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You Should Read This: The Complete Drive-In by Joe R. Lansdale

Cover of The Complete Drive-In by Joe R. Lansdale, accompanies blog post reviewing the book by speculative fiction writer Cat Rambo.
I find the book's free-wheeling nature inspirational, although it's a gloomy message at the heart of it all.
Joe R. Lansdale is a favorite writer; this was my entrance into his work and it hooked me thoroughly.

What: The Drive-In by Joe R. Lansdale has two sequels, The Drive-In 2: Not Just One of Them Sequels and The Drive-In 3: The Bus Tour. Underland Press did a collected edition a few years back that is terrific, but it looks as though it’s out of print now. The story begins when a few friends go to the All Night Horror Show at a drive-in theater and find themselves transported to an alternate dimension, forcing the theatergoers to live on popcorn, fountain drinks, and eventually each other. Then it gets weird.

Who: Those willing to abandon themselves to the book, to strap themselves into the funhouse ride Lansdale has prepared will have the time of their life.

Why: Read this for dialogue that flows over you. For a gradual creep into weirdness that disorients and amazes all at once.

When: Read this when you want to be reminded that a good writer can take us wherever he or she likes. WHen you need to be shown that you can be as weird and surreal and downright odd in your writing as you like, as long as you do it with panache.

Where and how: Lansdale is a terrific reader – if you get a chance to hear him in person, do it! If not, try an audio book, in order to appreciate the way it flows. And don’t read it in scraps. Sit down and stay a spell.

#sfwapro

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You Should Read This: About Writing by Samuel R. Delany

The cover of About Writing by Samuel R. Delany, a writing guide recommended by Cat Rambo.
Delany says: "A reasonable concern -- in many a worry; and in few a hope -- is whether a creative writing teacher wishes to teach her or his students to write the way he or she writes. Emphatically that is not my enterprise. But the agenda here is no less personal. The thrust of these pieces is to teach writers to produce works I would enjoy reading. "
I can’t think of a better book to begin with than a writing book I go back to over and over again, both for teaching and to apply to my own writing. Be aware that many of these essays are also contained in The Jewel-Hinged Jaw.

What: About Writing, by Samuel R. Delany, is a book of writing advice that includes seven essays, four letters, and five interviews. Two essays are ones I go back to over and over again, “Thickening the Plot,” and “Characters.”

Who: People who will enjoy this book include all manner of writers, as well as anyone interested in Delany’s own awesome fiction.

When: You should read this when you’re feeling uninspired about your own writing or if you want some assurance that “writing to discover” is as valid an approach as plotting things out thoroughly.

Why: Delany is one of the foremost SF writers of our time. His work speaks not just to those beginning to write, but those well along their path. If, like me, you love his fiction, you’ll find About Writing sheds new light on those works.

Where and how: Read it someplace quiet, where you have space to stare off into the distance, thinking about what Delany has said. Read it straight through or else do what I do and dip in at various places. No matter what angle your approach takes, it’ll be rewarding.

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Cover of AcceptanceI’m timing this post to come out before I’ve finished the last book of the Southern Reach trilogy, ACCEPTANCE, so I haven’t read the entire trilogy yet. But I recommend the overall trilogy based on my utter enthusiasm for the first two books, ANNIHILATION and AUTHORITY.

VanderMeer is one of the finest writers alive*, in my opinion, able to craft worlds that are eerie and beautiful and intriguing and, above all, unlike anything you’ve read before. Both ANNIHILATION and AUTHORITY are full of moments that smacked me in the face with their perception and beauty in a way that still leaves me thinking about them.

The books have that sense of the weird that haunts other works, like House of Leaves or The Crying of Lot 49. As though one were viewing the everyday world with a new lens, one that slants them, puts them askew, renders them mysterious. And they do it beautifully.

The publisher’s taken the unusual (increasingly less so, though) step of releasing all three books in one year — particularly awesome for those of us who hate waiting for the next installment to come out.

*Full disclosure: Not only do I know Jeff, but we’ve co-written a novelette, The Surgeon’s Tale, together. But part of my pleasure in that friendship/co-authorship is a deep awareness of how very very good his writing is.

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