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Recent Writing/Publishing Related Links, 4/11/2013

Elizabeth Cady Stanton (sitting) and Susan B. Anthony
One of my favorite pictures of Elizabeth Cady Stanton (sitting) and Susan B. Anthony, late in their lives.
On some other boards I frequent, the question of how to make a publication more diverse has been coming up. Here’s a couple of pieces related to that. The editors of Tin House and Granta discuss how they worked to make their publications more diverse. Anne Finch talks about similar editorial practices. For a breakdown of what the gender ratio was of book reviewers and books reviewed, see the 2012 VIDA count.

For yet another explanation of why this might matter, here’s Deborah Copaken Kogan talking about her experiences as a female writer. And for those confused about why talking about what a woman does is more important than what she looks, here’s this.

I’ve blogged elsewhere about the Night Shade Books convulsions. I wait to see what happens, as do a number of people with a lot more at stake.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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This Weekend's Classes: Beginnings & Endings (Saturday) and Character Building Workshop (Sunday)

photo of a man in hello kitty armor
Taken at last year’s con, but I don’t know the gentleman’s name, unfortunately.
I’ve still got room in this weekend’s classes, Beginnings & Endings (Saturday morning) and the Character Building workshop (Sunday morning). In the first, I’m going to talk about a number of things, including how to use your beginning to create your ending and vice versa, what your beginning sets up for your reader, what your beginning and ending must contain, how to most effectively use title + beginning + ending, and various other tips and tricks. There will be 3-4 quick writing exercises over the course of the class designed to help you apply what we’re talking about in order to effectively add it to your writerly toolbox.

The Character Building Workshop is familiar to some of you, and I always love teaching it because I come away with at least a couple of wordlumps that end up being part of the current WIP as well as better insight into the characters I’m working with. Come join us if you want a little inspiration for your current project.
Register by mailing me at catrambo@gmail.com or cat@catrambo.com with the name and date of the class you’re interested in. And please feel free to pass this newsletter along to friends and fellow writers you think might be interested!

April Classes
April 16 (Sat, 9:30-11:30 AM PST) Beginnings and Endings
April 17 (Sun, 9:30-11:30 AM PST) Character Building Workshop
April 23 (Sat, 9:30-11:30 AM PST) Creating an Online Presence for Writers
April 24 (Sun, 9:30-11:30 AM PST) Description and Delivering Information
April 30 (Sat, 9:30-11:30 AM PST) Flash Fiction Workshop

May Classes
May 1 (Sun, 9:30-11:30 AM PST) First Pages with Caren Gussoff
May 14, (Sat, 9:30-11:30 AM PST) Moving from Idea to Finished Draft
May 15 (Sun, 9:30-11:30 AM PST) Literary Techniques for Genre Writers
May 21 (Sat, 9:30-11:30 AM PST) Retelling and Retaleing with Rachel Swirsky
May 22 (Sun, 9:30-11:30 AM PST) Literary Techniques for Genre Writers II

June Classes
June 3 (Sat, 9:30-11:30 AM PST) Writing Your Way Into Your Novel
June 4 (Sun, 9:30-11:30 AM PST) Moving from Idea to Finished Draft

#sfwapro
Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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Teaser: Someday My Prince

Picture of Cat Rambo with the Wicked Stepmother from Disney's Cinderella dinner
I will admit, my sympathy is often more with the wicked stepmother than Cinderella. The stepmother is by far the more interesting character.
Here’s a modern piece I’m working on right now, “Someday My Prince.” I believe it’s fantasy; I’m about 2000 words in so far, and really not sure whether it’ll stretch another 500 or 5000 words.

When Betty answered the apartment door, the man standing there was one of the most beautiful she’d ever seen. Tall, muscular, aquiline nose, dark hair”¦ he looked like he should be riding a white stallion on the beach in a cologne ad.

“Miss Vincent?” he said.

She faltered in the doorway, looking at him. You never know what to expect in New York, and surely this man wasn’t that out of the ordinary, except for the utterly expensive lines of his suit.

“Miss Vincent?” he repeated.

“I really need to get to work,” she said. “I don’t have time to buy anything.”

“You don’t understand,” he said. “I’m Aidan, your Prince.”

She didn’t understand.

He smiled at her. “I’m your Prince. I’ve come.”

She really did need to get to work.

***

Veronica said, “You say he’s a Prince?”

“I think that’s what he said. He wouldn’t go away until I promised to have dinner with him tonight.”

Veronica’s eyebrow lifted. “You could have called the police.”

“He was just so”¦nice,” Betty said.

Veronica’s other eyebrow lifted. “So are you going to tell him?”

“Of course,” Betty said. “Then he’ll know this is some kind of mix-up.”

***

On her daily phone call, her mother said, “You lucky, lucky girl!”

Betty tried to interject something but her mother went on. “I mean, we’re all promised that our prince will come some day, but most of them seem to get lost in transit. I don’t know anyone who’s actually gotten one.”

“Mom,” Betty said. “What do you mean, we’re all promised one? Who does the promising?”

There was a brief silence on the other end of the line. “Well,” her mother finally said, “I guess I don’t really know. The world? God? Yes, that’s probably it. God promises if we’re good, someday our prince will come.”

“I think you’re confusing God and fairy tales,” Betty told her.

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