From the introduction by Sally Beauman: "This is, at first sight, a very odd book: it has an exceedingly odd, indeed unlikely, heroine, the eponymous Miss Mole, and an exceedingly odd style."There are some books I go back to over and over again, and this is one of them, because I love the main character so much. Hannah Mole is engaging, delightful, and incredibly sympathetic. I originally found this book because it was a Virago Modern Classic (I found a TON of great reading through Virago, many of which will appear in weeks, months, and hopefully years to come), and it is, unfortunately, out of print nowadays. I sincerely hope it’s reissued sometime.
What: Miss Mole is a novel that won the James Tait Black Memorial Prize in 1930. It is set in Radstowe and is, in many ways, a small town novel of manners.
Who: Read this if you love absorbing fiction that deals with small things: not wars or aliens or other monumental matters, but rather cases of crewel yarn gone astray or a pilfered mattress. Read this for characters that come alive and are exemplary of characters who are lovable while still shown with all their flaws.
When: Read this when you want an engrossing read, but also when you want to see the interior life and thoughts of a character conveyed in the most engaging way possible.
Why: Read it because Miss Mole is a heroine outside the norm, because she doesn’t care (or does she) what society says, and because she faces the consequences of past actions with bravery and good spirits.
Where and how: Read this on a rainy day, when you want a love story that is gentle and understated, on a day when you hear the characters’ murmuring in the sound of the falling rain.
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You Should Read This: The Dictionary. Any Dictionary.
The narrower the definition of a word, the more likely it is to delight me.I love the dictionary. I have, in fact, been known to dip into it for pleasure, to swoon with delight at a new word like lacustrine or neritic. When I was in grad school, we played a version of Balderdash that far predated the boxed set, using an American Heritage dictionary that still sits on my shelf.
What: Any book of words that tells you what’s built into them, whether it’s a dictionary of hobby-related vocabularies or a more complete overview. I’ve got a shelf’s worth of them, including a number of foreign language dictionaries and the beloved Compact edition of the OED my brother gave me one year.
Who: If you are someone who uses words, and want to make sure you are using them correctly, use a dictionary. A while back while I was teaching at Hopkins, a student handed in a piece that was unsettling in a way I’d never encountered before, consistently misusing words. When we talked about it, she revealed she’d written the piece and then used a thesaurus “to make the words fancier.”
Why: If you are going to write, you must know how to use words. They are the basic building block of the trade. Read the dictionary in order to use them with rigorous precision, an appreciation for their history, and an understanding of their grammatical use.
When: All the time. On your phone. While waiting for your bus. When you want to refill your tank of words.
Where and how: The deeper the dictionary, the more interest it holds for me. I like specialized dictionaries that list fashion terms or kinds of birds or words taken from other languages.
I use some surrealist techniques in the Literary Techniques for Genre Fiction class. Check it out if you're interested in adding more depth or texture to your writing.I’ve been carrying this book around since days in Baltimore, when my ex gave it to me as a Valentine. It came in a charming little boxed set complete with temporary tattoo. Nowadays I have several real tattoos but I still draw on this book, particularly for the Literary Techniques in Speculative Fiction class.
What:Surrealist Games, compiled and presented by Alastair Brotchie is a compedium of games played by members of the Surrealist movement along with illustrations and surrealist quotes. Games include echo poems, provocations, and oral description of objects perceived by touch.
Who: Any writer is the better for a little dose of surreality from time to time, and any forays into the book will yield a few interesting phrases at the least, or perhaps even a whole new mind.
Why: Read it to find some writing games that you can play solo or with similarly-verbally-minded friends. Read it for the equivalent of a poetic whack upside the head. Read it for the creative sparks flung out by its pages.
When: Read it at a time dictated by the roll of a die or the motions of a lizard on the wall.
Where and how: Graze through the pictures and see what inspiration leaps from the paper to your brain. Don’t treat it like a manual, working your way through game 1, game 2, game so on. Instead, let it fall open and see where chance takes you.
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2 Responses
Love the name Hannah Mole, and I’ve been getting into the Twenties and Thirties. This one sounds quirky-good!