Platform Statement for SFWA Vice President

The Nebulas this year were an amazing, dazzling, staggering blur, and an overall splendid time. (I got a selfie with William Gibson plus shared french fries with an astronaut!). But there was one sad thing for me, which was that in all the shuffle and mistimings, I didn’t get a chance to deliver the speech I’d prepared.

I’ve been spending some time post-Nebulas thinking and reflecting on everything I’ve learned from the SFWA Presidency, and all the valuable things I’ve discovered and learned as a result of my time in office. Over the next few weeks, I’ll publish the blog posts I have been putting together, one dedicated to each year, and then a final recap. It seemed a logical thing to kick that series off by sharing that speech, which contains a number of things I wanted to say to the SFWA family at large. I hope this serves.

Six Nebulas ago, Steven Gould approached me. He needed someone who’d be willing to run for Vice President the following year, picking up a one year term as SFWA made the transition to staggering the terms of the Vice President and President. He promised me it would be only a one year obligation. Insert hollow laugh here.

July 1st will mark a big transition in my life: after five years on the SFWA board, spending one year as Vice President under Steven Gould, and then two terms as President. I have spent more time on the SFWA board than most people do getting their college degree, and that is an odd thought. General wisdom is that the SFWA Presidency eats a book a year; I have definitely found that true, and I suspect a large number of stories got consumed as well. I am looking forward to becoming actually productive again.

But there have been a multitude of compensations. A wealth of friendships. An abundance of moments that delighted my heart or that felt like tremendous victories. There is a tendency to label SFWA governance toxic, to imply that it destroys the soul and hollows one out. I am pleased to report that this is not actually the case, that I have found it, on the whole, a community that is welcoming and well-intentioned, though not always graceful in expressing it. I step down feeling the better for the five years in which I have learned and grown.

I have presided over both the first and the second all-female President/Vice President teams in SFWA history, the first time M.C.A. Hogarth and myself, the second time Erin Hartshorn and myself. I had thought that perhaps now handing the Presidency over to Mary Robinette Kowal represented another historic first, only to find this was not so. The first female to female SFWA Presidency exchange actually took place in 2003, when Sharon Lee handed the reins over to Catherine Asaro. I’m taking part in a panel tomorrow called “We Have Always Been Here,” about women in science fiction and this underscored that truth. We have indeed always been here, doing much of the work that drives this community.

Three women have been working with me side by side every moment of this remarkable journey, and all three remain with SFWA, for which you are all very lucky. I ask them to stand as I mention them, and for a round of applause at the end, because without them I could not have stayed the course.

The first is Sarah Pinsker, who agreed to come onto the board at the same time I did and who has remained a Director at Large whose thoughtful, considered presence has contributed enormously to discussions, as well as seeing through multiple projects, including but not limited to the Baltimore Book Festival and the Mentoring Program, and being a consistent voice for marginalized writers.

The second is Oz Drummond, who has been part of the financial team first under the inestimable Bud Sparhawk, and then under the equally awesome Nathan Lowell, and who has worked to learn more about how a nonprofit 501C3 works than anyone else I know. I have seen much of Oz’s surroundings during our weekly SFWA video calls, as well as her cats, the wild turkeys, and various backyard deer. I will greatly miss those conversations.

The third is Kate Baker, our Executive Director, with whom I have fought shoulder to shoulder against the forces of chaos, miscommunication, and random bad luck. I cannot say enough about Kate, or we would be here forever, but suffice it to say, any team she is on is lucky to have her. Not just love, but mad props to you, Kate, for the amazing job you’ve done during my five years on the board.

And finally, thank you to you all, not just the people in this room, but the SFWA members watching or reading from afar. Thank you for your trust, your advice, your support, and your friendship. Thank you for the many times you reached out to tell me I was doing a good job. And thank you to the ones who weren’t afraid to call me on it when you thought I wasn’t. I have tried to validate your trust and, like you, to be welcoming and well-intentioned, though not always graceful in expressing it. I hope these inadequate words meet with your approval. And congratulations to Mary Robinette again, with many thanks for being willing to run for the office.

End speech and then we would all go drink and listen to the Alternate Universe acceptance speeches, which is perhaps where this speech should have been delivered. 🙂

As I said up above, in coming weeks there will be posts recapping some of the highs and lows, occasionally drawing back the SFWA curtain.

As I’m composing them, I’m asking you for a favor. If there is some SFWA moment that has been particularly meaningful for you in the past five years, I’d love to hear about it. I’d also love to know if there is a SFWA volunteer or volunteers that have helped make your experiences with SFWA positive. This is YOUR chance to give them a shout-out; drop me an e-mail about it!

This third of a four part series about the Science Fiction and Fantasy Writers of America’s decision to admit independently published writers talks about the first wave of independent members and SFWA’s efforts to add value for those members. Here is Part One: History of the Organization and Part Two: Bringing in the Indies.

Swinging the Doors Open to Independent Writers

The doors opened on March 1, 2015 and SFWA Executive Director Kate Baker was standing by to process and admit our new folks. This gave us a chance to observe the new criteria that the Board had been working on for so long in action with a mind for what sort of refinements might be necessary further on down the line in order to make SFWA even more welcoming to independent and small press writers.

I was glad we’d prepped the message boards. The new forums were immediately put to use and introductions made, with plenty of delighted welcomes. There was – in my perception – no contention, only enthusiasm.

Here’s a videocast M.C.A. Hogarth did aimed at indie writers evaluating whether or not to try SFWA:

Some statistics for the number-minded:

• We admitted twelve new members in that first wave, and there’s been a steady influx since. At the same time, existing members that had independent published experience felt more empowered to step forward and share their knowledge.
• According to the recent membership survey, 14.10% of the current membership identifies as indie, with another 37.57% considering themselves hybrid.
• Only a small percentage (less than 5%) derives more than 50% of their income from crowdfunding.

All My Expectations of Indie SFWA Members Confirmed
As I and others had argued repeatedly, the change did not result in an influx of unqualified, affluent hobbyists trying to buy their way into SFWA, and we could, finally, put that particular straw man to rest and play taps while other straw folk were being assembled in the background.

As you can see by the numbers, it wasn’t a massive surge, but a solid number. For some people it was part of a lifelong dream. For others, it was a cautious exploration of just what SFWA had to offer them. More than anything else, these were pragmatic, working writers. In a thread on the discussion boards, people began to share their sales number in a revelatory and instructive way that emphasized what a smart move for SFWA this had been. I still inist one of the smartest moves that happened during my time with the board.

I kept meeting new members at cons, to my pleasure and delight. We began to offer more SFWA-focused programming at conventions, such as a panel about What SFWA Offers at GenCon, Norwescon, the Nebulas (that was a no-brainer), and others.

Unexpected Results from the Indie Wave

• We found we’d done something groundbreaking without realizing it: become the first organization to allow crowdfunded projects to qualify. The question of net versus had been a subject of much discussion during the Board’s conversation, to the point where the overall category was in jeopardy, so I was happy to discover pushing to keep it alive had been useful.
• Rarely did people have to combine sales in order to prove they’d hit the 3k in one year mark. Instead it was usually a question of “Do you want my sales from Amazon or Kobo? (or something else).
• A delightful surge of volunteers and new energy should have been expected, but it took me by surprise nonetheless.

New Members Benefits — And Vice Versa
With that surge in volunteer energy came a lot of new stuff, primarily driven by Vice President Maggie Hogarth. People entered wanting to not just to connect with other members but to add their energy to the organization and help it grow to meet their needs.

Among them:

• The New Release Newsletter. Taken from the description: “The newsletter goes out every two months, and feature science fiction and fantasy new back-list re-releases from SFWA members, including books, stories, games, and other creations.” (SFWA members can sign up for it here. Releases that are announced should be from the month before or the month after the newsletter goes out.) That newsletter goes out to close to 1000 subscribers and has an above-average open rate.
• The Partners Program has been more successful in some areas than others, but overall it’s tried to build connections with industry contacts. Particularly successful ones include BookBub, HumbleBundle, Kickstarter, Kobo, and Storybundle. Today we launch one of the results of that, the second Storybundle we’ve done, this time the SFWA Fantasy Bundle (that link will go live Wednesday morning!). The Sci-Fi bundle earlier this year netted each of its writers a nice chunk of money, around $900, along with the curator’s payment, an equivalent amount which I donated to SFWA, as I’ll do again with this one. Next year our Self-Publishing Committee will take over running this program, and there will be three bundles altogether.
• The Netgalley Program was a long long time coming and something I don’t know would have happened without Maggie lending her voice to insist this was something useful for our members, but it’s now something people frequently ask me about. I stole the idea from Broad Universe, which was to buy a membership that our members could use for individual books for a substantially cheaper cost than getting such a membership on their own. Here’s how to use it to promote a book.
• The SFWA Star Project was a cool effort (and remains one) but it’s been a bit of an uneven project. Originally proposed by Rob Balder, it used a small budget to promote and support worthy crowd-funded projects. Material rewards gained by supporting a Kickstarter go to SFWA’s fundraisers to be used there.
• Expanded Nebula Programming was a natural outgrowth of the new energy, and programming tried to bring in both partners that year as well as create programming aimed at the new members. One lesson learned that first year was that the usual basic level stuff was not what people wanted, but rather in-depth looks at specific aspects of the industry and how to use SFWA’s services to the most benefit. Another was that we needed to figure out a new bookstore policy in order to accommodate everyone.

Nebula programming for the indies would be an issue both that year and the following one, with many indies feeling they were unrepresented and saying so on the discussion forums. The second year seemed to me to be partly an issue of perception and bad framing rather than actual lack: while many of the panels were aimed at indies as well as hybrid and trad pubbers, they were not marked as being of interest to indies. To my mind, they have progressed significantly each year: for me last year’s highlights included the mentoring program, the chance to hear experts talking about their wide range of expertise in office, and the fact that we managed to give everyone, including the indies, a way to have their books for sale there at the events. (Thank you Sean Wallace!)

Many existing services were already there for the new members such as the Featured Book/Artist program, the Nebula Awards, and appearances at events such as WorldCon, the Baltimore Book Festival, GenCon, and others. Other new things were applicable to all sides, such as the SFWA Speakers Bureau, introduced in early 2016 or the emerging Grants Program. I tried to make sure that indies were represented on the SFWA Recommended Reading List, and continue to do so, as do a number of other people.

All in all – things were swell, and continue to be so.

Next time, in Part Four (the final one) — what does the future hold in store? Includes talking about data from the recent SFWA member survey as well as revelation of at least one cool project designed to help people reading novels for all yearly awards, including the Nebulas, Hugos, Dragon, World Fantasy, among others. *cue mysterious music and exit*

#sfwapro