do, me reading a flash piece. I’ll stick to one a month until I know how that’s working and still plan on looking at it in three months.

Okay, $10 peeps. I love the idea of a monthly chat, and my G+ business account lets me invite up to 24 other people. I’ll include that — if it’s immensely popular I may have to scale up to the tech that Maggie’s using, but that question can get kicked down the road for now. I’ve also been using Slack lately, and already have a Rambo Academy channel that I set up but haven’t been using, so I can give folks access to that as well.

Maggie’s next jump is to that $100 level, but I know I’ll be putting out some ebooks this year, so I decide I’ll make a $25 level that lets those patrons get a copy of whatever comes out. This is dangerous, because it’s a deliverable that requires organization — I’ll need to build and maintain a list, and be good about putting e-mailing the books out into the book release campaign. I think about this and decide that since the catchup work I’m doing involves getting existing books out, I’ll be building that list anyhow. This time, I’ll keep it in Evernote, an organizational tool that I’ve been using for SFWA and which I’ve found works well for me, and plan on posting the files on Patreon rather than in e-mail. Maggie sends people physical things; I think about that and decide that it’s not something I should commit to. I know from experience that getting stuff in the mail is not one of my strengths. I decide I’ll add a couple of photos of my art each month at this level; that I know I can deliver.

All right. That leaves me with the $100 level. I decide I’ll commit to the same thing Maggie does. It seems dubious to me that anyone will actually sponsor at that level, but it’s nice to have the option available. For a little while I toy with ideas of levels above that, but it seems like a unrealistic effort that just drains time.

Maggie’s used a cute conceit for the supporters by comparing the levels to areas of a house: the lawn, the lanai, the den. Since I frequently use Chez Rambo mentions on my blog and in social media, I contemplate it. It’s a powerful metaphor, the idea that you’re being invited in, and I know that I want to create the feel of a community. At this point I’m tempted to cut down on the number of levels in order to simplify things, but I resist the urge. After much thought I come up with the following:

  • $1 Cat’s Posse
  • $2 Posse Plus
  • $5 Rambo Ranger
  • $10 Virtual Coffeehouse
  • $25 Send Me Everything
  • $100 Munificent Patron

I make a note on my follow-up list to check on doing something like getting “Cat Rambo’s Posse” badge ribbons to distribute to patrons at upcoming conventions. That’ll both make them feel appreciated and let them spread the word. I’ve seen other authors distribute badge ribbons at conventions, but I’ve never tried it myself. A quick online search lets me see that I can get them for somewhere in the range of .25-.50 each, depending on how many I order. That’s spendy enough that I decide I do want to save them for patrons rather than giving them out at large.

I’ll want to rewrite the beginning appeal and re-shoot the accompanying video. I put that item aside for when I start the actual work of re-doing the page; right now I’m still in the planning stage and figuring out both my work items and the order in which I should do them.

I look at the reward tiers as part of the revamp. I’ve said if I hit $250 a month I’ll add an extra flash piece. That seems reasonable; I’ll leave it as stands. The $500 level is an additional story recording – if I make it of that flash piece, that works all right, so I leave that alone as well. $1000 is an urban fantasy series. I decide to scrap that for now but then think hard.

What would hitting the $1k a month level on Patreon enable me to do? It’d free up sometime I use for freelancing. What if I took some of that time and did something I’ve wanted to do for a while, a monthly podcast that’s a roundtable focusing on a different topic each time? Okay, that works. I’ll swap that in. The final reward tier is $2500, at which point I’d start a magazine, because people keep asking me about that. I’m not going to hit that reward level anytime soon, but if some fluke occurs, it’ll be a ways down the line, and I’m willing to make good on that promise at that level because it’d let me pay the writers and do a pretty nice little online magazine. Again, I leave that goal alone.

A major part of the change is going to monthly rather than per post; looking at the Patreon docs, I see that I should do this at the beginning of February, since I’ve done two January paid posts. I make another note on my calendar. I also want to get this out the door, so I decide not to wait till I have the video — but also add a note to make sure it goes on this week’s todo list.

Next month I’ll provide some feedback over how successful (or not!) this approach has been.

2 Responses

  1. Interesting read, thanks Cat. I have a YouTube cooking channel and I’m thinking about diving into Patreon. I recently launched a donations page on my website, and received donations ranging from £3 to £25. I’m wondering if you have done any kind of research into what levels of payment people would be happy with? It seems to me that $1 is just way too cheap for a minimum. Out of that you lose 5% to Patreon and about 5% to PayPal – also here in Europe Patreon have to add VAT add different rates for different EU countries (about 20%).

    1. That’s a really good question. I’d gone with $1 because it was the minimum payment. Next time I do a revamp I may do away with that and see what happens. Send me the link to your channel? I like cooking videos. 🙂

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Hands

signs of life
Photo owned by zoetnet (cc)

The crescent moon is a fingernail mark pressed into the darkening sky. An anxious star tugs at it, trying to pull it up farther. Hands swim below the surface of the water. Birds cradled in the wickerwork of leafless branches eye the restless fluttering of the fingers.

Someone calls, but no one answers. Shadows sweep along the banks of the lake, pulled and stretched into awkward shapes by passing headlights. No one answers.

Someone walks and feels the dry stiff grass lace itself around their ankles, tracing lines of frost. The hands continue to crawl and the moon creeps up the sky.

No one answers.

Tin dancing mice revolve in the warmth of the kitchen. One watches the light of the moon as it moves down the blue stripes of the wallpaper. It marks the time with one ticking paw. The mice click and whir, dancing frantically, trying to forget that their clothes are only painted on.

The salt and pepper shakers, shaped like ears of corn, sit sullenly. Upstairs, sleepers move restlessly, their dreams escaping, leaking into the feather comforters.

The moonlight reaches the fifth bar of delphinium.

There is still no answer. Someone longs for the heated air of the kitchen, but instead sits on a bench and watches the movements of the hands. Fingers break the corrugated surface of the water and return to counting the pebbles in the silt below.

Ducks whisper among the reeds, revealing their secret journey. Their tickets are crumpled birch leaves, spiderwebs of veins eroded by the autumn rain, gilded by the guilty starlight. Someone takes one and tucks it in the pocket of their jacket, where it tangles with milkweed down.

The moonlight reaches the twelfth bar,and the mice spin slowly, regretfully, back into their boxes. The comforters are stained crimson and ebony with the dregs of dreams.

The hands swim like memories in the process of being forgotten. Someone waits, and no one answers.

...

Five Ways to Fall In Love on Planet Porcelain

Picture of broken cupsHere’s my holiday gift to you. This story was original to the collection that came out in September, Near + Far. It’s one of my favorites. Here’s the print version as well as a link to the audio version, read by me and edited by the wonderful Lauren Harris.

UPDATE: Thank you to the people who put the story on the 2013 Nebula ballot! I am tickled pink.

Audio version.

Five Ways to Fall In Love on Planet Porcelain

Over the years, Tikka’s job as a Minor Propagandist for the planet Porcelain’s Bureau of Tourism had shaped her way of thinking. She dealt primarily in quintets of attractions, lists of five which were distributed through the Bureau’s publications and information dollops: Five Major China Factories Where the Population of Porcelain Can Be Seen Being Created; Five Views of Porcelain’s Clay Fields; Five Restaurants Serving Native Cuisine at Its Most Natural.

Today she was composing Five Signs of Spring in Eletak, her native city.

Here along the waterfront, she added chimmerees to her list as she watched the native creatures, cross between fish and flower, surface. Each chimmeree spreading its white petals as it rose, white clusters holding amber centers, tendrils of golden thread sending their scent into the air along with the most delicate whisper of sound, barely audible over the lapping of the water.

The urge towards love beat along every energy vein of her silica body, even down to her missing toes, but she resisted it. She would remain alone this spring, as she had every spring since she had made her vow and inscribed it in the notebook where she kept her personal lists, under “Life Resolutions,” 4th under “Keep myself clean in thought and mind,” “Devote myself to promoting Porcelain’s tourism,” and “Fall in love.” The third item had been crossed off at the same time, in vehement black pen strokes.

Her first sign of spring had been the singing of the tree frogs, which had awoken her three nights ago, in the small hours when most of the citizens cracked, gave way to despair, and crumbled in the manner of the elderly.

She was afraid of cracking, examined herself with obsessive care in the sluice for any sign that her surface was giving in, allowing the forces of time to work at her. She’d lain awake in the darkness, checking her mind with the same care. Were there any sorrows, any passions that might lead her thoughts along the same groove till it gave, eroded into madness?


She knew of one, and she kept her thoughts away from it as though it were made of thorns. Pain surrounded its edges and she could not avoid brushing against them even as she avoided it, but she kept herself from touching its tender heart, when silica melted in emotion and loss. She clicked her eyelids shut and contemplated what the morning would bring: ablutions and prayers, and a walk to the stop where the balloon-tram would take her to work. The sides would be hung with flower-colored silks in honor of the season. That would be her second sign of spring.

***

At work, there was jostling going on over a corner, windowed office. A writer had given way to cracking, premature, as sometimes happened with those who lived carelessly. Tikka was keeping back; she liked to do her work outside, and didn’t think herself enough in the offices to merit such a coveted space. Not that she would have been first in line for it; of the three Minor Propagandists, she was the most junior, with only six years to the others’ respective ten and fifteen.

Attle met her with a list in hand.

“Not again,” Tikka said. “I like doing my own, you know that.”

Attle shrugged. She was tall and willowy to Tikka’s squatter lines. “He says they’re only suggestions.”

Tikka took the list and studied it. “Suggestions that are heavily encouraged,” she said. “If I don’t take at least half of them, it’ll affect my next review.”

“No one really worries about reviews,” Attle said. It was true; the small Bureau’s turnover rate was glacial. Like most government jobs, it was steady and guaranteed work in a place where poverty was rampant.

“I do,” Tikka retorted. She was all too conscious that she didn’t resemble most of the other citizens in the office. She had won her post through a scholarship, was one of the tokens allowed positions so they could be held up to the lesser advantaged as what they could be if they kept their mouths shut and worked hard.

More tourists meant more money for everyone, even if it did have to trickle through the layer of upper citizens at first. She didn’t think many of the topics were designed to attract tourists.

“‘Five spots celebrated in the works of the poet Xochiti’? Who reads him? We need things that tourists are looking for, new experiences and new trinkets to buy. Five places where they serve fin in the manner of the Brutists is not going to do it.”

“He believes in niches,” Attle murmured in habitual response.

“Some niches are so small that no tourist would fit in them!” Tikka waved Attle off when she would have spoken again. “I know, I know, it’s none of your doing.”

She went to her desk, situated in a paper-walled cubicle. The patterns were from several years ago; the department’s budget had been shrinking of late and even the plants that hung here and there were desiccated but unreplaced, delicate arrangements of withered ferns draped with dust that no one wanted to touch, lest they be mistaken for a lower-class servitor of the kind the Bureau could no longer afford.

Her fingers danced across the transparent surface of her data-pad, which dimpled beneath her touch. She pulled up a master document and transferred the least objectionable of the Master Propagandist’s “suggestions” into it, scoffing under her breath.

A clink of drummed fingers behind her snatched her attention. She turned so quickly she nearly collided with the author of the suggestions himself. “Sir!” She stepped back to a safer, more polite distance.

“Am I to believe you feel you have worthier candidates for your time than those I have advanced?” he said. Master Propagandist Blikik was made of smooth white clay, a material so fine that it gleamed under the office lights in a way Tikka’s coarser, low-class surface could never match, even with disguising cosmetics. His colors would never fade, while hers would eventually succumb to the sun, give way to pale, unfashionable hues.

She dropped her gaze to the felted carpet beneath his feet. “No, sir.”

He waited.

“I’m sorry, sir.” She met his eyes. “I thought perhaps we might consider some alternative ways of attracting tourists.”

Clatter of halted movement behind her as others stopped to listen. She could feel the shockwave reverberate through the office as whispers of her boldness were hissed to outliers who hadn’t heard.

Blikik’s robes, swirled with gold and crimson, a style as outdated as the cubicle walls, rustled as indignation drew him upwards, made him tower over Tikka.

“You will do as you are told,” he barked, so crisp his teeth snapped together with an unpleasant, brittle sound. “You are not paid to think. If you wish to think, other accommodations can be made for your employment. Is that what you wish?”

“No, sir, not at all, sir,” she rushed to supply into the shocked void his words had left.

He nodded once, turned on his heel, and walked away.

***

After she’d drafted a couple of lists, Tikka escaped outside to the terraced gardens overlooking the sound garden (one of Eletak’s five most impressive sites). Its massive steel structures were strung with cabling and wire that sang whenever the wind stopped sweeping across the water and came to investigate the inland. Shapes huddled on the sculptures, the winged monkeys that made them their nesting grounds, where they raised their thumb-sized offspring and lived the lives of one of Eletak’s five most distinctive native species.

The air smelled of monkey shit, which, combined with the unpleasant sensation of the vibrations from the sound garden, drove most visitors away. Rumor held that the sound garden could set off interior echoes that might leave someone dust on a pathway, but she had never believed it. Childhood prittle prattle, don’t do this or that or you’ll fall afoul of unseen forces. Meaningless superstition.

She leaned on the wooden railing, using her jacket to cushion her arms. The wires sang a song she’d heard years ago, love love careless love.

She could give way to it. She could go find a mate and the two of them could pose, take on the shape of love and freeze together in the most intimate contortion. She hated the helpless feeling afterward, where you were caught still mingled with the other person until the rigidity that came with orgasm, lasting hours, seeped away and you were your own unique person, rather than part of the larger construction, again.

How freakish, the ways of love on this planet, or anywhere else. The illusion that you had become something other than you were. The illusion that you could be something other than alone.

She would not succumb.

Love, love careless love, the wires complained. It was unseasonably cold. Two monkeys huddled together for warmth in a metal Y only a few feet down from her. Pathetic.

She would not love again.

Too many memories were in the way.

***

It had happened the second spring that she had been working for the Bureau. She had traveled a lot the first year, taking pictures and conducting interviews of tourists in various areas to find out what had brought them there. She had written a private list: Five Things Tourists Dislike about Porcelain.

  1. The standoffish nature of its people.
  2. The unabashed attitude of greed towards tourist money.
  3. The slowness of the balloon transit center.
  4. The number of political uprisings.
  5. The number of native species prone to throwing shit at tourists.

The man had been trying to clean monkey shit off himself near the sound garden. She’d intervened, led him to a public sluice.

“No wonder all your people seem so clean,” he’d said, washing himself off in the stream of heated water.

“Down here,” she said. She didn’t know why she said it. It was forbidden to speak to tourists with anything other than pleasantries. She’d had to go through weeks of training to do it.

“Other areas don’t have these?” he said.

“Other areas don’t have running water,” she said. “Why waste technology on lesser clay?”

A monkey screamed behind him and he flinched. His eyes checked the badge on her chest. “You can deal with tourists, can’t you? Not like most of these, forbidden to talk to us. Come and have lunch with me.”

So few restaurants catered to both kinds, but she took him to a place near the Bureau, disks of aetheric energy which she slotted into her mouth, a salad for him, odd grainy lumps scattered through it.

Humans. The richest of all the multi-verse dwellers, at least many of their branches were. Was he from one? She rather thought so, given the cut of his clothing, the insouciant ease with which he leaned back to survey her and the restaurant. His was not a species accustomed to scraping or scrabbling.

He said, “I’ve never understood why more people don’t come here. A world peopled by china figurines.”

There were more interesting worlds in the multi-verse, she knew. Paper dolls, and talking purple griffons. Intelligent rainbows and everyone’s favorite, the Chocolate Universe. She shrugged.

“I want you for my tour guide,” he said, staring at her. “Can we do that?”

It was unorthodox. But he had unexpected pull. Blikik had been forced to allow it, although he heaped her with instructions and imprecations. Porcelain must preserve its public face for tourism, he had said. No talk of politics, no talk of clays or those who did not live in the cities.

She nodded until she thought her neck would give way from the motion.

***

Places to take tourists on Planet Porcelain:

  1. A birthing factory, where the citizenry are mass produced. The list is short; tourists are only taken to the upper class factories, where citizens are made of the highest quality porcelain, rather than one of the more sordid working class manufactories.
  2. The bridges of Etekeli, which run from building to building in a city more vertical than horizontal. There is a daring glee to the citizenry here; the ground is littered with the remains of those who came to this place, which has a suicide rate twenty times that of elsewhere on the planet.
  3. The Dedicatorium.

The first sight of the Dedicatorium awed him. She understood how it must look: from afar a wall of thorny white. Then as one approached, it resolved itself into a pattern made of feet and hands, arms and legs.

“People leave these here?” he half-whispered, his voice roughened by the silence.

“They do it for several reasons,” she told him. “Some in gratitude for some answered prayer. Others to leave a piece of themselves behind.”

As they watched, a woman approached. She carried a bundle in her only hand. When she got close to the wall, she fumbled away the coverings to reveal the other hand. She searched along the wall until she found a place to fold it into a niche. It curled there, its fingers clustered as though to form a hollow where a secret might be whispered.

His face was flushed, but she could not read the emotion. “Your people can detach their own limbs?”

“It is easier to get someone else to do it,” she said. “It is not without pain. The joints must be detached, and it usually breaks them to do so.”

“I have seen no amputees on your streets,” he said. His eyes searched the wall, taking in the delicate point of a toe, the rugged line of a calf’s stilled muscles.

“It is an injury that often leads to cracking,” she said. “Few survive unless they take great care of the point where the limb was severed.”

“It’s barbaric,” he said, but she heard only love and appreciation in his voice.

***

“You spend too much time with him,” Blikik complained.

She let his complaints wash over her like water, eroding irritation. Through his eyes, she was learning to craft lists tailored to humans, their petty desires for restrooms and food that tasted like the food they had at home. And their greed, which must be fed with lists of the cheapest markets, the most inexpensive hostelries, free performances.

Tourism had increased a very small percentage, but it was due to her efforts. She could not spend enough time with him. He was too full of valuable information, conversation, insight.

He was such good company, so interesting to listen to, so fascinating in his different viewpoint. She wrote lists specifically for him, five restaurants that served his favorite condiment, five places to view a sunset shaded with indigo and longing.

Five places to be alone with your native guide.

***

Ways to fall in love on Planet Porcelain:

  1. Slowly, so slowly. At first just a hint of delight at his face when he heard the chimmeree singing.
  2. Like a revelation, a book opening as he told stories of his childhood, life under a different sun, where different songs held sway. He never talked of taking her there, but she was content. This was his story now, its happy ending on Planet Porcelain.
  3. Knowing that it was wrong, unheard of. And knowing that its forbidden nature gave it extra savor, gave it the allure of something that shouldn’t be, overlying the touch of the exotic that it held for them both.
  4. In snatches and glances, moments seized outside the monitors. In a corridor, his fingers touched hers, warm against cool, and she felt a liquid warmth pervading her brain until she could barely think. Apart from him, she dreamed of him, and totted up list after list of the things she loved: the hairs on the back of his wrists, the way his teeth fit into the gum, the shape of his ankle, the burr his voice took on when tired or irritated, the flush that mounted to his cheek when he felt aroused.
  5. Verbally. Word after word, opening secrets. He asked her about coupling and she told him how it was, how the urge drove you together, touch and caress until the moment where you froze and fused, knowing yourself a single part of a larger thing. And how, afterwards, that feeling faded, until you could see the body that had been part of yours and think it something entirely different.

“Can we go to bed together, you think?” he asked her. At first she didn’t understand what he meant. There was no reason they could not share a bed. But his words, the heat in his face, made her realize her mistake.

Could they? Lovemaking was mental as much as physical, she had always been told. As long as they took care, could they not touch each other to arousal and beyond?

She could find nothing about such moments in her research. Unthinkable that they could have invented a perversion new to the multi-verse. And yet perhaps they had.

He circled the topic, over and over. She could feel her resistance wearing away.

Wearing away.

It was the only flaw in their affair, his curiosity about her body. Everything else was so perfect.

Asked again. And again.

At some point she realized she would give in eventually. Her determination crumbled beneath that assault.

In his hotel room, she removed her clothes, let him stroke her.

“How would we do this, if we were the same?” he demanded.

“As we become aroused, our flesh softens,” she said. “Can you feel how mine has changed?”

He touched it cautiously, as though afraid he might leave finger marks. “It’s closer to my own now,” he said.

“We soften and we come together, and merge,” she said. “It is a very intimate and secret thing.”

“And you harden again, together.” His breath quickened as his fingers dragged across her skin.

“When the moment of the most pleasure comes and peaks, we harden,” she said. “We become a single thing, melding where our skin touches.”

“And you stay that way for hours?”

“Till the state gives way, and we can separate,” she said. “Hours, yes.”

“And you think I can bring you to the point where you come like that?” he asked.

Everyone made their own experiments in self-delight as a child. It was not the same, but it was similar, and hard to hide, although the motionless state was shorter. He could do that for her, at least.

She reached for him.

He entered her arms without hesitation.

He played with her as he would have a human woman, licking, spreading, opening. He did not penetrate her””they had both agreed it was too dangerous.

This was the only time most people could touch without fear of chipping, of breaking each other. Was that the draw he’d had for her all along, that she could touch him like that and know there was no danger of breaking him?

Her breath filled her, energy rushed along her like swallows fluttering in the wind, trying to break free of its grasp. Pleasure drowned her and she succumbed, feeling her flesh shudder and stiffen, frozen in the moment.

Where a Porcelain lover would have stayed with her, he drew away. She was aware of him circling her, his fingers straying over and over her surface.

Touching.

Testing.

He began with a toe. Pain surged through her as he broke it off. If she had been able to move, she would have screamed. As it was, all she could do was let it shine in her eyes. What sort of mistake was this? An accident, surely.

But then he began to detach the joints in her knee. He intended to take her foot. Anger and pain and agony surged through her and she fell unconscious, carrying with her the vision of him sitting on the side of the bed, examining the foot in his lap with an expression she’d never seen before on his face.

***

Tikka had never seen him again. She had never been able to guess if the moment had been there in his head all along or if the desire had seized him somewhere along the way, perhaps when she showed him the Dedicatorium.

In time, she did learn that the perversion was not new. In some channels, the severed limbs sold very well, particularly those unmarred in any other way.

She padded the stump with soft plastics, a cap that fit over the protrusion, the jagged bits of joint that had not fallen away. She limped, but not much, grown accustomed to the way she moved.

She paused to watch the sky. Clusters of limentia, like jellyfish floating on the wind, translucent tendrils tinting the light. They filled the air with their mating dance, drifted around her till she stood in the center of a candy-colored cloud. Love surrounded her in a web of tendrils, unthinking action and reaction that drove life, all life, even hers.

She made a mental note of their presence, of the way they shone in the sunlight, of the acrid smell of their lovemaking, filing details away with clinical precision.

They were only another sign of spring on Planet Porcelain.

...

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