You Should Read This: The Chronicles of Narnia by C. S. Lewis

I blogged a couple of weeks ago about books I’d recommend for writers focusing on their craft. This time I’m choosing books that are handy to have on a nearby shelf, particularly books that help spark new ideas, whether it’s at the overall story or plot level, or bits that can be used to adorn a story, the tiny embellishments like filagree or the lines in the Book of Kells, because we can always use new idea, little shocks, a kick in the head that turns the world askew in a way that lets us see it more clearly.

• The Penguin Dictionary of Symbols. Sometimes when I’m stuck on a story (or even a polish of a story), I like to look up things that appear in the story, using this dictionary. Looking at the lore behind a symbol can often help you use it effectively.
• Talk the Talk: The Slang of 65 American Subcultures by Luc Reid. I love this little book both as a way to spark ideas for stories or characters, but also creating touches of authenticity when ivoking subcultures like rock climbers, sky divers, and UFO believers.
• Visual Dictionary – I like my Macmillan Visual Dictionary, but there’s also plenty of others, like Merriam Webster’s. If you don’t know what a widget or boat part or architectural feature is called, this will have it. A great aid towards precision.
• Some book of poetry. It could be anything, Shakespeare to Ogden Nash. T.S. Eliot. Sylvia Plath or Emily Dickinson. Something densely poetic. It can be prose, but it has to be dense, poetry-drenched prose, like Djuna Barnes or James Joyce. Recently I’ve been employing Rumi. Use it several ways – to spark timed writings or stories or whatever, but I use it primarily for coming up with titles.
• People’s History of the United States by Howard Zinn. (Kindle version) This is a view of history from the left, and one that looks at a lot of moments that are not covered in the mainstream history books. Look here for interesting story ideas or historical details for period pieces.
• Booklife by Jeff VanderMeer. (Kindle version) A career guide that is worth looking at repeatedly. (Disclosure: I wrote the appendix on writing workshops, but there are much, much wiser voices throughout the book, particularly Jeff’s.
• A tarot deck. Yes, technically not a book, but certainly there’s been plenty of books written about them and these books tap into all sorts of archetypes.
• The White Goddess: A Historical Grammar of Poetic Myth, by Robert Graves. A rich source of European Mythology, Graves is both reading through or dipping into on an occasional basis, this can be another useful source of starting images, symbols, or even poetic titles. For similar books, look at Weston’s From Ritual To Romance or Frazer’s The Golden Bough.

What:There’s a t-shirt that reads “English is a language that lurks in dark alleys, beats up other languages and rifles through their pockets for spare vocabulary.” In A Biography of the English Language, Millward presents some of this complicated history of the English language, first talking about what a language is, along with basics of phonology and writing before moving into Indo-European, Old English (the sage of the arrival of the English, the Christianization of England, and various Viking invasions), Middle English, Early Modern English, and then the array of recent forces shaping our language: the printing press, the industrial revolution, colonization, the codification of grammar, and more. It finishes up with present day English, at least as present day as a book written in 1989 can be. I should note that, looking at Amazon, the book is expensive as heck. I suspect any thorough history of the English language will do as well, but this book is VERY thorough. I bet it’s also available through libraries.

Who:Read this if you are a writer who likes to know what’s built into the words you’re using, what they say about their circumstances as well as what resonances they add for the knowledgeable. Read it if you love the minutiae of language, all the little “who would have thought” and “Although unlikely” facts that get seeded into long and drifty conversations, like the fact that Indo-European had three numbers: singular, plural, and dual.

Why: Read this so you can use words both more efficiently and more artfully. SO you know how the literary tradition you are working for and against, bound inextricably within, has been affected by linguistic change and created its own pressures to change in turn.

When: Read this when going among bores, for it will arm you with facts with which any recitation of X-Files plots or sports trivia can be met. Read this when you want something a little academic, with that cleansing flavor of self-improvement that the scrub of dry details can bring. Read it when you’re cramming for a test that involves volcabulary.

Where and how: Read this sporadically, tucking facts away, or with a notebook in hand. Read it for a class that takes you through centuries of linguistic change, showing you how history is tucked into every Vocabulary lesson.

#sfwapro