For yet another explanation of why this might matter, here’s Deborah Copaken Kogan talking about her experiences as a female writer. And for those confused about why talking about what a woman does is more important than what she looks, here’s this.
I’ve blogged elsewhere about the Night Shade Books convulsions. I wait to see what happens, as do a number of people with a lot more at stake.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
Elspeth folded her hands in her lap, trying to keep her brows from knitting. She hated trains.
They were dirty, with bits of smut and coal blown back from the massive brass and aluminum steam engine pulling them along, and engrimed by successions of previous passengers.
They were noisy, from the engine’s howl to the screech of the never-sufficiently-greased axles as they rocketed along the steel rails with their steady pocketa-pocketa-pocketa chug seeping up through the swaying floor.
And they were oppressively full of people, all thinking things, all pressing down on her Sensitive’s mind, making her shrink down into the hard wooden seat as though the haze of thoughts hung like coal-smoke in the air and if she sank low enough, she’d avoid it.
She glanced over at her fellow Pinkerton agent, who returned her look with his own slightly quizzical if impersonal gaze. All of the curiosity of their fellow passengers was directed at him, perhaps the first mechanical being they’d ever seen, with silver and brass skin and curly hair, eyebrows, and moustache of gilded wire.
“They shouldn’t be keeping us back here,” she said for the third time in as many minutes. “If we’re his assigned bodyguards, they should let us up to inspect his compartment.”
“The porter said he’d tell them we were here,” Artemus said in precisely the same tone he’d used the first two times he’d said these words.
...
Another teaser from a steampunk short story I’ve been working. My codename for this world is Altered America, and this is the fifth short story I’ve placed in it.
Each time they stepped on the swaying platform between the cars, Laurel paused. Jemina couldn’t blame her. There was an exhilaration to the travel when you could feel the buffet of the passing air that was lacking when you were inside the actual cars.
They stopped outright on the last one. Laurel clenched the railing, shoulder-height for her, with both hands and looked out. Her hair lashed in the wind like an uncontrollable Medusa’s tangle.“Will we see Indians?” she said.
“Quite probably,” Jemina said.
“And buffalo?”
“Undoubtedly.” Jemina had, as was her way, researched the trip well before embarking on it. She knew the distances between cities, and had the route plotted out on the map of the United States that hung in her head, colored with elementary school dyes, unfaded over the years.
Laurel took a deep breath of the wild air, sweet grass mingled with coal smoke, before reluctantly moving to the door.
Jemina stepped after her. They both nearly collided with the passenger coming out, who scowled at both of them, dividing the look between both and them and pronouncing them equally unsatisfactory. He was dressed in the Western style, with high-heeled boots, but with a tuft of lace at his untanned neck, a dandy’s puff that somehow set Jemina instantly against him.
...
(Written with Ben Burgis, fantasy story) They said the Marielitas were escoria – scum. The abuelitas muttered it to each other, and the young girls coming home from school clustered together like butterflies, looking thrilled and worried whenever the wind whistled at them. The newspapers said Miami was under siege, that Castro had loosed the worst from the Cuban prisons and madhouses.
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