Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
You may also like...
Checking In From Kansas
Hello from Garden City, Kansas, where I’m at what was once the Wheatlands motel, where Truman Capote stayed when he was writing In Cold Blood. I’m visiting cousins here — tomorrow we’ll head up to Lawrence (with a brief detour through Dodge) to see more cousins.
The trip’s been great so far. Lots to see and time with some awesome folks. Wayne’s cousins Patty and Pete provided us with wine and ammunition. David Boop put us up in style in Denver and had an awesome birthday dinner with plenty of great folks from the local writing community. We did Yellowstone and saw a ton of hot springs and an indifferent teen-age moose. In Hays, I took a picture of the placard for my grandfather, Alex Francis.
I’d go on further but the hotel internet has gone kablooey so I’m writing this in the Target parking lot while Wayne goes for Gatorade. More when we have reliable Internet!
Exploring Near + Far's Interior Art: Row 1 (Giveaway Day One)
Row 1
This week sees the book getting officially launched on Wednesday. This week I’ll be doing a series of five posts about the interior art. Comment on a post to be entered to win one of three pieces of Near + Far jewelry; comment on all five posts and you’ll be entered five times.
So left to right above are five of the interior illustrations from the book. One of the things Mom said to me last night was how much she was enjoying the afternotes, so I’m trying not to repeat those too much, but to add a touch more to them.
Leftmost is a star like pattern, which accompanies far future story “Timesnip,” in which 18th century Victoria Woodhull copes with life in the future as a traveling saleswoman dealing in time travel. It’s actually a version of one of the other illustrations, arranged in a star cluster, which mark didn’t point out to me till later. That seems very fitting, given the circularity of the story.
The second pattern is one that accompanies the story “Amid the Words of War.” Its cramped interior echoed the desperation on Six’s part that I wanted to convey over the course of the story. The story is about war and conflict and the distrust they force on each other. The pieces in the book are black and white and here Mark’s chosen to create a white “eye” for a number of the illustrations which (to me) just adds to the coolness and makes each one become a creature presenting itself sideways to the camera.
The third design accompanies the story “Kallakak’s Cousins”. Again, there’s that eye looking out, and sometimes it’s a creature and sometimes a face, sometimes a helmet built of butterflies and submarines.
The fourth accompanies a flash piece, “Futures.” It resembles a submarine, or perhaps a rocket ship, although once more there’s an eye, set dead center in this case.
The fifth is used with the slipstream afterlife story, “Bus Ride to Mars.” It’s one of Mark’s older pieces, a sideways slash of a piece that appears differently in here than in the book itself.
Near + Far jewelry, based on interior art by Mark W. Tripp.
Links of interest from this week that aren’t related to social media or writing/publishing.
