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You Should Read This: More Notable Young Adult and Middle Grade Speculative Fiction of 2013

Cover for September Girls by Madison Bennett
September Girls managed to do something new with mermaids, which is something that gets increasingly hard to do.
I blogged last week about some of my favorite YA of 2013 and I wanted to add some more books to that list. These are all books that I wold’t have run across if I hadn’t been reading for the Norton jury, and I’m very pleased to have found them. With each I’ve identified both the genre (fantasy vs. science fiction) and the gender of the lead character, since I know that may affect some buying decisions.

For what it’s worth, the overall breakdown here is: 4 male authors, 7 female authors; 6 fantasy, 5 sf; and
5 female leads to 6 male leads.

The Woken Gods by Gwenda Bond. Fantasy, female lead. I love the premise: “Five years ago, the gods of ancient mythology awoke around the world.” This is the setting for seventeen-year-old Kyra Locke’s adventures in search of her missing father and his secrets.

Homeland by Cory Doctorow. Science fiction, male lead. The sequel to Little Brother, Homeland stands on its own legs, with plenty of action and a lead character, Marcus Yallow, who is beleaguered by questions about releasing information in a plot that seems extraordinarily timely.

Maggot Moon by Sally Gardner Science fiction, male lead. An outstanding voice and unusual premise make the story told by social outcast Standish Treadwell well worth picking up. This was a 2014 Michael L. Printz Honor Book.

When We Wake by Karen Healey Science fiction, female lead. When sixteen-year old-Tegan Oglietti is unexpectedly moved forward a century in time, she finds herself in a future that’s far from benign, and one that will force her to act in order to keep others from sharing her fate.

Summer Prince by Alaya Dawn Johnson Science fiction, female lead. Johnson’s past books have been terrific and this one is no exception. It’s an interesting take of a future society that is fresh and well-written.

September Girls by Bennett Madison Fantasy, male lead. This book is set on North Carolina’s Outer Banks and therefore had me from page one. It’s a beautiful, evocative book that treats mermaids in a poetic and (I would argue) feminist take that is gorgeous and has a fabulous mythic quality.

Far Far Away by Tom McNeal Fantasy, male lead. The narrator is the ghost of one of the Brothers Grimm…and it goes from there. There’s a slight resonance with Neil Gaiman’s American Gods that comes at a jarring moment, but overall, a terrific and interesting novel.

A Corner of White: The Colors of Madeleine, Book One by Jaclyn Moriarty Fantasy, female lead. I don’t even know how to begin to describe this book, except that it is well written and playful in a way that sometimes is not associated with young adult books. Really lovely.

More than This by Patrick Ness Science fiction, male lead. I will admit I don’t usually like books where the protagonist wakes up amnesia, because it’s a situation that’s been done to death. But the place where Seth awakens is odd enough that I reluctantly found myself drawn into his explorations.

Man Made Boy by Jon Skovron Fantasy, male lead. Boy is, in fact, Frankenstein’s monster, and his plight is touching and funny and lovely, particularly when he runs away with the granddaughters of Jekyll/Hyde. This is a funny book in the way funny books should be, and will make your heart hurt even while you’re laughing.

In the Shadow of Blackbirds by Cat Winters Fantasy, female lead. Reviewers aren’t supposed to talk about the book as a physical object, but I still want to note that this is a handsome book with evocative illustrations that really add to the experience. Sixteen-year-old Mary Shelley Black has been sent to San Diego during the Spanish flu epidemic in 1918. When she begins to hear the voice of her recently-killed lover, she becomes involved with the Spiritualist movement. Rich historical details add a lovely texture to the book as well.

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You Should Read This: Herland by Charlotte Perkins Gilman

Cover for feminist utopian novel Herland by Charlotte Perkins Gilman.
"There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver." - Charlotte Perkins Gilman
Last week, I pointed to one of the foremothers of science fiction, Margaret Cavendish, the Duchess of Newcastle, and her work The Blazing World. Herland comes several centuries later (in fact, it’ll be exactly a century old in 2015) but it’s just as important a landmark in this often murky territory.

Charlotte Perkins Gilman was an American editor, writer, and lecturer whose short story “The Yellow Wallpaper,” about a woman’s descent into madness, is often revisited in college literature classes. She was a single mother who supported herself by writing — no small accomplishment today, let alone at the time she was doing so, the late 19th and early 20th centuries.

Herland is often treated as though it stands alone, but it’s actually the middle volume of a trilogy, preceded by Moving the Mountain in 1911 and followed by With Her in Ourland in 1916. The work was originally published as a serial in a magazine called The Forerunner that Gilman edited; it did not appear as a complete book until 1979, when Pantheon Books published it.

Herland is a utopian novel, in which three men, Vandyk (the narrator), Terry, and Jeff stumble across a civilization where the women reproduce asexually and there are no men. This turns out to lead not to a perfect civilization, but certainly one that seems more appealing than the one Gilman found herself in. Gilman uses the book as a device with which to explore constructed ideas of gender. It is an appealing society in many others; in others, it’s a bit cold and calculating. Girls who are overly rebellious or mouthy, for example, will not be allowed to reproduce.

One of the things that’s refreshing about the book is that it’s not written as though the lack of males is a deficit that warps society. Instead, it’s simply the way things are, and the Herlanders seem capable of getting along quite well without it.

Gilman was one of the important suffrage speakers of her time and a bit of a polymath. If you want to go further into her writing, I suggest a piece of nonfiction, her work on economics, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, which originally appeared in 1898.

You can find Herland online in its entirety at Project Gutenberg, along with much of Gilman’s other work.

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You Should Read This: The Essential Rumi (Coleman Barks translation)

Picture of 13th century ecstatic poet Rumi, illustrating blog post about his work by speculative fiction writer Cat Rambo.
He was not bits of husk, or a puddle that freezes overnight or a comb that cracks when you use it, or a pod crushed open on the ground. He was fine powder in a rough clay dish. He knew what both worlds were worth: a grain of barley.
I first discovered Rumi’s work when I was in graduate school. It spoke to me in a way that few other poems had, seeming to pluck out the questions I had and showing me that the answer was already there.

What:Translation is an art form, and Coleman Barks’ translation does the poet justice. Rumi was a 13th century Persian mystic poet who may well be the most popular poet in America, given how often lines of his poetry show up on Pinterest.

Stop acting so small. You are the universe in ecstatic motion. -Rumi
Rumi may be the most pinned poet of all time.

Who: I cannot think of anyone who would not benefit from this book, particularly if you like poetry.

Why: Read this if you’re interested in simple language presenting wild and wonderful ecstasy. Read it if you’re wondering where you belong in the world or what you should be doing in it. Read it for lines that will linger with you.

When: Read this when you are first falling in or out of love. Read it when your soul is thirsty.

Where and how: Read this in intervals, taking time to savor each piece and turn it over in your head.

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