Teaching and Burnout: Taking a Break

Both my Writing F&SF Stories and Advanced workshops offer students a chance to critique and be critiqued. To my mind, the latter is actually more useful, because being forced to articulate one’s position on an aspect of writing can be enlightening and instructive. With that in mind, here’s some best practices for such workshops.

Overall:

1. Start with what works. Let the writer know what you see as the story’s strengths and how they might capitalize on them.
2. What keeps you from connecting with the story? What don’t you understand? Sometimes the most useful thing you can give someone is a brief synopsis of what you think is going on in the story, because it may not match their intent.
3. Critique big ticket items, not little nitpicks.
4. It’s more important to point out what’s broken than to make suggestions how to fix it, because that fix will differ radically from writer to writer.
5. How do the beginning and ending work together to create a satisfying story? Is the story that’s provided the one the one promised in the beginning? Is the ending set up in a satisfying way? Is it the result of character actions?
6. What’s missing? What don’t you understand?
7. What seems extraneous, unneeded or distracting?
8. What’s the pacing like? Where does the story drag and where does it skip too quickly through details?
9. Where are the info-dumps and how can that information be spread out?
10. How well does the title work? If not well, what possible better titles can be drawn from the story?

Characters:

1. Are the characters likeable?
2. Are the characters acting or reacting?
3. Does the character have a point of identification with the reader, such as a problem, situation or want that both of them hold?
4. Where can we go deeper into the character’s head? Does the reader know what the character wants? Where don’t we understand what the character is doing?
5. Are there too many characters? Can any be combined?
6. Is the dialogue interesting and informative of character?
7. Is the point of view consistent?

World:

1. Is the world clear? Does the reader know where they are?
2. Does it feel generic? (Is it?) How can it be made more specific and evocative?
3. Does it make sense?
4. How important is the science of it? Are the facts right?
5. Where should we know more?
6. Where can the world come forward more?
7. Where can more sensory detail be worked in?
8. Is the culture interesting and also make sense?

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

Have you ever had a ridiculously lofty desire buried so deep in your psyche that you’ve never mentioned it to anyone?  That’s what the Wayward Wormhole is for me.

Immersing myself into a world of writers where everyone is as obsessed, driven, and crazy about language and story for weeks at a time is my ultimate happy place. That passionate kiss of at a three-day conference only stoked my desire for more. I applied to some of the greats: Clarion and Odyssey and vowed to apply to Viable Paradise and Launch Pad as schedule and finances permit, but I’ve yet to receive an acceptance from any of them. Is that a reflection of my writing? Maybe…but they’re all incredibly popular and competitive. The sheer talent from the other applicants is intimidating. I’m not a natural. I’m a writer who makes all the usual mistakes and has to fight my way up the rejection ladder. On the flip side, I love learning about writing, and I’m damn stubborn, so I’ll keep going as long as I’m having fun.

Tired of waiting for an acceptance and finding that I aged with every passing year, I started giving myself an education from the many instructors that graced the workshops I wanted to attend. That’s where Cat Rambo came in. Their Academy for Wayward Writers was the perfect training ground for my struggling career as a writer. They brought in Tobias Buckell, Michael Underwood, Sarah Pinsker, Ann Leckie, Kate Heartfield, and Jamie Lackey, not to mention all the classes put together by Cat themselves. And it was great.

But it still wasn’t the deep end I dreamed about. Then, one day all the time spent on Cat’s Patreon and Discord brought the opportunity of a lifetime—a month of November—an intensive workshop in Spain. Was anyone interested? I was. Did she have a location? No. So I looked for one. I found a castle (A CASTLE!).  The next step was financial viability—was a venture like this something that could at least pay for itself? Spreadsheet time. The numbers said it could. We wouldn’t get rich, but we could offer a new, high-level intensive writing workshop offering access to exceptional instructors, and bring together fellow writers who were as eager to help each other succeed as you are to helping them. That’s what it’s all about!

Cat received a good deal of flack over the location’s lack of accessibility, and that was my fault. To anyone who wanted to attend and couldn’t, I can only apologize and say we are committed to doing better with each upcoming workshop.

Spending last November with Cat Rambo, Ann Leckie, Sarah Pinsker, and Tobias Buckell, along with eleven excellent writers in their twenties, thirties, fifties, and up, from four different countries, gave my confidence a much-needed boost, and with that, my writing leaped forward. We’re kept the Ride or Die Writing Group together in 2024, and students are getting published!

Cat Rambo has an amazing array of friends in the SFF community. They’ve all experienced her kindness, generosity, and balanced sense of right and wrong.

We’re heading to New Mexico this November with Arley Sorg, Minister Faust, Donald Maass, C.C. Finlay, plus a slate of students eager to repeat the magic from last year.

I can’t believe this is my life. Maybe we’ll see you there one day!