I will admit, my sympathy is often more with the wicked stepmother than Cinderella. The stepmother is by far the more interesting character.Here’s a modern piece I’m working on right now, “Someday My Prince.” I believe it’s fantasy; I’m about 2000 words in so far, and really not sure whether it’ll stretch another 500 or 5000 words.
When Betty answered the apartment door, the man standing there was one of the most beautiful she’d ever seen. Tall, muscular, aquiline nose, dark hair”¦ he looked like he should be riding a white stallion on the beach in a cologne ad.
“Miss Vincent?” he said.
She faltered in the doorway, looking at him. You never know what to expect in New York, and surely this man wasn’t that out of the ordinary, except for the utterly expensive lines of his suit.
“Miss Vincent?” he repeated.
“I really need to get to work,” she said. “I don’t have time to buy anything.”
“You don’t understand,” he said. “I’m Aidan, your Prince.”
She didn’t understand.
He smiled at her. “I’m your Prince. I’ve come.”
She really did need to get to work.
***
Veronica said, “You say he’s a Prince?”
“I think that’s what he said. He wouldn’t go away until I promised to have dinner with him tonight.”
Veronica’s eyebrow lifted. “You could have called the police.”
“He was just so”¦nice,” Betty said.
Veronica’s other eyebrow lifted. “So are you going to tell him?”
“Of course,” Betty said. “Then he’ll know this is some kind of mix-up.”
***
On her daily phone call, her mother said, “You lucky, lucky girl!”
Betty tried to interject something but her mother went on. “I mean, we’re all promised that our prince will come some day, but most of them seem to get lost in transit. I don’t know anyone who’s actually gotten one.”
“Mom,” Betty said. “What do you mean, we’re all promised one? Who does the promising?”
There was a brief silence on the other end of the line. “Well,” her mother finally said, “I guess I don’t really know. The world? God? Yes, that’s probably it. God promises if we’re good, someday our prince will come.”
“I think you’re confusing God and fairy tales,” Betty told her.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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Recent Newsletter Stuff
Hello!
It’s full-on spring here in Seattle. Trees are in bloom, and construction projects have shifted into high gear, so the sidewalks are full of pylons and freshly poured concrete.
I’m looking forward to comparing this weather to other places in a few days. First South Bend, Indiana, where I’ll be speaking at the University of Notre Dame, and then Tempe, Arizona, for a two-day workshop working with scientists to write a story about solar power.
Then home for a while, where I’ll have a chance to talk with people at Crypticon here in Seattle at the end of the month (https://www.crypticonseattle.com/attend/crypticon-2018-tickets/) . Come to the Saturday writing workshop with me! I’ve secured the awesome Kay Kenyon as a co-teacher.
This newsletter marks some changes in the structure of my Patreon campaign (https://www.patreon.com/catrambo) , and its linkage into the Rambo Academy for Wayward Writers. Even if you’re not a Patreon supporter, you’ll want to bookmark the page, because I’ll be providing some free stuff there each month, courtesy of the supporters.
Everyone, signed up or not, gets the following on the Patreon page:
* 1-2 writing snippets each week from Cat’s current work and the chance to ask questions and offer feedback about them
* Access to the first Ask-Me-Anything Friday session of each month. Check out the post and ask whatever you like. Past questions have included career advice, recommended reading, insider SFWA news, writing feedback, and more.
* Occasional random stuff
All Patreon supporters get the above plus:
* 1-2 monthly stories or chapters and the chance to ask questions and offer feedback about them.
* Access to weekly Tasty Thursday recipes andAsk-Me-Anything Friday sessions
* Special patron-only events & giveaways at conventions
* The former student rate on live classes thru the Rambo Academy ($79 instead of $99)
* More random things at whim
$2 supporters get the above plus:
* 1-3 market news or advice posts per week
* 1-3 writing tip or resource posts per week
* One photo of Taco each month
* Random (usually writing-focused) things
$5 supporters get the above plus:
* All ebooks as they are released
* Access to the Chez Rambo Discord server and the #general, #bookclub, #critclub, #motivation, #news, and an exclusive #patreon channels.
* The usual randomness, usually in the form of chatter in Discord
$10 supporters get the above plus:
* 1 live or on-demand class per year (non-cumulative, starts on 3^rd month)
* Oh surprise, random things
$25 supporters get the above plus:
* Monthly story prompts post
* 1 live or on-demand class every 3 months (non-cumulative, starts on 3^rd month)
* *Rolls a dice* Something random
$50 supporters get the above plus:
* 1 live or on-demand class each month (non-cumulative)
* Even more
$100 supporters get the above plus:
* Monthly 15-30 minute coaching session, live class, or on-demand class
If you’re curious what Patreon is and how it works, there’sa two minute video of me explaining it here (https://www.patreon.com/catrambo) . We’ve been really enjoying the Discord community so far, and using it for writing sprints as well as chatter and questions.
Look what arrived literally moments ago! Yay! So excited to see all my hard work in tangible form. The electronic version is available for pre-order here (https://amzn.to/2qQuhEW) ; the hardcopy preorder should be available again sometime this week.
Scott H. Andrews has kindly agreed to give his Short Story Openings workshop (http://www.kittywumpus.net/blog/short-story-openings/) again for people who missed the first version, this time on June 16. A recent addition is a workshop with Doug Smith on July 14 on story rights and reprints. Keep an eye out for it or drop me a drop to go ahead and preregister; usual price.
Bonus: The virtual classroom may include sundry visits from Raven, who likes to know what's going on at all times.Several people have been asking if I’d offer an online workshop and I’ve been thinking about how best to do that. So here goes. Please spread the word of this however you can. If I don’t get at least 3 students for a workshop, I’ll cancel it.
Dates:
Workshop 1 — Wednesday evenings, 8 pm-10 pm PST, December 14, 2011-January 18, 2012
Workshop 2 — Saturday mornings 9:30 AM-11:30 AM PST, December 17-January 28, 2012 (I have to miss the 21st due to a convention).
Format: I’m going to offer two sessions, one on a weekday evening and the other on Saturday mornings, because I know schedules vary. The class will run six weeks, with a two hour session each time. I would like to schedule workshop time into that, where you’ll get a chance to read and critique each other’s stories, as well as a chance to hear me critique them, so starting with the second session, part of the class will be devoted to that (no more than 50%, tops). I’ll be doing the class as a Google Hangout, so we’ll all be chatting face to face, which means there is a limit of 9 students per class. There will be an optional make-up session for both workshops for people who had to miss a class or two along the line the week after the class ends.
Focus: The focus is the short story – how to come up with an idea, how to write it, how to revise, and how to submit it. There will be weekly writing exercises and optional reading. The final class will include career stuff, market advice, and a few funny anecdotes.
Why take a class with me? As both a writer and editor, I bring a focus that lets me advise you from both sides of the desk. My experience as the fiction editor of award-winning Fantasy Magazine as well as short story collections and anthologies combined with the fact that I’m a working, selling writer helps me provide you with solid, up-to-date market advice for both online and print publishing. My teaching experience includes the Johns Hopkins University, Towson State University, and Bellevue College and I’ve studied with John Barth, Stephen Dixon, Octavia Butler, and Connie Willis, to name just a couple of people I’ve had the pleasure of learning from. Former students can testify that I’m an active, engaged, and entertaining instructor who gives careful and considered feedback on their work.
Value adds: As part of the class, I will be happy to critique an extra story (up to 10k words) afterwards and offer market advice. The offer expires after a year.
Cost: Well, it’s an experiment, so I’m basing this off comparable workshops I teach. I am charging $199 per person, but will make it $149 if you sign up before midnight PST November 30. I do take Paypal; contact me at spezzatura AT gmail.com and we can work out details. If you can’t afford it and have some interesting barter to propose, let me know at the same address.
What if those times don’t work for you? Drop me a line. We can try to work something out.
Hello!