On Awards: To Be Pushy Or Not To Be Pushy

(From the beginning of the novel I’m currently about halfway through)

It was Fish Day at Archie McPhee’s.

In another kind of store, Fish Day might have signaled a sale on salmon or fresh herring.
Here in the novelty store, against a backdrop of bins filled with rubber eyeballs and plastic beetles, it meant the appearance of the enormous Wheel of Fish.

The vast, obviously-handmade cardboard construction took up three square yards of space. The clerk kept knocking things off shelves as she maneuvered it among the aisles in order to let customers spin, leaving a trail of hula-shirted dashdboard dolls and a flock of pink plastic flamingoes scattered in her wake.

Each customer she managed to present it to spun, winning, in rapid succession, a rubber shark, a glow in the dark squid, and goldfish earrings.

Casey grinned, watching a teenager don the last item. This was what she loved about Archie McPhee. So wonderfully random.

Picking up a basket, she wandered the aisles, fingering band-aids printed with bacon, an action figure of ancient Greek philosopher Socrates, a golden mustache, an enormous plastic raven that squawked “Nevermore, Lenore” when you pressed a button. While she touched things, she sent her luck sense whispering out, tasting each object’s subtle flavor.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

As I said in class, I’ll be posting notes after each Wednesday session, which all three classes can use to ask questions about or comment on what we covered. I encourage the students to hop into the discussion here, but it’s also open to the public.

We started by talking about what makes a story and the idea of character(s) involved in a conflict with rising tension that moves to a resolution at the end. It’s a pretty classic model and Vonnegut says some useful things about it here. Everyone brought a two line description of the story they’d like to write, and we listened to those and talked about which would work as is for stories and which need some narrowing down.

In discussing how we know when a story will be good, we looked at the first few paragraphs of stories by Carol Emshwiller, Joe Hill, and Kurt Vonnegut. I asked you to, in the coming week, look particularly at how people begin stories, and for Week 2, people will be bringing in a story beginning by someone else that knocks their socks. I mentioned that there’s plenty of online magazines to find speculative fiction in and here’s a brief starter list for you (feel free to add recommendations in the comments): Abyss & Apex, Beneath Ceaseless Skies, Clarkesworld, Daily Science Fiction, Lightspeed, Strange Horizons, and Tor.com. One of the things I mentioned is that reading other people’s short fiction, particularly good stuff, is important: you’ll find more story ideas coming to you, you’ll learn new tricks from them, and you’ll become familiar with the markets you hope to sell to.

We also spent some time on writing process and the idea of timed writings, as taken from Natalie Goldberg’s Writing Down the Bones and did some in class. Feel free to post yours here if you like it. I urged you to spend some time this week thinking about your writing process and perhaps trying to change it up a little: writing by hand instead of the keyboard, or in a place you don’t normally write.