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You Should Read This: The Forest of Forever by Thomas Burnett Swann

Cover for Forest of Forever, by Thomas Burnett Swann.
"I am three hundred and sixty years old and I pride myself, not unjustly, on having enjoyed twice as many lovers as I have years. I have loved Men, Minotaurs, Centaurs, and Tritons and no one has ever complained that Zoe, the Dryad of Crete, has failed in the act of love."
Here’s one of my favorite speculative fiction authors, and it was hard picking a reasonable book to represent him. I have a stack of his paperbacks, garnered over the years in used book stores and thrift shops, and they are some of the books I’ve held onto through any number of rigorous book purges.

What: The Forest of Forever, by Thomas Burnett Swann, was originally published in 1971. Many of Swann’s slim little volumes appeared during that decade, lovely retellings of Greco-Roman myths and alternate histories full of mythological creatures. Dryads, centaurs, minotaurs, and fauns fill the pages. Swann depicted same-sex relationships as a matter of fact in a way that nowadays seems well ahead of his time.

Who: If you love gentle fantasy, this is a splendid entrance into Swann’s world. Particularly for those who love mythological creatures, you’ll find a full cast, including some magical creatures invented by Swann.

When: Read this when you’re a little down. You may well find that Swann becomes one of your comfort reads. It’s not a thick fantasy by any means, (my copy is 155 pages) but if you finish it too fast, there’s a sequel to Forest of Forever, Day of the Minotaur.

Why: Read Swann for an interesting take on fantasy. I’ve always thought that his world would be a fabulous one in which to set a role-playing game. Also read him to see same-sex relationships worked in seamlessly, without the “OMG look how socially conscious I am” flavor that sometimes intrudes.

Where and how: Curl up in a corner for this one, with a mug of some pleasantly flowery tea. Be aware the time will pass all too quickly. Be aware there’s plenty more Swann out there, though you may have to hunt for some of the rarer titles.

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You Should Read This: The Moomintroll Books by Tove Jansson

Illustration from Moominland Midwinter
This illustration comes from one of my favorites, Moominland Midwinter, showing Moomintroll and Tooticky around the snow lantern Tooticky has built.
I found these books as part of the reading list in the back of Jacqueline Jackson’s Turn Not Pale, Beloved Snail. They are why I’ve always wanted to go to Finland.

What: Moomintroll and the other Moomins are odd creatures living among a cast of equally odd characters: the Snork Maiden, the Fillyjonk, the Hemulen. The books need not be read in consecutive order. There’s quite a few of them, including Comet in Moominland, Finn Family Moomintroll, Moominpappa at Sea, Moominsummer Madness, Moominvalley in November, Moominland Midwinter and Tales from Moominvalley, some of which are available in cartoon form as well.

Who: Again kids as well as those who love literature written for kids will love these. There is a quiet charm and gentle oddness to the Moomin books that is enthralling.

Why: Read these for enjoyment, or to take apart and see how Jansson has rendered our world in charmingly fractured form. Read them to see an example of children’s books that knock your socks off with charm.

When and where and how: Read Moominland Midwinter when it’s snowy and solitary outside and you want to imagine the lonesome Groke wandering in search of warmth. Really it’s not so much a question of when to read them as when they’ll return to you, at odd moments on the ferry or seeing a wave crest.

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You Should Read This: The Birthday Problem by Caren Gussoff

Cover of the Birthday Problem by Caren Gussoff
Ever wondered what it would be like to wander through plague-ridden Seattle in the future? This book’s a good approximation.
In the interest of full disclosure, I will say that Caren’s a close friend. But beyond that The Birthday Problem is terrific SF, and a great example of interweaving narratives that is a) highly enjoyable to read and b) highly instructive to take a look at.

The Birthday Problem of the title is a common mathematical puzzle: find the probability that, in a group of N people, there is at least one pair of people who have the same birthday. (Hint: it’s a much lower number than you think. You can find out more about it on Wikipedia if you want to understand why.) The book is about odd ties and coincidences, set in a crumbling Seattle in a world plagued by nanobots that make people crazy.

Why’s it instructive to take a look at? Because Gussoff confronts two problems that speculative writers often face. The first is a complicated scientific or mathematical concept, like the birthday problem, which the reader needs to understand. Gussoff manages to convey it to the reader with no “As you know, Bob” or overly pedantic moments.

The second is that it’s constructed in a way that is incredibly hard to do: overlapping points of view, and plenty of them. When you switch POVs, you bounce the reader out of the story just a little, and Gussoff does it in a way that swiftly gathers the reader back in.

I like to include a beginning chunk of the book I’m discussing to show you what the author’s prose style as well as what they set. Here’s the first three paragraphs from The Birthday Problem:

Chaaya wasn’t surprised when she woke up and saw lips aimed directly over her face. It was beginning. It’d been just a matter of time.

It begins with one, good solid hallucination.

That was how it had happened to her Nani.This is how it would happen to her.

Gussoff also makes the most of her setting in a way that will delight Seattleites. There’s a joy to imagining Pike Place Market as a post-apocalytic trading post or the SF Museum hosting a cadre led by an aging rock musician.

If you’re interested in more of Gussoff’s work, she’s got a novella appearing this January from Aqueduct Press, Three Songs for Roxy. Its main character is an alien raised by Romany, and Gussoff draws on her own heritage to create a realistic, unromantic, and absolutely appealing narrative.

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